ifitbeyourwill Podcast

What if the quickest way to sound like yourself is to stop chasing your heroes? That question sits at the centre of our conversation with Kevin Basko, the mind behind Rubber Band Gun—a project that slides easily between indie rock, psych, and playful concept albums, all shaped by a hands-on, hybrid analog setup where limits become part of the sound.Basko traces his path from backyard lyric notebooks to a sudden elevator text that landed him in Foxygen’s touring band, sharpening his instincts without dulling his DIY core. We dig into RBG25, the self-imposed challenge to release dozens of records in a year, and how working fast reshaped his sense of tempo, arrangement, and when a song is actually done. Along the way, he talks borrowing without imitating, turning tradition into raw material, and why momentum—and not perfection—is the real engine of creative work.Send us a textSupport the showlinktr.ee/colleyc

HighSchool formed during Melbourne’s lockdowns, making songs fast and with intention. In this episode, they talk about starting with images and mood before melody, recording wherever they could, and keeping tempos high so the songs stayed sharp and emotional. We get into how Lily’s shift from drums to synth helped shape the band’s sound, why restraint matters more than polish, and how Sony Ericsson came together in a single day after nearly being dropped. From writing in London to releasing a self-titled debut, this is a conversation about momentum, trust, and finding your sound by keeping things simple.Send us a textSupport the showlinktr.ee/colleyc

A granddad blasting Pink Floyd at school pick-up and a jealous six-year-old’s first guitar lesson—hardly the start of a band, but that’s where Eades began. Frontmen Harry Jordan and Tom O’Reilly trace how a bedroom project became a songwriting engine that produced 50-plus lockdown tracks and the refined Final Sirens Call. From four-mic drum kits and happy-accident compressors to Dylan, Lou Reed, and Wilco-inspired craft, the duo reveal how trust, vetoes, and risk shape their sound. We dig into sequencing headaches, translating dense studio layers to the stage, and chasing the live spark on their next record.For fans of post-punk energy, garage roots, and Wilco-era ambition—this episode dives inside Eades’ engine room.Send us a textSupport the showlinktr.ee/colleyc

From a shy kid singing Christina Aguilera behind a bedroom door to teaching voice at Concordia, Alexandra Levy the power behind Ada Lea has lived every side of finding your sound. In this episode, she talks tendonitis, creative do-overs, and the three-day songwriting challenge that sparked When I Paint My Masterpiece. We dig into mentorship, Montreal roots, and the art of building a music career you can actually live with.If you’ve ever felt late, stuck, or told you’re “not a singer,” this one’s for you.Send us a textSupport the showlinktr.ee/colleyc

A happy mistake at a concert.A guitar rediscovered in the back of a closet.Two students on totally different paths who somehow found the same sound.That’s the origin story of sundayclub, a rural Manitoba duo whose music feels like it was pulled from an ’80s Polaroid—warm, hazy, and quietly intentional. Their new EP, Bannatyne, captures that balance perfectly: pop instincts wrapped in dream-pop atmosphere, four tracks that melt into one continuous mood.When you talk to Courtney Carmichael and Nikki St. Pierre, you get the sense that their process is equal parts chaos and craft. Courtney writes with a diarist’s honesty, often chasing the feeling a moment left behind. Nikki builds the sonic world around those words, leaning on production chops and an obsession with tone. A simple tuning shift to open C cracked something open—suddenly, new harmonies and melodies started falling out of the guitar.They work fast to capture the spark, then slow down for the final stretch, refusing to rush a lyric or sand off a rough edge just to be “done.” That patience shows. Bannatyne isn’t a playlist of singles—it’s a short film in sound, one that breathes and unfolds with intention.Their path to Paper Bag Records came with its own lucky breaks—a well-timed mastering grant, a few key community ties, and a lot of persistence. Listeners have already gravitated toward Nuclear Fallout, a track that wasn’t meant to be the standout but hit something unexpected. Courtney and Nikki say that kind of connection means more than any genre label could.Looking ahead, they’re teasing a reimagined “Last Christmas”, a run of Canadian shows, and new singles that stretch their sound without losing its heart.If you’re into indie pop, dream pop, odd guitar tunings, and the craft behind a cohesive EP, this one’s for you. Stream the episode, spin Bannatyne front to back, and see which moment sticks. And if you love what you hear, share it with a friend—because that’s how good music travels.Send us a textSupport the showlinktr.ee/colleyc