New Books in Chinese Studies

A provocative collaborative project, China as Context challenges the marginalization of Chinese-grounded ideas in academia, arguing that neglecting China distorts our understanding of global complexities. Through diverse ethnographic perspectives, this volume repositions China, urging a holistic, post-global approach to the social sciences amid shifting global dynamics.

Decades-old calls to recognise China’s significance for anthropological theory and the social sciences are more urgent than ever. Yet, Chinese-grounded ideas remain marginal, with China often seen as a distant “Other” rather than a source of widely applicable theory. Drawing on East Asian postcolonial scholarship, this volume argues that without taking China seriously as a knowledge producer and a key agent in a post-global world, social scientists risk misinterpreting the global present. As Western globalisation wanes and anthropology reassesses the relationship between ethnography and theory, we show how “China” must be understood as an ordinary, integral context for research worldwide.

China as Context is edited by Di Wu, Andrea Pia, and Ed Pulford.

Di Wu is an Anthropologist and Associate Professorial Fellow at the Institute of Anthropology, Zhejiang University, the People’s Republic of China.

Ed Pulford is an Anthropologist and Senior Lecturer in Chinese Studies at the University of Manchester.

Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here.
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How do we compare across languages, media, and histories, all without flattening differences? And what might Hong Kong teach us about doing comparison differently?

Alvin K. Wong examines these and other questions in Unruly Comparison: Queerness, Hong Kong, and the Sinophone (Duke UP, 2025), a wide-ranging and thought-provoking study of queerness in Hong Kong. Bringing together Sinophone literature, independent and commercial cinema, documentary films, and visual art, the book asks how Hong Kong’s queer productions might help us rethink the work of comparison itself.

Rather than treating Hong Kong as a marginal or derivative space — a space defined by British colonialism, China-centrism, or global capitalism — this book approaches the city as a site of methodological possibilities. The key concept the book advances, “unruly comparison,” replacing neat equivalences and stable categories with incommensurability and transnational connections and linking Hong Kong to other places, times, and queer spaces across the Sinophone.

Theoretically deft, the book is filled with a wide range of fascinating material, including work by filmmakers including Wong Kar-wai, Scud, and Fruit Chan; transnational and transgender visual cultures; documentaries about Southeast Asian domestic workers and queer intimacies; and poetry about language and precarity.

This book will appeal to those interested in queer theory, Hong Kong studies, Sinophone studies, and comparative approaches. Listeners should also check out Alvin Wong's co-edited volume Keywords in Queer Sinophone Studies(Routledge, 2020) and the Society of Sinophone Studies webpage (of which Alvin is currently chair!). 
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Bandits in Print: "The Water Margin" and the Transformations of the Chinese Novel (Cornell UP, 2023) uses the classic novel The Water Margin (Shuihu Zhuan) to examine the world of print in early modern China. Scott W. Gregory traces the way this beloved novel about outlaw heroes, honor, corruption, and brotherhood was adapted and changed by different editor-publishers. While in other contexts print and printing brought stability to texts, Scott shows how in the Ming print itself was an agent of textual change.
Bandits in Print is a refreshing take on this traditional novel, one that highlights how malleable Water Margin really was. This book is sure to appeal to those interested in Chinese literature, Ming history, and print culture, as well as those who want to know more about the interaction between manuscript and print in the early modern world.
In addition to being an Associate Professor at the University of Arizona, Scott is also co-director of the Center for East Asian Studies.
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How has China’s Ministry of Foreign Affairs transformed itself into one of the most assertive diplomatic actors on the global stage? What explains the rise of “wolf warrior” practices, and how should we interpret Beijing’s evolving diplomatic identity?

In this episode, Duncan McCargo speaks with Dylan Loh, an Associate Professor in the Public Policy and Global Affairs programme at Nanyang Technological University (Dr. Dylan M.H. Loh - Associate Professor | International Relations Scholar | Chinese Foreign Policy), about his award-winning new book China’s Rising Foreign Ministry: Practices and Representations of Assertive Diplomacy (Stanford University Press, 2024). Dylan Loh unpacks how Chinese diplomats craft narratives and balance assertiveness with professionalism, touching on institutional habitus, ritualised loyalty, and China’s bid for discourse power on platforms like X. This conversation offers timely insights for anyone interested in Chinese foreign policy, diplomacy, and the future of great-power relations.

Host: Duncan McCargo is President’s Chair in Global Affairs at Nanyang Technological University.

Podcast Editing: Ishaan Krishnan
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Poet-Monks focuses on the literary and religious practices of Buddhist poet-monks in Tang-dynasty China to propose an alternative historical arc of medieval Chinese poetry. Combining large-scale quantitative analysis with close readings of important literary texts, Thomas J. Mazanec describes how Buddhist poet-monks, who first appeared in the latter half of Tang-dynasty China, asserted a bold new vision of poetry that proclaimed the union of classical verse with Buddhist practices of repetition, incantation, and meditation.

Mazanec traces the historical development of the poet-monk as a distinct actor in the Chinese literary world, arguing for the importance of religious practice in medieval literature. As they witnessed the collapse of the world around them, these monks wove together the frayed threads of their traditions to establish an elite-style Chinese Buddhist poetry. Poet-Monks shows that during the transformative period of the Tang-Song transition, Buddhist monks were at the forefront of poetic innovation.

This book is open access, you can find the download link here. You can find the statistics and social network analysis in this book as well as links to Prof. Mazanec's codes in this book. 

You can find the online bibliography of Chinese poetry in translation here. 
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