Good Reading Podcast

In 1892, New South Wales' most promising writer and least promising teetotaller, Henry Lawson, is banished to Bourke to 'find the real bush'. The goal: sober up, gather fresh material, and stop being such a disappointment. But what Australia's favourite literary son discovers in the river town is less a glorious national frontier than a collective nervous breakdown.

History records this as the trip that defined his career. Wayne Marshall records it as a surrealist action movie where Lawson must outrun his own myth and a gunslinger known as The Rider, aka Banjo - a poet significantly better at being a legend than Henry is.

Henry Goes Bush confronts the madness that lies behind our colonial dreaming - a moment where history is a hallucination and 'the bush' a phantasmagoric theme park. A reality in which The Bulletin's famed poetry wars are an actual shootout on the banks of the Darling River. It turns out finding 'the real Australia' is easy; the hard part is surviving the encounter.

In this episode Gregory Dobbs chats to Wayne Marshall about the enduring interest in Henry Lawson's life and work, the rather unattractive proposition presented to Henry by The Bulletin's JF Archibald and what he thought about it, and how the blurred line between history, fiction and myth became the foundation of 'Henry Goes Bush'.

Cornwall, 1628. Steeped in herbal lore, a woman with no name guards a dangerous secret, while across the land whispers of witchcraft turn deadly. When a witch hunter sets out to track down the woman, their meeting will change the course of history. Can she survive in a world that burns what it does not understand?
In this episode Gregory Dobbs chats to Bernice Barry about exploring her own historical connection to the Cornwall landscape of times past, the dangers of being an intelligent, educated woman in 17th century Britain, and how RD Blackmore's classic romance, Lorna Doona became a reference point for her own work of historical fiction.

1899, Fremantle Asylum, Western Australia. For three years now, Gilberta Brady has kept quiet and stayed out of trouble, hoping to soon be released. But when Norah Devaney screams into the ward with revenge in her heart and a story no-one believes, Brady’s carefully guarded peace is shattered.

On the run and out of options, they collide with Malkar and Kedalak, Nyungar brothers on their own journey home. They form an unlikely gang of bushrangers and embark on a dangerous mission: track down the man who killed Norah’s mum.

In this episode Gregory Dobbs chats to Meg Caddy about how historical fiction can help fill in the gaps in our documented history, how her research exposed the horrors of the Fremantle Asylum at the turn of the 19th century, and how writing in the first person allows the individual perspective of each character to reveal their inner selves.

An elderly couple are driving to the pound. At last, the old lady is getting a dog. The dog is driven through a gate in the fence to its new home. It goes to sleep in front of the black stove, but when it wakes, the old lady is confused. Doesn’t she already have a dog? The old lady slips a pair of pantyhose through the dog’s collar and walks it along the fence. For some reason the gate has disappeared. In the dog’s new home objects are uncoupling from their meaning. Is the dog still a dog? When the gate opens for the very last time will the dog go through?
With whimsical drawings from artist Noel McKenna, The Lady with the Dog is a homage to the exquisite sadness of Chekhov’s famous short story. A masterful novella about the importance of animals in language and life.
In this episode Gregory Dobbs chats to Carrie Tiffany about the relationship between her story and Anton Chekhov's short story of the same name, how Carrie managed to get inside the head of an Alzheimer's sufferer, and how those muddled conversations with her mother became the foundation of her prose in The Lady with the Dog

They say your life flashes before your eyes just before you die. For Dan Milligan it isn't his life ... it's memories of his dad. Dan has spent his whole life chasing something. Fast cars, leggy blondes, the rush of making a lot of money and the cocaine high to celebrate. But as the stock market plummets in 1987, his world comes crashing down.

A new life on the South Coast isn't too bad. Mowing lawns is good, honest work. Most days. But other days, he tells himself he'll get back in the game. He'll get his head together, get his mojo back and master the market again. He just needs some luck. Then one day ... his luck changes. And suddenly he has a choice. Dan has no idea what he could unleash on his life, himself and his family. Or how far he will go to find a way back.

In this episode Gregory Dobbs chats to Matt Nable about  storytelling from the gritty end of town, how his characters are shaped by research into real world crime , and the distinct and separate creative worlds of screen and page.