Today In History with The Retrospectors

Just three months after Magic Johnson retired from basketball due to his HIV diagnosis, he made a triumphant return on 9th February, 1992 - at the NBA All-Star Game in Orlando, Florida.

The sports world was divided—some players, like Michael Jordan, welcomed him back, while others, like Karl Malone, were hesitant, voicing concerns about physical contact on the court. But when Johnson stepped out, fans and fellow players alike cheered him on, and Johnson racked up 25 points, dished out nine assists, and lead the West to a dominant 153-113 victory over the East, becoming named Most Valuable Player.



In this episode, Arion, Rebecca and Olly discover how Johnson became the face of basketball’s golden era; explain why misunderstandings and ignorance about HIV was so widespread; and uncover the career Johnson built beyond basketball...

Further Reading:

• ‘Magic Johnson returns for All‑Star Game | February 9, 1992’ (HISTORY, 2024): https://www.history.com/this-day-in-history/magic-johnson-returns-for-all-star-game

• ‘Magic Johnson Talks About How He 'Needed' His Historic 1992 All-Star Game’ (UpRoxx, 2016): https://uproxx.com/dimemag/magic-johnson-1992-all-star-game-hiv/

• The Announcement: Magic Johnson (NBA, 2016):

https://www.youtube.com/watch?v=xMMWLS8D4OU

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The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.

Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie Peart.

Copyright: Rethink Audio / Olly Mann 2026.

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Grand Duchess Anastasia of Russia was executed by the Bolsheviks in 1917 - yet, on 6th February, 1928, a mentally troubled Polish factory worker claiming to be her was welcomed to New York by Romanov associates.

Anna Anderson’s claim to be the Tsar’s daughter climaxed in a 32-year legal saga, the longest in German history. But posthumous DNA testing debunked her claim, revealing no connection to the Royal family. 

In this episode, Arion, Rebecca and Olly uncover how decades of Soviet misinformation contributed to the conspiracy; reveal how Prince Philip himself became involved in debunking it; and consider a reboot of the animated version of her life… 

Further Reading:

• ‘Did Anastasia Survive The Romanovs Massacre? The Real History Explained’ (HistoryExtra, 2023): https://www.historyextra.com/period/20th-century/did-anastasia-survive-massacre-romanovs-real-history-facts-conspiracy/

• ‘How Anna Anderson Became The Grand Duchess Anastasia of Russia’ (All That’s Interesting, 2018): https://allthatsinteresting.com/anna-anderson

• ‘Royal Runaway? Ultimate Fate of Duchess Anastasia REVEALED’ (History, 2020): https://www.youtube.com/watch?v=WYRMHKC9xMA

We'll be back on Monday - unless you join CLUB RETROSPECTORS, where we give you ad-free listening AND a full-length Sunday episode every week!Plus, weekly bonus content, unlock over 70 bonus bits, and support our independent podcast.Join now via Apple Podcasts or Patreon. Thanks!The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie Peart.Copyright: Rethink Audio / Olly Mann 2026.

This episode originally aired in 2024.
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United Artists, a new company formed by Charlie Chaplin, Mary Pickford, Douglas Fairbanks and D. W. Griffith - four of the most powerful figures in early cinema - was announced on 5th February 1919. The movie trade press quickly labelled it a ‘rebellion’ against the mainstream studios.

Declaring their new enterprise would exist to “protect the industry from itself”, the Hollywood quartet took aim at an industry that depended on long contracts, vertical integration and strict talent control. They hoped to see a greater degree of creative autonomy and financial reward, but perhaps underestimated the difficulty of running a distribution company and the risks the studio system itself had absorbed. Existing contracts delayed releases, investors were wary, and the promise of artistic freedom collided with the realities of inconsistent output, experimental failure and changing technology, including the arrival of sound.

In this episode, Arion, Rebecca and Olly consider UA’s eerily prescient ambition to counter ‘machine-made entertainment’; discover how an experience selling war bonds helped inspire  the idea for the studio; and explain why, despite their success, the studio still missed out on ‘Gone With The Wind’... 

Further Reading:

• ‘United Artists: The studio that challenged and revolutionised Hollywood’ (Far Out, 2021): 

https://faroutmagazine.co.uk/united-artists-studio-revolutionised-hollywood/

• ‘Artists Unite Against the Studios’ (Celebrate California): https://celebratecalifornia.library.ca.gov/february-5-1919-artists-unite-against-the-studios-2/

• ‘Chaplin, Fairbanks, Pickford & Griffith Signing United Artists Contract’ (1919): https://www.youtube.com/watch?v=yEBZU_KHSM0

#Hollywood #1910s #Business #Film

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Join  🌴CLUB RETROSPECTORS🌴to DITCH THE ADS and get an additional full-length episode each SUNDAY… 

… Plus, get weekly bonus bits, and unlock over 100 bits of extra content. 

Join now with a free trial on Apple Podcasts or Patreon and support our show ❤️

The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.

Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie Peart.

Copyright: Rethink Audio / Olly Mann 2026.

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Disguised variously as a baseball umpire, NFL referee, pro golfer, and even Dallas Cowboys cheerleader, Barry Bremen earned his reputation as America’s greatest pitch invader - a career that kicked off on 4th February, 1979.

Dressed as a player for the Kansas City Kings, the 32 year-old insurance salesman crashed the court of an NBA All-Star basketball game - much to the delight of fellow players and spectators. Hey, it was the Seventies!

In this episode, Arion, Rebecca and Olly ask why top sportsmen of the day were so keen to support him; reveal how the media encouraged his efforts to become a sporting celebrity; and explain why his behaviour pushed the broadcasters of the 1985 Emmys to cut quickly to a puzzled David Hasselhoff…

Further Reading:

• ‘From Ali Dia to Karl Power: the greatest impostors in sporting history’ (The Guardian, 2016): https://www.theguardian.com/sport/shortcuts/2016/oct/18/from-ali-dia-barry-bremen-greatest-fakers-in-sporting-history

• ’When Barry Bremen Tried to Infiltrate the Dallas Cowgirls, the Team Found It a Drag’ (People, 1980): https://people.com/archive/when-barry-bremen-tried-to-infiltrate-the-dallas-cowgirls-the-team-found-it-a-drag-vol-13-no-2/

• ‘The Great Imposter Barry Bremen’ (NBC, 1979): https://www.youtube.com/watch?v=pNjZni1yQ90

Love the show? Support us! 

Join  🌴CLUB RETROSPECTORS🌴to DITCH THE ADS and get an additional full-length episode each SUNDAY… 

… Plus, get weekly bonus bits, and unlock over 100 bits of extra content. 

Join now with a free trial on Apple Podcasts or Patreon and support our show ❤️

The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.

Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie Peart.

Copyright: Rethink Audio / Olly Mann 2026.

This episode originally aired in 2022.
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With a cast of over 800, and a budget equivalent to £3 million, James Shirley’s extravagant masque ‘The Triumph of Peace’ was performed on 3rd February, 1634. Unusually, it was such a popular show that, despite the enormous cost of staging it, King Charles I and Queen Henrietta Maria requested that it be repeated.

Though replete with all the arse-kissing allegorical tableaux that typified these celebrations of the monarchy - and requisite set designs by Inigo Jones - this spectacular was also markedly different from its predecessors in that it was especially designed to appease Henrietta, who had been slurred by polemicist William Prynne.   

In this episode, Arion, Rebecca and Olly come to terms with the ‘17th century immersive theatre’ experience; explain why legendary playwright Ben Jonson WASN’T involved in this one; and reveal how a masque was once responsible for the destruction of Shakespeare’s Globe… 

Further Reading:

• ‘Masque and music at the Stuart court’ (Royal Museums Greenwich): https://www.rmg.co.uk/stories/topics/masque-music-stuart-court

• ‘Inigo Jones designs for masque costumes’ (The British Library): https://www.bl.uk/collection-items/inigo-jones-designs-for-masque-costumes

•  ‘The History of the British Masque’ (Heidi Kobara, 2013):

https://www.youtube.com/watch?v=G22UED2yJ_Q

Love the show? Support us! 

Join  🌴CLUB RETROSPECTORS🌴to DITCH THE ADS and get an additional full-length episode each SUNDAY… 

… Plus, get weekly bonus bits, and unlock over 100 bits of extra content. 

Join now with a free trial on Apple Podcasts or Patreon and support our show ❤️

The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.

Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie Peart.

Copyright: Rethink Audio / Olly Mann 2026.

This episode originally aired in 2023.

#1600s #Theatre #Royals
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