Good Reading Podcast

Three first responders – a paramedic, a police officer and a firefighter – are motivated by a desire to serve the community. But they are drawn to their work by more complicated impulses as well: a need for control, an acute awareness of danger, and childhood experiences they are still running from.
Peter, a paramedic, served at high-profile disasters including the Port Arthur massacre and the Beaconsfield mine collapse. Despite helping countless people, he is haunted by the lives he couldn't save.
Tara, a firefighter, experienced devastating loss at a young age. She found camaraderie in the fire brigade, but also confronting reminders of her past.
Brett, a police officer, survived childhood neglect and abuse. Policing offered a way to impose order, but it eventually forced him to question his rigid moral view of the world.
In telling their stories, Martin McKenzie-Murray draws on his own experience and his research into trauma and recovery to ask profound questions about human motivation and survival. What draws people to these intense professions, and how does their work reshape them? And what happens when their carefully built walls between past and present, personal and professional, start to crumble?
In this episode Gregory Dobbs chats to Martin McKenzie-Murray about why we need know about the experiences of first responders, why it is a vocation and not just a job, and reasons for the reluctance to seek treatment for the PTSD that many first responders suffer from.

Peter Marralwanga (1916–1987) was a leading figure in one of the great art practices of the world. He grew up in western Arnhem Land surrounded by artists painting in rock shelters and he learned to paint this way himself. The subjects of his paintings were the Djang who made his country and placed the spirits of people within it. Marralwanga’s story highlights the way bark painting became important as a way of evading assimilation policies rife within Northern Territory towns. Marralwanga established an outstation at Marrkolidjban where he could teach his children how to properly care for Ancestral lands, with part of this care involving a knowledge of how to paint. As a senior person who had travelled widely in his youth, and gained extensive ceremonial knowledge, Marralwanga was highly influential among a broad group of painters. Ivan Namirrkki, a painter of note and Peter Marralwanga’s son, has provided here his own account of his father’s life.
This book tracks Marralwanga’s life of learning about country and conveys the religious meaning of numerous major works, offering outsiders a richer understanding and appreciation of Arnhem Land art. It also shows the crucial role of individuals working for the community arts cooperative Maningrida Arts and Culture in facilitating Marralwanga’s rise to recognition as a major Australian and world artist.
In this episode Gregory Dobbs chats to Luke Taylor about the tradition of Aboriginal bark painting that Peter Marralwanga drew from, the depth of knowledge of Aboriginal culture and ceremony that he brought to his paintings, and the political dimension to Marralwanga's work and its role in the developing land rights movement of the 1960s and 70s in Australia.

In Raven Mother, Jane Messer weaves together her Jewish family’s tragic story – stretching back and forth between Berlin, Israel, Palestine, Melbourne and Sydney. Messer retraces the steps of her Jewish grandmother Bella, as she tries to understand her life in pre-war Berlin and Mandate Palestine, to post-war Melbourne where she didn’t survive the surviving, and why her father was abandoned in England before the war. In this powerful, beautifully written and insightful book, Messer spends time in Berlin, Israel and Palestine and grapples with the effects of nationalism, both historical and contemporary. Along the way, she speaks with historians, activists, refugees and scholars, and constantly to her beloved father.

In this episode Gregory Dobbs chats to Jane Messer about the origins of the old German term, 'Rabenmutter', the city of Berlin under the Weimar Republic and the Third Reich, and what she discovered about her grandmother Bella along the way.

Theresa Miller has spent decades working as a journalist and now media trainer, coaching people across all industries – from CEOs and academics to climate campaigners, entrepreneurs and artists – to communicate confidently, clearly and concisely. In Speak Up, she shows you how to successfully share your expertise and experience with an audience – whether it’s creating an inspiring work presentation or media release, blitzing a job interview or nailing your message on a podcast, panel, TV or radio interview. 

In this episode Gregory Dobbs chats to Theresa Miller about why the demand for public speaking is bigger than ever, why being an expert in your field is not enough to get your message across, and why preparation and presentation skills are fundamental to good communication.

In 1986 on Phillip Island, a young woman called Beth Barnard was savagely murdered and her boyfriend’s wife, Vivienne Cameron, went missing. The police immediately jumped to what they thought was the obvious conclusion: in a jealous rage, Vivienne had killed Beth and then herself. Vivienne’s body was never found.

But Vikki Petraitis wasn’t convinced. The official line didn’t explain all the evidence, and it certainly didn’t seem like the behaviour of a mother with two small boys. Fascinated by both the case and the bias it revealed in investigators, Petraitis wrote her first true-crime book about the murder, with Paul Daley, and decades later made a podcast on the case. Both brought new evidence and testimony to light, and asked questions that were not asked at the time.

To mark the fortieth anniversary of Beth’s murder and Vivienne’s vanishing, Petraitis brings together all her discoveries and true-crime experience in a brilliant forensic investigation into what happened all those years ago, and why.

In this episode Gregory Dobbs chats to Vikki Petraitis about why she has returned to this forty-year-old cold case, about her insights into the Philip island community, and why she is not convinced that the police investigation had reached a reasonable conclusion.