New Books in Chinese Studies

Making Sense of China's Economy (Routledge, 2023) untangles China’s complex economic structure, evolving issues and curious contradictions, and explains some key features of this most puzzling of global economic powerhouses. This book reveals how factors such as demographics, the initial stage of development in 1978, the transition away from full state ownership and central planning, the dual urban-rural society, and a decentralised governance structure have combined to shape the economy, its development and its reforms. It shows how the pragmatic and adaptive nature of China’s policymaking upends familiar perspectives and hinders simple cross-country comparisons. The book also explores crucial topics including the property market, debt accumulation and environmental challenges. In this book, Tao Wang innovatively weaves the multiple strands of China’s economy into a holistic and organic tapestry that gives us unique insights from both a Chinese and an international perspective. This book is critical reading for business leaders, investors, policymakers, students, and anyone else hoping to understand China’s economy and its future evolution and impact, written by a specialist who has studied the country from both inside and out.
Tao Wang is senior advisor at UBS Investment Bank in Hong Kong, and until recently was chief China economist at the firm.
Michael Leger is Policy Fellow at the Blavatnik School of Government, Oxford.
Lucas Tse is Examination Fellow at All Souls College, Oxford.

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Can we expect leadership and responsibility from the Asian Global South in climate change governance? India, China, and Climate Change Governance: Leadership and Responsibility in the Asian Global South(Routledge, 2026) is a new book published by Routledge, edited by scholars from Singapore, Estonia, and Poland, explores this intriguing question by examining not only the domestic challenges Asian countries face in exercising leadership and assuming responsibility, but also the international cooperation and competition that shape their regional and global roles. Although the book is focused on India and China, its chapters also dedicate attention to the US, Europe and international organizations.
Amit Ranjan is a Research Fellow at the Institute of South Asian Studies, National University of Singapore, Singapore.
Agnieszka Nitza-Makowska is a Research Fellow at the Asia Centre, University of Tartu, Estonia, and an Assistant Professor at the Institute of Political Science and International Relations, Civitas University, Warsaw, Poland.
The episode is hosted by Linas Didvalis, an Associate Professor at Centre for Asian Studies at Vytautas Magnus University, Kaunas, Lithuania.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway).
We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.

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How do individuals seek to become better persons in contemporary China? How do they navigate the complex demands of personal growth given the fragmentation of China’s moral landscape?
Gil Hizi’s careful ethnography on “soft skills” workshops in China examines the pursuit and enactment of virtue, termed “capitalist virtuousness,” through the expanding genre of self-improvement.
Transient Becoming: Self-Improvement and Capitalist Virtuousness in Contemporary China (NUS Press, 2026) reveals how these workshops create heterotopian spaces that offer participants “transient optimism and virtue realization,” in which individuals experientially exceed their social reality. They perform an idealized sense of self-worth and autonomy, even if these transformations remain short-lived and bounded. Through this volume, Hizi illuminates how self-improvement becomes a constant state of incompleteness, requiring self-validation, in the context of aspiration for a “purified and moral image” of global capitalism.
With a deep appreciation of the moral turn, this book offers insights into Chinese studies, affect studies, anthropology and sociology, by meticulously detailing the lived experiences of person-making amidst globalizing forces and the contradictions inherent in modern aspirations.
Gil Hizi is a sociocultural anthropologist working as a lecturer and researcher at University of Cologne. His research is about ongoing social transformations in China with the focus on concepts of personhood, interpersonal ethics and emotions.
Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here.

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When the Taiwanese political drama Wave Makers appeared in April 2023, few anticipated its impact beyond the screen. Within weeks, survivors in politics, the media, academia and the arts began sharing experiences of sexual harassment and assault, giving momentum to Taiwan’s long-delayed #MeToo movement.
XinLing Li’s new book, Wave Makers and the Rise of #MeToo in Taiwan: Media, Empathy, and Digital Testimony (Anthem Press, 2026), asks how a fictional series became a cultural catalyst. Li argues that the drama gave form to experiences that had remained unspoken, while social media allowed personal testimony to circulate without institutional permission.
The book is part of the new short-book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.
In this podcast, Dr Ming-yeh T. Rawnsley talks with Dr Li about television, empathy, digital testimony, and the opportunities and inequalities within Taiwan's #MeToo movement. Themes include:
Why Taiwan’s #MeToo movement came late - the gap between progressive laws and the cultural conditions that still discourage survivors from speaking.
The ‘perfect victim’ - how Wave Makers challenges the assumption that only women who conform to conventional ideas of femininity deserve belief and justice.
The feminist snap - why the line ‘Let’s not just let it go this time’ gave viewers a language for recognising accumulated injustice.
Empathy and narrative identity - how fictional characters help audiences interpret their own experiences and respond to others.
Digital testimony and affective publics - how social media weakens traditional gatekeeping while introducing new risks and struggles for attention.
Women’s solidarity - how the drama examines agency, family relationships and the historical expectation that women define themselves through men.
The limits of visibility - why migrant domestic workers remain especially vulnerable and often unable to speak without risking their livelihoods or immigration status.
One of the book’s most compelling arguments is that art can give structure to what Raymond Williams called ‘emergent feelings’: experiences without an accepted public language. Through recognisable characters and an accessible story, Wave Makers transformed a familiar instruction to remain silent – ‘just let it go’ – into a shared refusal.
The podcast also considers how the hashtag changes testimony. Survivors can now address audiences directly, rather than relying entirely on journalists and other institutional gatekeepers. Yet visibility remains uneven. Stories involving celebrities and senior politicians attract attention more readily than those of migrant domestic workers, who may face dismissal, loss of visa status or deportation if they speak publicly.
Li is cautious about treating Wave Makers as a formula for political change. No television programme can produce a movement on demand. Popular culture can nevertheless offer language and recognition when audiences are ready to respond.
The story of Wave Makers is ultimately about the unpredictable movement between fiction and public life: a drama helped people recognise experiences they had been encouraged to dismiss, while digital platforms allowed the words ‘me too’ to become testimony, solidarity and action.
Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short-book series, ‘Anthem Impact in Asian Media, Cinema and Communications’.
Dr Xinling Li is an independent scholar based in New York. He studied at Cambridge University.

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How was drama experienced in early modern China? It was not tied to a single medium such as the page or the stage, but operated in a media ecology—an environment in which it integrated other arts and media while being refashioned in a variety of arts and media. Playing with Plays: Drama and Early Modern Chinese Media Ecologies (Brill, 2025)
explores a wide range of cultural experimentation, collectively termed “playing with plays:” the theatricality embedded in commentary, the poetic and visual imagination arising from drama illustrations, the interactions between reading and singing arias, the imbrication of reading plays and practicing religion, and the ludic act of writing playful essays on drama. Through engaging these disparate phenomena with media studies, the book advances a new model for thinking about drama history, and shows the entwinement of plays and different forms of media in shaping perception, molding experience, and enabling new subject positions to emerge in early modern China.

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