That Shakespeare Life

As you will know from listening to THat Shakespeare Life, there's a ruch history behind every small object from the life of William Shakespeare Whether it's clocks, clothes, pencils, or tablets, we love using the objects of Shakespeare' world to get closer to the real lives of the people who lived tehre.  
WHich is why I was delighted to learn abotu Catherine Richardson's latest book titled Shakespeare's Objects where she sets out to explore 33 of these objects, all of which are mentioned in Shakespeare's plays. From beds and perfumes to handkerchiefs, clocks, lutes, torches, and spurs, the book follows these things through the world Shakespeare knew—asking who made them, who owned them, how they were used, where they came from, and what they can reveal about the people who encountered them. 
Today, we are delighted to have her here on the show to share some of what she uncovered while researching the material world behind Shakespeare's plays.

Immortalised as Elsinore in William Shakespeare's play Hamlet, Kronborg Castle is one of the most important Renaissance castles in Northern Europe. A real castle, and historical stronghold that sits in the town of Helsingør, Denmark. Kronborg is as fascinating as it is beautiful. 
Our guest this week is Laura Kiel, the Operations Coordinator at Kronborg Castle, where she plays a key role in caring for the castle's remarkable collection — from grand paintings and heavy antique cabinets to exquisite historical costumes. During her 12 years at Kronborg, Laura has also become the castle's in-house Hamlet expert, having taken part in coordinating many productions of Hamlet staged within the iconic setting of Kronborg itself. 

Laura joins us today to take us inside Kronborg Castle to understand more about the history of the castle, why it was used in Shakespeare's play, and what was going on at Kronborg when Shakespeare staged his famous tragedy within it's gates.

Shakespeare's plays and poems are filled with birds—from familiar crows, swans, and sparrows to species that would have seemed rare, exotic, or unusual in Renaissance England. But these birds are more than decorative details. They carry symbolism, reflect the natural world Shakespeare knew, and reveal how people in the sixteenth and seventeenth centuries understood the animals around them.
In this episode, artist and researcher Missy Dunaway joins us to explore her Birds of Shakespeare project, which documents all sixty-five bird species referenced across Shakespeare's works. We'll discover how she identified each bird, the historical sources behind her paintings, the plants and symbolism included in her compositions, and some of the most surprising birds to appear in Shakespeare's writing.

Shakespeare mentions cats over 30 times in his plays, including to talk about a gib cat, a musk-cat, cats chasing mice and even making perfume. It's obvious that cats were present for Shakespeare's lifetime, but what do these references in the plays show us about their place in society and perhaps in people's homes for Shakespeare's England? Did Shakespeare keep a pet cat, would they have been useful for fighting against plague, and what exactly did a 16th century cat look like?   Here today to help answer these questions and take us through the artifacts, primary documents, and paintings that reveal the feline world of Shakespeare's England is our guest, Helen Parish.  

Helen Parish is a Professor of History at the University of Reading and author of, "Paltrie Vermin, Cats, Mise, Toads, and Weasils": Witches, Familiars, and Human-Animal Interactions in the English Witch Trials"  

Helen's work focuses on cats as a witch's familiar, but her research looks further into the details about how cats lived in the 16th cenutry and today she's here to help us explore cats for Shakespear's England.

Shakespeare mentions "housewife" in his works 14 times, including to identify both a "good housewife" as well as a "false housewife." These descriptions appear alongside one accusation that a woman was being someone's "franklin's housewife." 
As an essential part of daily living in Shakespeare's England, I wanted to track down exactly what was involved in being a 16-17th century housewife, and there was no one better suited to give us the details than Jane Whittle, author of Women's Work in Rural England, 1500-1700. 
Jane joins us today to help us explore the 16th century definition of an English housewife, including the nature, jobs, and reptuation were for this position, as well as to help us understand the history behind Shakespeare's use of that term in his plays.