Australian Women Artists

Australian Women Artists
 
The podcast
 
Ep 88 Emily Ferretti
 
 Emily Ferretti is a Melbourne-based painter whose still-life and landscape images move between representation and abstraction. The importance of feeling and emotion becomes obvious looking at her work. 
 She grew up on a property in country Victoria, trained at the Victorian College of the Arts, and has since built a career via residencies at Gertrude Contemporary in Melbourne, the Cité Internationale des Arts in Paris, and Greene Street Studio in New York. 
 Her monotype series Shifting Landscapes saw her selected as a finalist in the Ramsay Art Prize at the Art Gallery of South Australia, and this year she begins a new chapter with representation at Chalk Horse in Sydney, alongside her long-standing gallery, Sophie Gannon, in Melbourne.
 We spoke about a number of things. I was particularly interested in the evolution of her subject matter and the importance of her experience at TAFE before she got to VCA, how she ensured her momentum was maintained even just after leaving art college, the collegiate atmosphere amongst other artists and how that propelled her forward. Also the surprising affect a residency in Paris had on her art. It was surprising to me anyway. We also discussed how she broke into representation by a gallery (Sophie Gannon).
 
 
To hear our conversation head to wherever you get your podcasts and search Australian Women Artists. 
 
Emily is represented by Sophie Gannon in Melbourne and Chalk Horse in Sydney
 
 
Images 
1.   EF via Chalk Horse website
2.   Afternoon Light, 2025 ink and watercolour on paper 107 x 77.5 (Finalist R & M McGivern Prize, 2026)

Australian Women Artists
 
The podcast
 
Ep 87 Sally Ross
 
Sally Ross is an intellectually captivating painter who works between hypnotic landscapes and psychological portraiture. 
 Sally has spent over three decades developing a distinctive visual language defined by flattened, patterned surfaces, cool palettes, and a deep dialogue with art history. 
 After eight formative years living in France, (amongst other things, running an artists’ squat in an abandoned seventeenth-century hospice) and exhibiting across Europe and America, she returned to Melbourne to establish a studio practice. 
 A six-time Archibald Prize finalist whose portrait The Huxleys was selected for the historic Archie 100 tour. 
 Sally has work held in major public collections including the National Gallery of Victoria and the National Portrait Gallery.
 But it’s the experiences and lessons she’s learnt along the way that were absorbing to me...and no doubt would be valuable to those artists starting their journey. An enjoyable conversation. She’s fabulous.
 
 
Head to wherever you get your podcasts and search Australian Women Artists. 
 
Sally is represented by Smith & Singer, Melbourne
& Martin Browne Contemporary, Sydney
 
Images
1.   SR by Mel Savage
2.   Autoportrait, 2021 (Archibald finalist) oil on board 130 x 110
3&4 The Huxleys, 2018 (Archibald finalist) oil on wood panel 130x110
5. SR with the Huxleys
6. Riverbed grevillea, 2025, oil on board, 130 x 110

Australian Women Artists
 The podcast
 
Ep 86 Elizabeth Barnett
 
 
Elizabeth Barnett is a painter and printmaker who also utilises textiles and pottery. Her still life and interior paintings have become instantly recognisable — plant-filled nooks, stacked books, jugs and vases, all rendered in a distinct palette that reflects the season. 
 She has a deep reverence for the everyday. From her early training in the rigorous world of printmaking to lush, translucent paintings on stretched linen, and eventually to thickly layered oil works in her bushland studio. 
 She is also an incredible community builder, having co-founded Melbourne's iconic Schoolhouse Studios, a massive, not-for-profit creative hub. 
 Today, working from her home studio in the Macedon Ranges, Elizabeth continues to celebrate the gentle, wondrous beauty of daily life while acting as a passionate advocate for female representation in the arts.
 “Her subjects do not sit flat upon the canvas, but instead reach up from it, enlivened by the wild and natural world. This liveliness belies the ‘stillness’ of still life painting and along with Barnett’s painterly gestures of shadow, line and colour creates a visual dynamism reaches beyond tradition.”
 
 
To have a listen to our conversation, head to the link in my bio or search Australian Women Artists wherever you find your podcasts. 
 
Elizabeth is represented by Flinders Lane Gallery in Melbourne. 
 
 
Images supplied by artists
 
1.   EB
2.   Nocturne Arrangement 2026 oil on linen 215 x 153
3.   Floribunda and Gwen 2026 oil on linen 81 x 91
4.   Nocturne 2024 oil on linen 153 x 122
5 & 6 installation shots

Australian Women Artists
 
The podcast
 
Ep 85 Nell
 
Nell is one of Australia's most distinctive contemporary artists, working across painting, sculpture, performance, video and installation. 
She has spent three decades building a visual language shaped by rock 'n' roll, Buddhist philosophy and religious iconography. Smiley faces, lightning bolts, ghosts, tears and eggs recur throughout her art and help create works that have been described as playful, insightful and poetic. 
Her work explores the binaries of human existence – birth and death, sorrow and happiness, light and dark. 
It’s a fascinating story and, with 300+ exhibitions to consider, I’ve had the unenviable task of choosing just a few to discuss without minimising the others otherwise we’d be still chatting well into 2027!
‘Nell has developed a unique visual language that traverses scale, medium and materiality. Regardless of the outcome, her work explores oppositional thresholds and the fertile space that exist beyond the binary: from intimate to immersive, found to fabricated, high to low culture, two-dimensions to three-dimensions, individual to collaborative, ancient to contemporary, sacred to profane.... At the heart of Nell’s practice is an offering of connection and companionship; a reminder that we are not alone.’ Station Gallery (representing Nell).
 

To have a listen to our conversation, head to my bio or search ‘Australian Women Artists’ wherever you normally find your podcasts.
 
 
 
Images 
 
1.    Holding Both, 2026, Museum of Contemporary Art, Photo Anna Kucera
2.    Let There Be Robe, 2011, Museum of Old and New Art, Photo Rémi Chauvin
3.    ROCK GATE, 2019, Carriageworks, Photo Zan Wimberley
4.    Nell x Colin McCahon: Through the Wall of Birth and Death, 2024, Dowse Art           Museum, Photo Sam Hartnett
5.    Face Everything, 2025-26, Heide Modern, Photo Christo Crocker
6+7. NELL ANNE QUILT, 2020-24, Photo Jenni Carter

Australian Women Artists
 The podcast
 Ep 84 Chelsea Gustafsson
 
 Chelsea Gustafsson is an artist whose work invites us to look closer at the quiet, often overlooked items of our daily lives—transforming mass-produced objects, ornaments, and domestic clutter into highly detailed, deeply metaphorical still lifes. 
 Her paintings are incredibly beautiful, but they also carry a sharp undercurrent of modern anxiety, apathy, and ecological grief. 
 From her early beginnings influenced by 3D sculptors to painting on her dining table, Chelsea has built a formidable practice that has seen her work acquired by the City of Melbourne, celebrated as a finalist in the prestigious Kennedy Prize, and exhibited internationally in Berlin. And very recently, she was selected for the celebrated Salon des Refusés at the S.H. Ervin Gallery.
 “I like to play with objects and textures that don’t necessarily sit well together naturally. Through the process of constructing items into a sculptural form and twisting or balancing them to find their sweet spot for a composition and watching how the light falls and reflects across them, they begin to gel as a single form and a beauty emerges.”
 
 
Head to my bio and follow the link to our podcast conversation...or search Australian Women Artists wherever you find your podcasts.
 
Chelsea is represented by:
Flinders Lane Gallery, Melbourne
Penny Contemporary, Hobart
Michael Reid Berlin
 
Images
1.   CG supplied by artist
2.   Self Portrait, 2026, Oil on board (all works on these images are OOB) 30 x 40
3.   Lobster, 2025, 15 x 20
4.   Surfcoast Highway, 2019, 15 x 20
5.   Mint, 2020, 40 x 50
6.   Tasmanian Tigers, 2024 22 x 30
7.   Trophy 01, 2022, 15 x 20