Something About the Beatles

Sixty years ago, The Beatles took their final bow before a paid audience in San Francisco. The occasion was auspicious because they knew this was it: they made sure it was recorded (by Tony Barrow) and photographed (by Jim Marshall). Among the well-wishers in attendance was Joan Baez, who brought her sisters and an 11 year-old friend.

This is Naomi's story.

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To anyone familiar with '60s Top 40 music, The Cyrkle remain a fond memory, notable for their two hits, 1966's "Red Rubber Ball," a Paul Simon co-write, and "Turn Down Day," an exquisite piece of sunshine pop. They also possess a couple of other distinctions, being the only US act managed by Brian Epstein as well as being one of the supporting acts on The Beatles' final tour, sixty years ago. Don Dannemann was/is their lead singer. Along with his musical partner Tom Dawes, through talent and luck the group managed to hitch the ride of lifetime, making the transition from fans to traveling companions during the most challenging phase of The Beatles' live career. After the hits stopped, both Dan and Tom pivoted into careers in the jingle industry, providing a further soundtrack for those of a certain age. Don has got the stories to tell as a witness to history at a time when popular music was evolving fast. Through happy circumstance, The Cyrkle are back, having recorded a new collection of songs and can be seen in live shows around the country. Visit their website for updates and their YouTube channel for loads of video, past and present.

https://thecyrkle.com/

https://www.youtube.com/channel/UCQf7trwEd-VZdyJjiPdupJw
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Imagine having our world rocked by The Beatles as a 1st-gen fan living in New York City. You are a budding musician yourself, and with every release, they inspire you as they advance their art. You see them live - twice - the first time at a renowned event caught on film.

One day, deciding to check out something you've heard, you knock on a door downtown and get invited in to interview for a job, working for them. Before you know it, you are swept up into their world, mentored by Derek Taylor and getting to know Mal Evans, Peter Brown, and becoming lifelong friends with Freda Kelly. Tommy Smothers takes an interest in you and guides you toward a career that sustains you ever on after The Beatles split up.

But it is the one day in July 1969 where Derek secures you an invitation to witness the band at work on Abbey Road that might be the sweetest moment of all, as you spend time as a fly on the wall, with your camera in hand, as the greatest entertainment phenomenon of the 20th century works on their final collective project.

If you are Merle Frimark, this was your life, and you are here to tell the rest of us all about it.

Check out Merle's articles here:https://www.theguardian.com/music/2023/aug/24/from-sorting-fan-mail-to-seeing-abbey-road-being-made-my-life-as-a-teenage-beatles-employee

https://www.culturesonar.com/looking-back-at-beatlemania-in-the-us-60-years/
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Sixty two years ago, The Beatles cinematic debut arrived , putting the world on notice that their charm and talents were adaptable to virtually any medium. A Hard Day's Night, directed by Richard Lester, has gone down in film history as "the Citizen Kane of jukebox musicals," a stunning work as fresh and captivating as the day it was premiered, and yet it was done on a small budget with novices as the film's leads, with no certainty whatsoever that anyone would be interested in them by years' end.

Thankfully, the joy that the group projected has continued on into the 21st century with new fans being coined daily. But what is it about this film that has made it so evergreen? UK journalist (and 2nd gen fan) Samira Ahmed took a deep dive into a film she loved and what she uncovered about the making of this project uncovered much more than the sum of its collective talents. A Hard Day's Night continues to charm because of a perfect storm of timing, talent and standards set by all the parties involved. Her book for the British Film Institute shines light on what was intended as a quickie cash-in that far outstripped the studio's goals.

Checkout our conversation and her book - no matter how many times you've seen this film, you'll never experience it the same way again.

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On March 25, 1966, photographer Robert Whitaker - a surrealist - took The Beatles into his studio to capture a concept piece he called "A Somnamulant Adventure," envisioned as a triptych commentary on the group's fame. But the project slid away from him when one frame, depicting The Beatles with slabs of meat and doll parts, was sent to the US for Capitol to use on their latest compilation album. The blowback was fierce and Whitaker never got to complete his work, but the so-called "butcher cover" became an interesting piece of folklore (and collectible), the first of many controversies for the group that year.

Beatles scholar Erika White details the entire history of not just the shoot, but Whitaker's association with The Beatles, as well as the path that made the group amenable to his concept and what the repercussions were in her forthcoming book, Meat The Beatles: The Butcher Cover - The Complete, Untold Story of the Fab Four's Most Controversial Album Artwork.

This episode sponsored by DistroKid.
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