NBN Book of the Day

Pandemic Politics in Central Asia: Authoritarian Contagion (Routledge, 2026) examines how the authoritarian regimes of Kazakhstan, Turkmenistan, and Uzbekistan exploited the Covid-19 pandemic to consolidate their political control over Central Asia. Through restrictive policies and strategic manipulation, these governments reshaped the region's politics and societies during 2020-2022.

This volume offers readers an insight into three key areas where Central Asia's pandemic power grab was most visible: mobility control, whereby restrictive legislation limited freedom of movement and suppressed dissent; authoritarian information flows, whereby COVID-19-related measures aligned media and digital information to government messaging, further curtailing freedom of expression; and the international politics of the pandemic, whereby the regimes capitalised on global instability to strengthen their kleptocratic hold over Central Asia's politics and society. This book provides a detailed analysis of these strategies, offering a compelling exploration of how crises can be used to entrench authoritarianism.

It is ideal for scholars, students, and professionals in political science, international relations, and Central Asian Studies. The book is also valuable to readers interested in understanding the intersection between public health crises and authoritarian governance.

The Open Access version of this book, available here has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.

Adam Quinn is a Glasgow-based researcher whose work focuses on activism, social movements and state-society relations in the Post-Soviet space.
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Some of the earliest canals in colonial America, referred to as the Inner Passage, were constructed by enslaved people living in the Lowcountry of South Carolina in the early 1700s. In a paradox of history, for over a hundred years enslaved Black people used these canals, constructed for white plantation owners, to travel southward to freedom in Spanish Florida.

In The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway (MIT Press, 2026), Virginia McGee Richards documents the lost narrative of the Inner Passage through 60 extraordinary photographs of landscapes altered by slavery and portraits of Lowcountry descendants, along with an essay describing her discovery of this untold history. In an accompanying essay, Imani Perry writes about her own journey on the Inner Passage, putting Black resistance to enslavement and Southern history into an immediate context. James Estrin brings decades of insight about photography and the power of visual storytelling to his affecting foreword. Together, these words and images offer a powerful living map of history.
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The history of sports in Turkey is deeply contested. Over the
decades, journalists, pundits, non-professional historians, sports
scholars, and everyday people have offered competing narratives about
the origins of modern sports in the late Ottoman Empire. In The Ottoman World of Sports: Refashioning Bodies, Men, and Communities in Late Imperial Istanbul (University
of Texas Press, 2026), Murat Cihan Yıldız tells the story of how
Istanbul’s Muslims, Christians, and Jews—gymnastics teachers, football
coaches, weightlifters, journalists, athletes, and fans—created a
gendered and class-stratified civic project that promoted athletics as a
source of fun, beauty, and moral education. Influenced by the emerging
global vogue for organized sports, all boys from the expanding middle
class of the late nineteenth- and early twentieth-century imperial
capital were expected to exercise and compete on the playing field in
order to develop into moral men. Yet even as the embrace of modern
athletics transcended ethnoreligious divisions, it did not erase them.
Drawing on a wide range of archival research in multiple languages,
Yıldız shows that sportsmen created new communal boundaries in team
affiliations, fandom, and sports media. Adeptly reconstructing
Istanbul’s imperial culture as it was experienced more than a century
ago, The Ottoman World of Sports recovers a lived imperial
culture whose defining features were shaped by its multiethnic,
multireligious, and multilingual sportsmen.
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Kathleen W. Taylor Kollman has a new book out that focuses on the reality of women running for president in the United States, and the fictional representations of this idea that we have seen over the past hundred years. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 (Bloomsbury Academic, 2026) takes up a number of different and intriguing examples of this idea, a woman serving as president, and unpacks the various narratives to help us understand what popular culture may be communicating about this concept and what those narratives may be teaching the audience (viewers or readers). Taylor Kollman comes at her research from a variety of perspectives, including Media Studies, Women’s Studies, Feminist Studies, and American Studies. This makes the research particularly rich – since it explores these ideas from a host of analytical viewpoints, helping the reader to consider different genres (television, film, literature) and different approaches. Undergirding all of this is an interrogation of the idea of women and power, which is a controversial concept for many voters, even if it remains unacknowledged.

Taylor Kollman goes through the decades, with a focus on examples of female presidents in a variety of different cultural artifacts. In tracing this concept through almost a hundred years of different narratives, the research highlights some interesting themes, including the accidental way in which women become president within the fictional framework. One of the points Taylor Kollman makes is that, in all the different genres and contexts, there seems to be something wrong with this idea of a woman as president. Often the characters are presented as deceptive, evil, corrupt, illegitimate, or they are seen as incapable of doing the job and are often torn between work and homelife/family life. In tracing these examples, Taylor Kollman also provides the reader with an understanding of the different iterations (waves) of feminism and feminist thought, as well as noting the various backlashes to feminism. The Fictional Female Presidency in Film, Television, and Literature takes the reader through a host of different examples, fleshing out these feminist and backlash imaginary spaces that focus on women and power.

Another part of the equation, that is often overlooked in the research on this topic, is that there are fewer female film and television producers, directors, and showrunners, thus often constraining the opportunity to present these ideas of woman and power. This also influences the narratives that come before audiences, since women are not generally “trusted” in the same way that men are to helm major film releases with multi-million dollar budgets. This is another form of reality influencing the imaginary, but in a less expected way. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 takes the reader from Betty Boop for President to Allison Janney as President Grace Penn in The Diplomat and many other fascinating examples of fictional portrayals of women as president of the United States.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
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Today I'm speaking with Steven K. Green, Fred H. Paulus Professor of Law and Affiliated Professor of History and Religious Studies at Willamette University. We are discussing his book, American Infidelity: The Gilded Age Battle Over Freethought, Free Love, and Feminism (Oxford University Press, 2026). Since the first permanent Protestant settlement in Jamestown in 1607, Protestant Christianity has waxed and waned through a series of revivals, migrations, and challenges from alternative faiths like Catholicism and Mormonism. The Gilded Age, from roughly 1870 to 1900, was a unique period for Protestantism in American history. Most Americans still subscribed to a Protestant faith, though threats began to arise not from other confessions, but rather from philosophical and scientific challengers. The so-called freethinkers represented a broad range of beliefs and ideas, being united by a mutual skepticism of religious conservatism and traditional sexual and gender mores. American Infidelity tells the story of this tug-of-war for the soul of a nation, with Christianity on one side and the legacy of thinkers like Thomas Paine on the other.

Caleb Zakarin is CEO and Publisher of the New Books Network.
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