Camerosity

• Episode 88: Desert Island Cameras Part 2

  Way back in Episode 27, the Camerosity gang went on a three hour tour to a tropical paradise and asked everyone what would be their idea of three "desert island" cameras that they would want to be stranded with if they couldn't have anything else.  That discussion proved to be a fun one and something we had wanted to revisit again.  It would take us all the way to Episode 88 when we would finally put out the call for another Desert Island episode. Joining Anthony, Paul, Mike and our new regular host Stephen Strangways, are returning callers A.J. Gentile, Andrew and Christopher Wells, Ira Cohen, Will Pinkham, and first time caller Robin Stone. Starting with this episode, we are welcoming Stephen as one of the regular hosts to the show.  His presence and knowledge on many previous episodes has impressed us, and after considering regular scheduling conflicts with the four regular hosts, we thought it was time to add a fifth person.  Although Theo has missed the last two episodes, he is still very much apart of the show and will return soon.  With a fifth host, in the event one of the "original four" have a scheduling issue, we can continue without hesitation. On this episode, we go through a tremendous amount of GAS, covering many unexpected models including multiple Horseman cameras, a Fuji G617, Argus Brick, Nikon F2, Leica CL, Zeiss-Ikon Tenax II, and many, many others. In addition to commercially available cameras, both Andrew and Christopher Wells share with us their own home made 3D printed large format creations.  Custom cameras built to use any combination of lenses, shutters, and film backs in a million different combinations are truly one of the more fascinating aspects of this hobby.  And if 3D printing your own camera isn't cool enough, Andrew took it a step further and even made his own bellows! In addition to tropical island GAS, we answer the question of why the Nikon F mount is backwards of almost every other interchangeable lens system and the Wells brothers give us a quick update of the state of current Polaroid Originals instant film. Meet Anthony, Paul, and Mike: If you are in the vicinity of Cincinnati, Ohio on Saturday, March 22nd, come to the Ohio Camera Swap at the Hilton Garden Inn Cincinnati/West Chester and say hi to us.  Who knows, maybe even some other Camerosity Podcast regulars will show up as well.  While you’re there, maybe you can buy something from us! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we will be discussing camera failures and home repairs.  What are some of the most common problems vintage cameras face and what can you do to get them back up and working?  While the Camerosity Podcast fully recommends professional CLAs to keep vintage cameras going as long as possible, we understand that a full service on every vintage camera is impractical, so sometimes you have to take matters in your own hands.  If you aren't afraid to go inside a camera and possibly make it worse, the next episode may be for you!  We will record Episode 89 on Monday, March 10th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. (Note that Daylight Savings Time starts in North America on Sunday, March 9th, so be sure to check your local time if you plan on joining the show!) In This Episode All Aboard the Second Ever Camerosity Desert Island Cruise! Robin Starts Us Off with the Horseman VH / AJ is Bringing His Kodak Retina IIIc and Kodak Tourist Anthony Brings a Fuji G617 with an Unlimited Supply of 220 Film Ira Brings the Nikon F2 / Why is the Nikon F-Mount Backwards from Most Other SLRs? Andrew Brings a Rolleiflex SL66 / Another Horseman Makes It to the Island / Horseman Convertible Will Brings Brings A Balda Rigona 127 Camera / Mike Recommends Other Cool 127 Cameras Paul Has a Case of Cheap Plastic Pocket Cameras Mike's First Camera is the Folding Mamiya Six Stephen Brings the Nikon FM2 or Maybe the Pentax MX Pentax MZ-S / The Entire Pentax MZ-Series Had Weak Plastic Gears But They Can Be Replaced Mike Still Loves the Pentax LX / The Pentax LX Has a Geared Exposure Counter Robin Brings His Argus C3 / Andrew and Chris Wells Both 3D Printed Their Own Cameras Chris Brings the first Canon, a Canon F-1 / Ira Brings a Nikonos 4 for Underwater Fun Anthony Has Experience with Nikonos and O-Rings / More Large Format Discussion Stephen Goes Small with the Olympus XA / Anthony Goes Prewar with the Voigtländer Bergheil Paul Loves his Canon G10 / Digital Cameras with Optical Viewfinders Anthony is Bringing His Recent Favorite, the Zeiss-Ikon Tenax II Chris Suggests the Olympus 35 RC / Mike Picks the First Leica, the Leica CL / 40mm Lenses Will Pinkham Brings a Konica I Rangefinder / Minolta 24 Rapid Paul's Third Camera is the Nikon F Andrew Loves the Polaroid SX-70 So Is Bringing Some on the Boat Stephen Appreciates a compact Auto Focus SLR, the Pentax MZ-3 Minox 35 GL / Bel Air Plastic Camera / Graflex Norita 66 / Akameter / Akarex / Akarelle We Have No Clue What Episode 89 Will Be About Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

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  1:43:25
• Episode 87: Dr. David Jentz and the Kodak Retina

  In yet another request from our listeners for topics you wanted to hear, for Episode 88, you can include me as someone whose been interested in hearing an episode about the Kodak Retina and other German Kodaks. For many years, whenever I needed to write something about the Retina, the person I always reached out to was Dr. David Jentz.  David is not only the founder of the Historical Society for Retina Cameras, but also has published multiple written works about the Retina and its history.  In addition to his knowledge about the Retina, David frequently collaborates with historian Klaus Schicht who has studied the man who created the Retina, Dr. August Nagel.  Although Klaus does not appear on the show, David was able to quote some information regarding topics we discussed on this show. If one Kodak historian was not enough, we also invited Todd Gustavson from the George Eastman Museum to be on the show to fill in the blanks for any other Kodak related questions which came up. This was a closed episode, so we did not have any callers, and both Paul and Theo weren't able to make it, but what we lacked in callers, we more than made up for in fascinating Kodak, Nagel, and Retina history. Listen to Episode 87 to get a background on who Dr. August Nagel was, how he became a doctor, brief histories of his time working for Contessa Nettel, Zeiss-Ikon, and Nagel Kamerwerke prior to joining Kodak.  Did you know that before Kodak AG made cameras, they made film in Germany? We discuss other German Kodaks such as the Recomar, Pupille, Kodak Duo Six-20, and the mysterious Kodak Regent.  We get into the differences between the use of "Nr." and "Type" when referring to prewar and postwar cameras, and finally solve the mystery of Paul's Retinette Angenieux lens. In addition to camera history, we also take a deep dive into Kodak's introduction to making 35mm film.  While Kodak's type 135 daylight loading cassette was their most notable contribution to 35mm film in the 1930s, did you know they made 35mm film for the Leica and Contax before that?  David shares with us information about Kodaks original 35mm film, along with some detailed patent information about the Retina, and much more! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are getting on a boat and heading on a "Three Hour Tour" for our second Desert Island episode.  If you were stranded on a desert island with only three cameras, which three would they be?  Will a high spec but fragile electronic camera make the cut, or will people choose less technically impressive models built to withstand a lot more abuse?  Let us know what you’d choose!  We will record Episode 88 on Monday, February 24th at 7pm Central Standard Time and 8pm Eastern Standard Time. In This Episode David's Origin Story / His First Camera was a Kodak Retina IIIS Kodak Used to Have a Camera Museum in Stuttgart David Jentz Formed with Peter Tosh the Historical Society of Retina Cameras HSRC Received Permission from Kodak and the Rights to use the Actual Retina Logo Are the Retinas Separated in the George Eastman Museum? / There Are 22,000 Items in the Eastman Museum Collection Who was Dr. August Nagel? / Nagel Started Contessa Nettel and Merged with Zeiss-Ikon in 1926 Nagel Worked for Zeiss-Ikon for About 18 Months and then Formed His Own Nagel Werke Nagels First Cameras were the Recomar, Vollenda, and Pupille Kodak Gave Nagel Very Little Direction, He Was Free to Do What He Wanted Kodak And Nagel Both Benefited from the Two Companies Working Together If You Ship a Camera and Lens Separately, There are No Tariffs Nagel was Most Famously Known as a Great Designer Kodak's Design of the New Daylight Loading 35mm Cassette Kodak Made 35mm Film for Leicas and Contaxes Before the Release of Type 135 Film Was the Retina an Immediate Success? / Why Were the Nr. 117, 118, and 119 Released So Quickly Kodak Duo Six-20 and Other Nagel Designed Cameras Mike Has Questions About Nagel's Role in Making the Kodak Regent / Kodak Regent II Kodak's Transition During World War II / Early Post War Retinas Used Steel in Their Construction Are Retinas with the f/2 Ektar Lenses Worth Paying a Premium / 47mm f/2 Kodak Ektars Were Also on the Premier Instrument Kardon Kodak's CAMEROSITY Date Codes / Many Retinas Were Sold through US PX Stores / Identifying PX Retinas David Jentz Dispels Some of the Myths Mike Got Wrong in His Reviews Dr. August Nagel Never Once Used the Word "Type" to Identify Different Cameras He Made The Mystery of Paul's Angenieux Lens / French Kodak Retinettes Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. David Jentz - https://www.blurb.com/user/hsrc028N The Historical Society for Retina Cameras - https://www.hsrcretina.org/ HSRC Publications - https://www.hsrcretina.org/hsrc-publications The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

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  1:21:30
• Episode 86: Adapting Vintage Lenses

  We return with yet another exciting episode of the Camerosity Podcast.  For Episode 86, we dip into the listener mailbag and select a topic you all have told us you wanted to hear about, adapting vintage lenses.  Taking an old film camera lens and mounting it to a modern digital camera isn't exactly anything new, as adapting lenses from one mount to another camera has been done since the early 20th century. But what about the crazy number of lenses that weren't meant to be adapted?  How about uncommon Angenieux lenses from French Kodak Retinettes, photocopier lenses, or astronomy telescopes?  If it has glass and it focuses light, it can be adapted, and that's what got us going on this episode. Joining Anthony, Paul, Theo, and Mike are returning callers, AJ Gentile, Miles Libak, Nick Marshall, Pat Casey, Patrick Rapps, Ray Nason, Stephen Strangeway, Will Pinkham, and first time callers Alyssa Micha, David Jentz, and Rollin Banderob. On this episode, we talk about a huge number of lenses we mount to various digital and film cameras, but Alyssa starts us off with an ambitious project of adapting 35mm lenses to a Crown Graphic Graflex press camera, Stephen gives us some education on flange distance, why the Nikon Z mirrorless camera is ideally suited for adapting lenses, and Theo gives us his thoughts on how well a Mamiya press lens performs on micro 4/3rds. We discuss whether it is wise to spend extra money on premium adapters vs the cheap Chinese ones you can find on eBay, David Jentz talks about adapting DKL mount lenses and the struggles to find a good DKL adapter, and why you need to be concerned with image circle size when picking lenses from differing formats. Miles Libak shares with us a purchase he just made of a Contarex lens mount converted Canon F-1, and Paul talks about the best adapters to use for adapting Nikon rangefinder lenses to modern digital cameras. This episode proved that a relatively simple topic of adapting lenses included a deep wormhole into a huge amount of combinations of lenses including Paul's tip on how to remove a stuck Leica M to LTM adapter. For those of you who can't get enough of the Camerosity Podcast and would like the chance to meet 3/4 of the hosts, Anthony, Paul, and Mike will be at the Cincinnati Camera show in West Chester, Ohio on Saturday, March 22nd!  If you have nothing going on that day and can make it to the Cincinnati area, come and join us! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are are taking another suggestion from you all and dedicating a whole show to the Kodak Retina and other cameras made by Kodak AG, the German arm of Kodak in Stuttgart, Germany.  We will be welcoming author and Kodak Retina expert David Jentz, along with Kodak historian from the Eastman Kodak Museum, Todd Gustavson to talk with us.  This will be a closed episode, so we won't be taking any callers for this one, but rest assured, the Camerosity gang has a long list of great questions to ask our esteemed guests.  Episode 87 will be recorded soon and should be available by the end of February. In This Episode Ramir's Rare Adapters / Argus Brick to Micro 4/3s Adapting 35mm SLR Lenses to a Crown Graphic Graflex / Learning About Image Circle Size Flange Distance and Why it is Important When Adapting Lenses Adapting DKL Lenses to Nikon DSLRs and Z-Mirrorless Cameras / DKL Adapters are Finicky Nikon Z Cameras have the Narrowest Flange Distance and a Very Narrow Sensor Stack More Love for Ramir Rare Adapters Sold on eBay Adapting Nikon Rangefinder Adapters / Amedeo Adapters / Wide and Telephoto Lenses Only Need the External Bayonet Paul's Adapted Angenieux 45mm Lens from a Retinette / David Jentz explains the origin of French Lenses on German Kodaks The Reason You Should Adapt Lenses is Because They're Imperfect / Perfection is Boring Adapting Lenses from Projectors and Photo Copiers / Enlarging Lenses Theo Has Adapters for Mamiya Press Lenses and Pentacon Six to Micro 4/3rds Adapting Lenses Intended for the Visoflex is Great on Digital PC-Nikkor 28mm and 35mm Lenses Are Great for Pseudo-Panoramics Pentax Q Lenses / Akarelle Lenses / Auto Focus Lens Adapters Third Party Licenses for the Nikon Z Mount / Nikon AF Teleconverters Miles Bought a Canon F-1 Modified to Accept Contarex Lenses / Zeiss Lens Separation DAG Modified Color-Minotar Converted to LTM and Mounted to a Corfield Periflex Shooting Macro on a Yashica-Mat / Rollei Bay Filters / Parallax Correction on TLRs Is it Worth Spending More Money on Premium Adapters? / What Brands Should You Avoid? Do All LTM to Leica-M Adapters Work on Every Camera? / Removing Stuck LTM Adapters With a Lens Cap Adapting Telescopes to Cameras / Nikon F Mount Telescopes Lenses with Floating Elements Can Sometimes Not Focus Correctly When Adapted Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. David Jentz - https://www.blurb.com/user/hsrc028N Amedeo Lens Adapters - https://www.ebay.com/usr/amedeo.m The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

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  1:38:50
• Episode 85: Mint and Rare Cameras with Jo Geier

  The Camerosity Podcast returns with Episode 85 where we wander back into the wonderful world of high end camera auctions.  For this episode, we went all the way to Vienna, Austria and invited Jo Geier from Mint and Rare Cameras and the Wetzlar Camera Auctions.  In addition to Jo, we also welcomed back Dan Tamarkin from Tamarkin Camera and Auctions. Joining Anthony, Paul, Theo, Mike, and our two special guests are returning callers Brian McDomnhaill, Dan Cuny, Fernando Villava, Gheerwijn Clicque, Ira Cohen, Wes Loder, Miles Libak, Tom Zoss, and Wayne Scheipers, As you might expect when you have two of the world's most respected camera auctioneers on the same episode, we talk about a lot of super rare and collectible cameras.  Everything from the original Ur-Leica to rare cameras like the Carl Zeiss Jena Contax, the Australian Snider 35 rangefinder, and Luxus Leicas.  In addition to some pretty deep GAS, some love is given to several more affordable cameras like the Canon P, Tower/Nicca rangefinders, and the Nikon F4. In addition to GAS, several great questions were raised including whether or not the definition of 'rare' has changed over the years, whether or not finding collectible cameras is getting harder to find, and why there aren't more younger people collecting cameras. Jo tells us his origin story to how he started both companies and shares with us what his 'white whale' camera would be, Dan and Jo show appreciation for each other and talk about how they have collaborated in the past, including a very special Leica which Dan found at a Pennsylvania garage sale.  We revisit the need to get old cameras repaired sooner than later and how quickly experts in certain cameras are disappearing, tips and tricks for new collectors, and Jo proposes a $10 "ugly" camera challenge for anyone going to a camera show. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are are going to the suggestion box and covering a topic that you all have told us you wanted to learn more about, adapting lenses.  There are many people in this hobby who love cameras, but love the lenses more.  While an old Kodak Ektra might be pretty to sit on the shelf, it is more practical to adapt that lens to a modern digital camera and see what kinds of results you can get from it.  Episode 86 will be dedicated to the hobby of using old lenses on modern digital cameras.  We will record Episode 86 at our regular time on Monday, February 10th at 7pm Central Standard Time and 8pm Eastern Standard Time.  If you live in a different time zone and would like to participate, be sure to check your favorite time zone calculator to find out the exact time in your region. In This Episode Jo Geier's Origin Story / Shooting a Yashica FX-D with No Film Wetzlar Auctions Runs One Auction a Year / Jo Doesn't Keep Too Many Cameras Dan Loves Wetzlar Auctions and Has Worked with them Many Times How Jo Determines What Goes to Auction and What Goes to Retail Auctions Set a Benchmark for What Things Are Worth / Collectiblend Has the Definition of "Rare" Changed? / What is the White Whale that Has Never Shown Up? Sometimes a Pristine and Truly Mint Camera is More Rare Than a Collectible Are Certain Things More Common in the US compared to Europe and Vice Versa? Most Collectible Cameras are no Longer Owned by their Original Owners / Large Collectors Zeiss Prototypes and Oddities are Far More Difficult to Come By than Leicas Paul's Story About a Guy Buying a Luxus Leica in 1984 The Rarest Cameras Need to be Handled in Person to Fully Authenticate Post War Carl Zeiss Jena Contaxes / Does Jo Sell Rare Japanese Cameras Jeicy 35 Rangefinder / Leotax A / Minolta Sky / Konica FR / Konica F / Canon Standard and Hansa Canons What Are the Most Surprisingly Beautiful Cameras Jo and Dan Has Ever Handled? Theo is Still Looking for a Snider 35 Camera / Bell & Howell Foton Everyone Lists Off Cameras They Think Are Pretty Is it Getting Harder to Find Rare Cameras to Sell? Gheerwijn Wants to Know Why There Aren't More Younger Collectors Anthony and Paul Just Bought an Unused, New in Box Nikon F4 and It Don't Work Getting Old Cameras Repaired Today / It's Already Too Late for Some Models Other Great Japanese Cameras / Tower Rangefinders How Often is the Same Camera Sold More than Once? Tips for Getting into Collecting For Those New to the Hobby Do the $10 Camera Contest / Buy the Worst Camera You Can Find and See What You Can Get Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. Jo Geier - https://www.jogeier.com/ and https://www.wetzlarcameraauctions.com/ Dan Tamarkin - https://www.tamarkin.com/ and https://www.tamarkinauctions.com/ The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

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  1:36:53
• Episode 84: Hip to Be Square

  We are back with the first new episode of 2025!  The Camerosity crew hopes you had a good start to the new year.  Unfortunately, the episode we had planned to have Jeff and Gabe from the I Dream of Cameras podcast had to be postponed due to the wildfires in Los Angeles.  Instead, we went to the Camerosity mailbox (aka Facebook) and did an episode about square format cameras.  We had intended to cover all cameras that shoot square format, but found so much to talk about with 35mm and 127, we didn't have much time for 120 6x6 cameras, so we can save that for a future show! Whenever you talk about square format 35mm, one of the more popular ones for collectors is the Zeiss-Ikon Tenax II, and whenever you mention the Tenax II, the Wes Loder's "Spidey Sense" starts tingling, so we were happy to welcome back Michael Wescott Loder for the first time since Episode 74! Joining Wes, Anthony, Paul, Theo, and Mike on this episode were A.J. Gentile, Ira Cohen, Miles Libak, Mina Saleeb, Robert Coates, and Will Pinkham where they all shared their favorite square format cameras. We attempt to start off the list of square format cameras in alphabetical order with the Altix and quickly move into the Berning Robot and Bilora Radix, but our plan quickly goes off the rails as we jump around the alphabet with cameras like the Akarette (which isn't even square format), Metz Mecaflex, Yashica 44, and the Purma Special.  We also cover the popularity of square format Rapid film cameras from Japan like the Minolta 24 Rapid, Canon Dial Rapid, and Fujica Rapid S2. One of the more sought after square format cameras is the Mamiya Sketch, a camera that Mike has previously reviewed, but Theo desperately wants to acquire to round out his Mamiya collection. Mike shares his tips on rolling your own 127 film using bulk 46mm film, and Will asks for recommendations on affordable entries into square format 35mm.  Although the group is initially stumped, Mike comes up with an off the wall solution that is quite affordable! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don’t feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you’ve been doing it, so please don’t consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you’d like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are excited to revisit a topic that we love to talk about, Camera Auctions, specifically high dollar auctions.  Our special guest for the next episode will be Jo Geier from Wetzlar Camera Auctions.  In addition to Jo, we will be welcoming back Dan Tamarkin from Tamarkin Auctions in Chicago.  In order to accommodate Jo's time zone, this will be a "European Friendly Time Zone" episode.  We will record Episode 85 on Monday, January 27th at 1pm Central Standard Time, 2pm Eastern Standard Time, 7pm Greenwich Mean Time, and 8pm Central European Time.  For Theo, and those of you in Australia, this will be very early in the morning on Tuesday the 28th.  Please check your favorite time zone calculator to find out the exact time in your region if you'd like to participate. In This Episode Square Cameras Come in All Format / Using TLRs Over Your Head or Around Walls Eho-Altissa Altix / Altix I Through III Shoot 24mm x 24mm Berning Robots / 90 Degree Viewfinder / Robot Junior Large Wind Knob Robots / Loading a Robot Camera / Accidental Redscale Surprise Anthony and West Love the Zeiss-Ikon Tenax II  Lenses Used by the Navy Required Lens Coatings 35mm Square Format Was Driven by the Technology of the Time Aka Akarette / AGFA Square Format Cameras Usually Shot Rapid Film Japanese Rapid Cameras / Fujica Rapid S2 / Minolta 24 Rapid / Canon Dial Rapid AGFA Karat Film and Bilora Radix Cameras Japanese Bolta Cameras / Sida Extra and Bolta Photavit The Mamiya Sketch is a Sought After Square Format Camera Metz Mecaflex is the only 24mm x 24mm SLR Quite a Few 127 TLRs Shoot 4x4 / Many Called Baby or '44' Cameras Yashica 44 / Adapting to Use 35mm Film Purma Special Shoots 4x4 and has a Gravity Shutter Kodak Vest Pocket / Other Vest Pocket Cameras Super Flex Baby / Karmaflex / There Were a Lot of Japanese 4x4 Cameras Bencini Comet 44 / Czech Kola Camera The Doris 3a probably had a 1a and a 2a / Diana Mini Super Slides Were Popular For a While / Reloading 127 with 46mm Bulk Film Photo Labs Hated Non-Standard Film Formats Chroma Cube / Stereo Cameras are a Cost Effective Way to Shoot Square Format 35mm Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

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