Classical For Everyone

Haydn's music is in no way neglected or forgotten but I wonder if, because he lived a long life, during which he achieved significant success and seemed free of personality disorders, he is a little taken for granted. The creative artist dying at the height of his or her powers, or never recognised in their lifetime, or plagued by psychosis all seem to have an extra attraction for us. And Haydn was born a couple of generations before the 'artist as hero' cult began to emerge. For most of his working life he was 'artist as employee' or 'artist as courtier'. This episode includes sections from his early efforts with the string quartet, the symphony, opera and sacred music. Early but in no way juvenile. In fact surprisingly developed, mature and confident.

I did an episode of music by women composers back in November based around a CD Box release by the record label 'Brilliant Classics' and called it 'Brilliant Women'. No prizes for imagination but it was clear and accurate. So, I am going to keep things simple and call this show 'More Brilliant Women'. I could also call it 'music I am genuinely extremely excited to play for you that just happens to be written by women'. But that would be a little cumbersome. What I can say is this is just fabulous music which I think there is a very good chance you will enjoy. In the next hour and a bit I am going to play music by Ethel Smyth, Augusta Read Thomas, Rachel Portman, Anna Clyne, Liza Lim, Katia Beaugeais, Jenny McLeod, Maria Grenfell, Elena Kats-Chernin and Florence Price.

Here is the third Classical For Everyone podcast featuring the music of Wolfgang Amadeus Mozart. I've done an episode on the music Mozart wrote in the last year of his life, 1791, back in June and one focused on 1786 last October. This one is still going to use the 'year in the musical life' theme but it will be a little looser… covering the year or so on each side of the pivotal moment in Mozart's life and career where he left Salzburg and moved to Vienna in 1781. It gives me a chance to play you music from a variety of genres, orchestral, opera, string quartet, choral and keyboard. The afterlife of Mozart's music is probably the most successful, or perhaps most fortunate, of all classical composers. So much of his music is still played, broadcast and recorded. But there is a pretty massive amount of amazing music that is not often heard and I think some of it will come up in this episode.

The name comes from the night of the week when for some of us, the frustrations of insomnia hit the hardest… and because my preferred antidote is getting lost in some music. Of course this series is for everyone… but it is perhaps intended a little more for those of you whose sleep has been troubled. The idea of the special is to play just one piece, uninterrupted and in its entirety… with a few minutes of background explained at the end of the episode. This month… Henryk Górecki's Symphony No. 3 – 'Symphony of Sorrowful Songs' from 1976. Performed by the London Sinfonietta conducted by David Zinman featuring the soprano, Dawn Upshaw.

Much of the 20th century orchestral music that today dominates concert halls and recording studios started as music for ballets. And the best of it started with the Ballets Russes company; which was largely the creation of one man… the Russian impresario Sergei Diaghilev. It is hard to think of another instance where one man, who was not a composer, has had such an outsize influence on what has come down to us as great and lasting music. And I'm going to play you a selection of that music… from Nicolai Rimsky-Korsakov, Igor Stravinsky, Claude Debussy, Maurice Ravel, Erik Satie, Manuel de Falla and Sergei Prokofiev… as well as giving you a little of the Diaghilev and Ballets Russes story.