NBN Book of the Day

The Second Emancipation: Nkrumah, Pan-Africanism, and Global Blackness at High Tide (Liveright, 2025), the second work in a trilogy from best-selling author Howard W. French about Africa's pivotal role in shaping world history, underscores Adam Hochschild's contention that French is a "modern-day Copernicus." The title--referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom--positions this liberation at the center of a "movement of global Blackness," with one charismatic leader, Kwame Nkrumah (1909-1972), at its head.That so few people today know about Nkrumah is an omission that French demonstrates is "typical of our deliberate neglect of Africa's enormous role in the birth of the modern world." Determined to re-create Nkrumah's life as "an epic twentieth-century story," The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana's Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French's consummate style more vivid than in Nkrumah's early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu--including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him "one of the greatest political leaders of our century"--and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana's first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah's radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history. Howard W. French is a professor of journalism at Columbia University and a former New York Times bureau chief for Central America and the Caribbean, West and Central Africa, Japan and the Koreas, and China, based in Shanghai. The author of six books, including Born in Blackness, French lives in New York City. Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In the late sixteenth and early seventeenth centuries, Japan sent its first diplomatic delegations to visit the popes and dignitaries of Europe. European artists portrayed these historic ambassadors—the Tenshō embassy (1582–90) and the Keichō embassy (1613–20)—in numerous oil paintings, frescoes, drawings, and prints. Envisioning Diplomacy: Japanese Ambassadors in Early Modern Europe (Pennsylvania State UP, 2025) by Dr. Mayu Fujikawa analyzes these images—including newly discovered and lost works—within their cross-cultural and diplomatic contexts. Drawing on extensive and geographically expansive archival research, art historian Dr. Fujikawa investigates how the embassies were received and either assimilated or differentiated at European courts. She demonstrates how delegates’ gifts to their hosts, their Europeanized kimonos, and the Western clothes they wore while traveling functioned as tools of soft diplomacy. Dr. Fujikawa also shows how printed materials functioned much as news does today, promoting the embassies widely and conveying information about the guests and their striking physical appearance. Envisioning Diplomacy offers a fascinating look at the political, social, and cultural meanings of visual materials created around the embassies and should be of great interest to scholars, students, and general readers interested in early modern European art and history, costume history, diplomatic history, and Japanese and global studies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Welfare Work Without Welfare: Women and Austerity in Interwar Bucharest (De Gruyter Oldenbourg, 2025) argues that women activists, wage workers, and homemakers in the Romanian capital Bucharest became de facto social workers in the interwar period through their "austerity welfare work". Revealing links and tensions between the performers of different types of underpaid or unpaid austerity welfare work, each empirical chapter focuses on a key domain: - knowledge production about social problems by "women welfare activist" (professional social workers, lay experts, left wing militants); - municipal-level social assistance policy, with emphasis on a pioneering generation of women local politicians in shaping welfare practices; - paid household work by underpaid servants; - unpaid household work by homemakers or precariously employed women in working class communities. The book offers a novel interpretation of state-society relations after the First World War, showing that unpaid labor and gender relations were crucial in responding to economic crisis in an Eastern European urban setting and beyond. At once a local and transnational history of women's work, Welfare Work Without Welfare contributes to the historicization of social reproduction work and to the rethinking of the history of welfare states. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

The outbreak of the First World War shattered the established European art market. Amidst fighting, looting, confiscations, expropriation fears and political and economic upheaval, an integrated marketplace shaped by upper-class patrons broke down entirely. In its place, Maddalena Alvi argues, can be found the origins of a recognizably modern market of nationalized spheres driven by capitalist investment and speculation, yet open to wider social strata. Delving into auction records, memoirs, newspaper articles, financial and legal documents in six languages, Alvi explores these cultural and socio-economic developments across the British, French, and German markets, as well as trade spheres such as Russia and Scandinavia. 1914 marked the end of the European art market and cemented the connection between art and finance.  The European Art Market and the First World War: Art, Capital, and the Decline of the Collecting Class, 1910–1925 (Cambridge University Press, 2025) Maddalena Alvi holds a PhD in History from the University of Cambridge, an MSc in Economic and Social History from the University of Oxford, and an MLitt in Art History from the University of Glasgow. Priya S. Gandhi is a writer and strategist based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Black women comedians are more visible than ever, performing around the world in physical venues like comedy clubs and festivals, along with appearing in films, streaming specials, and online videos. Across these mediums, humor—and particularly sass—functions as a tool for Black women to articulate and redress cultural, social, and political marginalization. In Sass: Black Women's Humor and Humanity (UNC Press, 2025), J Finley theorizes sass as a new critical lens to better understand the power of Black women’s humor and humanity and explores how sass functions as a powerful resource in Black women’s expressive repertoire. Challenging mainstream assumptions about “sassiness” as an identity or personality trait to which Black women humorists may be reduced, Finley deploys sass to create a new genre of discourse for understanding the ways in which Black women use language, style, gesture, and intent to produce meaning—often humorous—in speaking back to authority. Grounded in an ethnographic approach to Black women’s experiences, Finley conducted extensive interviews as well as participant-observation as a critic, audience member, and comic herself to collect and honor the stories that Black women comics tell about themselves. Interdisciplinary and conceptually rigorous, Finley’s work shows us how we can and should read Black women’s expressions of sass in humor as attempts at social transformation that involve a fundamental critique of power and authority, and a gesture at collective liberation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day