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Switched on Pop

Podcast Switched on Pop
Vulture
A podcast all about the making and meaning of popular music. Musicologist Nate Sloan & songwriter Charlie Harding pull back the curtain on how pop hits work mag...

Available Episodes

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  • The biggest theme song fail
    What happens when your podcast’s theme song—cobbled together from GarageBand loops—gets called “game show music” and likened to a cereal commercial? You rewrite it. In this episode, we take you behind the scenes of Switched on Pop’s sonic makeover, from scathing critiques by music industry heavyweights to the creation of a lush, layered soundscape inspired by Wendy Carlos and PBS science shows. With expert advice from sonic branding maestro Dallas Taylor (Twenty Thousand Hertz) and the composers Zach Tenorio and Jocie Adams (Arc Iris), we dissect every step of transforming our theme into a timeless sonic identity. Tune in for the full story and hear how we turned a jingle crisis into a musical triumph. More Musicares.org is supporting LA based musicians in need of assistance from the destruction of the fire Billboard has compiled more forms of support and assistance Recommendations Read Cat Zhang at The Cut Read Lauren Michelle Jackson’s White Negros and columns at The New Yorker Listen to Ian Fitchuk’s work Listen to Song Exploder hosted by Hrishikesh Hirway Listen to NYTimes Popcast hosted by Jon Caramanica Listen to Twenty Thousand Hertz hosted by Dallas Taylor Songs Discussed The Monkees: "Theme Song (Hey, Hey, We're The Monkees)" Radiohead: "Kid A" No Name: "Yesterday" Mort Garson: "Ode to an African Violet" Wendy Carlos Switched On Bach Whitney Houston: "The Star-Spangled Banner" (1991 Super Bowl performance) Jimi Hendrix: "The Star-Spangled Banner" (Woodstock performance) Friends theme Song "I'll Be There for You" by The Rembrandts Reading Rainbow theme song “Butterfly in the Sky” by Steve Horelick, Dennis Neil Kleinman, and Janet Weir Bill Nye the Science Guy theme Song composed by Mike Greene  3-2-1 Contact theme Song composed by Tom Anthony Learn more about your ad choices. Visit podcastchoices.com/adchoices
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  • Have Disney musicals lost their edge?
    Critics are not feeling the love tonight when it comes to Disney's latest sequels, Mufasa and Moana 2. They've called the animated films "lifeless and bland." But save some sympathy for the composers behind these blatant IP grabs. Lin Manuel Miranda and the duo Barlow and Bear had to match the original, iconic numbers from the Lion King and Moana, songs written by Elton John and Miranda himself. Are critics of the sequels' soundtracks being too harsh? We compare the new songs to their iconic predecessors, like "Circle of Life" and "How Far I'll Go," and ask whether Disney new composers face an impossible task in trying to extend franchises through song. Songs Discussed Elton John, Tim Rice, Lebo M. - “Circle of Life” Elton John, Tim Rice - “Circle of Life” (Radio Version) Elton John, Tim Rice - “Hakuna Matata” Lin-Manuel Miranda - “We Don’t Talk About Bruno” Lin-Manuel Miranda - “Melele” Lin-Manuel Miranda - “I Always Wanted a Brother” Lin-Manuel Miranda - “How Far I’ll Go” ft. Auli’i Cravalho Ariana Grande - “Imperfect For You” Barlow & Bear - “Beyond” feat. Auli’i Cravalho Barlow & Bear - “Can I Get a Chee Hoo” feat. Dwayne Johnson More Brett Boles’s wonderful analysis of “How Far I’ll Go,” referenced in the episode Learn more about your ad choices. Visit podcastchoices.com/adchoices
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  • Going Off Book
    On this very special episode, we join forces with the hilarious podcast OFF BOOK. When our powers combine, Zach and Jess of Off Book, plus their killer backing band of Scott, Dana and Brett create an improvised musical, while Nate and Charlie break down the sound and structure of a Broadway show. Stay tuned for deep thoughts about what separates pop music from musicals, wild speculation about the origin of the word “vamp,” and an ENTIRE FREAKING MUSICAL COMPOSED FROM SCRATCH that will make you laugh your face off. This is not one to miss. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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  • Auto-Tune always and forever
    Popular music changes all the time, but there’s been one consistent element in practically everything released in the last two decades: Auto-Tune is everywhere. What started as a simple audio processing tool in the 1990s has become the dominant force in music. Artists are training to sing with Auto-Tune; songs sound like Auto-Tune. Like it or hate it, Auto-Tune is everywhere. And to be clear, most people like it. On this episode of The Vergecast music journalist and Switched on Pop co-host Charlie Harding tells us the story of Auto-Tune. (Disclosure: Switched on Pop is part of the Vox Media Podcast Network, as is The Vergecast.) It starts, of all places, in the oil and gas industry. It involves artists like Cher and T-Pain, spreads like wildfire throughout the music business, and quickly becomes so utterly ubiquitous that you probably notice when Auto-Tune isn’t used more than when it is. As we barrel toward whatever the “AI era” of music will be, we also look for clues in Auto-Tune’s story that point to what’s coming next. We talk about the distinct sound that comes from tools like Suno and Udio, how artists will use and abuse AI, and whether we should be worried about what it all means. We haven’t yet found the “Believe” of the AI music era, but it’s probably coming. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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  • Santa Claus is coming to town and stalking America
    The first time you hear "Santa Claus is Coming to Town," it probably registers as just another cheery holiday standard. But hiding within this seemingly simple song is a remarkable story of American transformation - musical, technological, and social. Each time artists reimagine the song over its 90-year history, they leave an imprint not just of their own style, but of their entire cultural moment. Correction: Last week, we mistakenly credited Jermaine Jackson with playing bass on The Jackson 5’s “Santa Claus is Coming to Town.” The bass on the studio recording was performed by Wilton Felder, a renowned session musician from The Crusaders. Jermaine played bass in live performances. Artists Discussed: Eddie Cantor Bing Crosby and the Andrews Sisters The Crystals Ella Fitzgerald Fred Astaire The Jackson Five Bruce Springsteen Justin Bieber Learn more about your ad choices. Visit podcastchoices.com/adchoices
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About Switched on Pop

A podcast all about the making and meaning of popular music. Musicologist Nate Sloan & songwriter Charlie Harding pull back the curtain on how pop hits work magic on our ears & our culture. From Vulture and the Vox Media Podcast Network.
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