Equity Foundation Podcast

Actor and Equity member Monica Sayers will chat to Australian casting director Kirsty McGregor about discuss auditions, castings and the actor/casting director relationship.

Kirsty McGregor’s journey from performer to an influential casting director working across Australia and internationally has had a significant impact on film and television. She is the recipient of three AACTA Awards and seventeen Casting Guild of Australia Awards, and has also received three nominations from the Casting Society of Americas well as an Emmy nomination. A long-time advocate for the craft of casting, Kirsty has been a leading voice within the Casting Guild of Australia, championing the recognition of casting as a key creative department. Her work has helped shape some of the most acclaimed Australian productions of recent years, including Lion, Animal Kingdom, Babyteeth, Colin from Accounts, Top Of The Lake, The Twelve, Apple Cider Vinegar and Bump. Her work continues to shape and elevate talent both in Australia and internationally.

Kirsty is a proud member of the Casting Guild of Australia, the Casting Society of America and the Academy of Motion Picture Arts and Sciences.

A chance to hear from Equity’s National Industrial Officers Tess Chappell and Miles Hunt on performers’ employment contracts, usage payments and residuals.

This will be of particular interest for new members and a refresher for established members.
The discussion will cover the following topics:
• Contract basics, how to negotiate an employment contract before signing and how to use your contract during your employment.
• Usage – upfront buyouts and the curse of in perpetuity.
• Residuals – backend payments and where they come from;
• Agreements – how usage and residuals work in film, TV and streaming;
• MEAA negotiations and payments for performers;
• Commercials and rollovers
• The difficulty with streamers; and
• International Perspective – SAG and other jurisdictions and Q and A

Equity's Live Stream Program continues with esteemed casting director Lauren Wiley talking with Equity member Helen Dallimore about all things auditions, musicals, casting, current and past projects, the actor/casting director relationship and answering all your questions.

Lauren Wiley is one of Australia’s most accomplished Casting Directors, bringing more than two decades of experience. She is currently the Casting Director for the forthcoming Australian premiere of A Beautiful Noise – The Neil Diamond Musical (TEG Dainty/Ken Davenport). Her extensive credits include MJ The Musical (Michael Cassel Group), Gaslight (Newtheatricals/Queensland Theatre), Hamilton (International Tour) and Hamilton (Australia) (Michael Cassel Group), Come From Away (Junkyard Dog/Newtheatricals), Beautiful: The Carole King Musical (Michael Cassel Group), and Kinky Boots (Michael Cassel Group). Lauren also served as Consulting Casting Director for Tina – The Tina Turner Musical (TEG Dainty/Stage Entertainment) and was Casting Administrator for Cameron Mackintosh’s Les Misérables (Michael Cassel Group). Lauren began her theatrical casting career at Sydney Theatre Company in 2009, appointed Casting Coordinator to Co-Artistic Directors Cate Blanchett and Andrew Upton. She later returned to Sydney Theatre Company as in-house Casting Director under Artistic Director Kip Williams, a role she held until 2019. A graduate of Charles Sturt University with a Bachelor of Arts in Communications (Theatre/Media), Lauren spent two years based in London, where she worked as Casting Assistant to Jina Jay on major feature films including The Lovely Bones (Dir. Peter Jackson), Body of Lies (Dir. Ridley Scott), Agora (Dir. Alejandro Amenábar), and The Adventures of Tintin (Dir. Steven Spielberg) as well as time working for London’s most established talent agencies.

Join professional voice artist Alexandra Lopez for an essential introduction to the voice over industry, designed specifically for acting graduates ready to expand their career opportunities. Represented by Scout Management and specialising in coaching beginners, Alexandra will guide you through the unique skills and techniques that set voice work apart from stage and screen acting. You'll learn who to connect with in the industry, what equipment and training you'll need to be audition-ready, and how to stay productive and sharp between jobs. Whether you're curious about voice over or ready to dive in, this session will give you the practical knowledge and insider perspective to confidently navigate this exciting avenue of your acting career.

Alexandra Lopez is the CEO of Alexandra Lopez Studios and the founder of Voice Over Collective. Represented by Scout Management, Alexandra has over 20 years of experience as a professional voice artist. She has voiced campaigns for brands including the SA Government, Shiels Jewellers, L'Oréal, Mitsubishi, Foodland, Adelaide Symphony Orchestra, and San Remo.

How to make money playing the role you were born to play: yourself. Or in other words: learn that the skills you have gained as an actor are of value beyond the script. A deep dive into what skills you have as a performer that can be monetized in other ways including corporate work as an MC, hosting children's shows, game shows and light entertainment with ongoing high profile warm up audience work.

Michael worked as an actor on both stage and screen for several years. 1984 was a turning point as he began an on-air career as a television presenter, hosting children’s shows, game shows and light entertainment. What followed was a decade of profile building which opened opportunities in the corporate space as host and emcee of Award Nights, conferences, product launches and the like. Work that he continues to this day. 1990 saw another sideways turn as audience warm-up for Blind Date. More shows followed and Michael soon became the go-to-guy for audience warm-up for everything from The Voice, Australia’s Got Talent, Mad As Hell and sitcoms such as Acropolis Now, and All Together Now. He continues in this role now on Tipping Point – celebrating 35 continuous years applying the performance skills he learnt as an actor, to this arena. Along the way he has worked as Breakfast Radio host and has created television programs and produced others such as The Price Is Right, Bert’s Family Feud and Comedy Slapdown. Check him out: www.michaelpope.com.au