On the Media

In 1946, Orson Welles, the actor and director behind Citizen Kane, was at the pinnacle of his career. At the time, he had a national radio show called Orson Welles Commentaries on ABC. After a year on the radio, discussing politics and Hollywood, Welles heard of a shocking crime. It was the end of World War Two. A Black soldier, heading home, was brutally beaten by a white police officer in South Carolina. No one knew the identity of the officer. No one even knew the town where it happened.
Welles pledged to solve the mystery… on the air...
In this midweek podcast we're bringing you episode one of a new series from our friends at Radio Diaries called Orson Welles and the Blind Soldier. It’s the story of a crime in a small, southern town…that became a spark for the budding civil rights movement. For the rest of the series, go to the radio diaries website.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

In a landmark trial in California, Meta and Google are being accused of addicting children to social media. On this week’s On the Media, hear how the dramatic proceedings are playing out, and how measures to protect kids online can backfire. Plus, why are betting companies showing up in newsrooms?
[01:00] Host Brooke Gladstone speaks with  Madlin Mekelburg, a legal reporter at Bloomberg, about the landmark lawsuit against Google and Meta that went to trial this week. The social media giants are being accused of deliberately designing their platforms in a way that is addictive and harmful to children’s brains, and the verdict of this case will influence the outcomes of thousands of similar cases across the country. Plus, neuroscience researcher Ian Anderson explains why the ‘addiction’ framework  misses the complexity of what social media does to our brains. 
[20:00] Brooke interviews Julia Angwin, investigative journalist and founder of Proof News, a nonprofit journalism studio. They discuss the tools that users can employ to protect themselves against doomscrolling, and how social media bans across the world can sometimes do more harm than good. 
[34:41] Host Micah Loewinger speaks with Judd Legum, the author of the accountability newsletter Popular Information, about the explosive rise of prediction markets, and the implications of their growing partnerships with newsrooms.  
 Further reading / watching:
“Social Networks Face Big Tobacco Moment Over Addiction Cases,” by Madlin Mekelburg
“Overestimates of social media addiction are common but costly,” by Ian Anderson and Wendy Wood
“I Killed Color on My Phone. The Result Shocked Me,” by Julia Angwin
“Social Media Use and Well-Being Across Adolescent Development,” by Ben Singh, Mason Zhou, Rachel Curtis, et al
“Evidence for link between digital technology use and teenage mental health problems is weak, our large study suggests,” by Qiqi Cheng and Neil Humphrey
“The casino-fication of news,” by Judd Legum

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

At the end of December, familiar scenes of protest in Tehran were being documented and shared across the world. But on January 8th, the images stopped coming after the Iranian regime cut off the internet in an attempt by the authorities to prevent protestors from organizing and posting videos online for the outside world to see. Under the cover of darkness the regime is reported to have killed up to 30,000 people.
Brooke spoke to Mahsa Alimardani, the Associate Director of the Technology Threats & Opportunities program at WITNESS, where she works on distinguishing visual truths in the AI age. She says that the internet has started flickering back on after a nearly three-week-long national blackout–the longest the country has ever seen–but that a thick fog of disinformation still covers Iran.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

In the latest batch of Epstein files, hundreds of pages are redacted, shielding the names of prosecutors and possible co-conspirators. On this week’s On the Media, what the files say about how the criminal justice system failed Epstein’s victims. Plus, the toppling of a statue raises questions about who represents Puerto Rican culture. 
[01:00] Host Brooke Gladstone speaks with Julie K. Brown, investigative journalist for The Miami Herald, whose reporting back in 2018 led to sex trafficker Jeffrey Epstein’s arrest. Brown is pouring through the Epstein files and finding new information about how prosecutors failed to bring Epstein to justice for so many years. She is documenting what she finds in her substack newsletter, The Epstein Files by Julie K. Brown. 
[19:24]  We’re celebrating the launch of Season 3 of La Brega from Alana Casanova-Burgess and Futuro Media by featuring episode one: about the toppling of the statue of a Spanish colonizer in San Juan a few years ago, what that reveals about Puerto Rico’s champions, and who deserves that pedestal.
 Further reading / watching:
“What I found today in The Epstein Files,” by Julie K. Brown
“Did the FBI investigate Trump and Epstein?” by Julie K. Brown
Season 3 of La Brega

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

In 2022 Brent Renaud became the first American journalist to be killed by Russian soldiers while covering the war in Ukraine. Brent’s collaborator for many years was his brother Craig. When word got back to Craig that Brent had been shot, he did what he and his brother had always done. He kept filming. 
Craig and his producer Juan Arredondo used that footage along with material from their archive to make the Oscar nominated short documentary “Armed Only With a Camera.”
The film is part tribute to his brother, part salute to war journalists who are still out there, risking their lives. Micah spoke to Craig about how the brothers got started in the journalism business. 

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].