New Books in Chinese Studies

At its core, China in African Media: Between Influence Operations and Decolonization (Bloomsbury, 2026) is a book about power, journalism, geopolitical influence, and knowledge production in China–Africa relations. It examines how the People’s Republic of China has moved beyond simply establishing Chinese media organizations such as Xinhua and CGTN in Africa toward a much more dispersed system of engagement. Conceptualizing these engagements collectively as a multimodal or mixed-media ecology of influence, Umejei highlights China’s ability to reach African audiences directly through Chinese media, indirectly through African news organizations, institutionally through partnerships, professionally through the journalists it trains, and infrastructurally through technologies implemented by Chinese firms.

Underlying the book is a strong normative concern about the implications of this expansion of Chinese media engagement for Africa’s democracy, leadership, developmental aspirations, and decolonization. In this regard, Umejei addresses the question: Is the emerging South–South media relationship helping to decolonize African journalism by weakening Western dominance, or is China principally replacing Western influence with a new form of Chinese influence? The book draws on semi-structured interviews with journalists across fourteen African countries, content analysis, policy documents, and publicly available materials.
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A Guide to Mao’s China: Showing the Nation to Foreign Guests (Cornell UP, 2026) by Gavin Healy explores how tourism was reshaped during the Mao era. It follows the transformation of once-private travel agencies after 1949, the efforts of China's state tourism bureaucracy to reconcile welcoming foreign visitors with earning foreign currency, and the ways tourism workers reimagined service occupations such as tour guiding and waiting tables in the context of socialist ideology.

By drawing on government archives, service worker manuals, and other kinds of ephemera, the book does a wonderful job of focusing on the people on the front lines of the tourism industry, showcasing the ordinary rank-and-file workers who were told to be polite and eager — but not fawn over guests — and to be prompt and attentive — but not servile. By looking at these service workers, this book showcases the important ideological work that tourism can do, both for the tourists being shown a new part of the world and for those doing the showing.

A Guide to Mao’s China should appeal to readers interested in modern Chinese history, the history of tourism, Cold War international exchange, and the everyday workings of the socialist state.
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China’s Date Debate: How Manchurian Scholars Rewrote World War II (U Michigan Press, 2026) by Dr. Emily Matson is an in-depth investigation of the Chinese Communist Party’s remapping of China’s World War II timeline from eight years (1937–1945) to fourteen years (1931–1945). Instead of the previously accepted starting date of the Marco Polo Bridge Incident on July 7, 1937, the Chinese Communist Party defined the war’s starting date as the Mukden Incident on September 18, 1931, which triggered the Japanese Kwantung Army’s invasion of Manchuria. Since the 1980s, scholars from Manchuria have demanded a fourteen-year war timeline to encompass the invasion of their homeland. By the 1990s, other scholars took notice and started to counter with claims that the eight-year timeline was the more accurate. Subsequently, a fierce “date debate” emerged between the two sides that was only resolved by the 2017 proclamation from the Ministry of Education.

Dr. Matson demonstrates that the decision to set China’s World War II timeline at fourteen years was not merely a top-down decision, but was influenced by decades of Manchurian scholarship on the war. China’s Date Debate recenters Manchuria as a region of critical importance for China’s national identity today and the implications of this “date debate” on the Chinese Communist Party’s domestic legitimacy and international image.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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John Ross speaks with Scott Forbes Crawford about his book The Han-Xiongnu War, 133 BC–89 AD (Pen & Sword Military, 2024) For more than two centuries, Han China fought a bitter struggle against the Xiongnu, a powerful confederation of horse-riding nomads from the Asian steppe. This was far more than a border war. It helped shape the future of China, transformed Central Asia, and opened the routes that would become known as the Silk Road.

In writing this history, Scott followed the example of China’s greatest historian, Sima Qian (the subject of BOA episode 82 ), and took a biographical approach. We learn about remarkable figures such as Modun, the ruthless founder of the Xiongnu Empire; Li Guang, the legendary “Flying General”; the explorer Zhang Qian; and Princess Jieyou, a royal diplomat/spy who spent decades advancing Han interests deep in Central Asia.

Notes:

The full title of Scott Crawford’s book is: The Han-Xiongnu War, 133 BC–89 AD: The Struggle of China and a Steppe Empire Told Through Its Key Figures (Pen & Sword, 2023)

To learn more about Scott’s work, including his novel Silk Road Centurion, visit his website : https://www.scottforbescrawfor...

The Books on Asia Podcast is co-produced with Plum Rain Press.
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The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America.
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