Human Voices Wake Us

An episode from 12/9/24: Tonight's episode gathers together all of the readings I've done on this podcast from the poet ⁠William Blake⁠ (1757-1827). All of these poems can be found online at ⁠The Complete Poetry & Prose of William Blake⁠:
Blake & His Animals: One passage from Visions of the Daughters of Albion, and two from Milton. I hope that plucking these three excerpts from his longer work can suggest how varied—not just how prophetic and opaque, but simply beautiful—so much of his poetry can be. (From the episode ⁠Poetry Friday⁠)
An excerpt from his long poem Milton. (From the episode ⁠Visionary Poems⁠) Listeners will forgive that this section fades in from a talk about Wordsworth and Whitman, and fades out as the episode it was taken from moves on to other poets.
Another excerpt from Milton, where Blake's personal mythology is given free reign over the city of London. (From the episode ⁠Cities Under Siege⁠)
The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.
Email me at [email protected].

An episode from 1/10/23: Tonight we take a peek into the creative life of Charles Dickens (1812-1870). Through a handful of readings from Claire Tomalin’s biography of Dickens, we see how he was able to juggle, for almost a year, the writing of two novels for simultaneous serial publication. Then, thanks to a letter written by Fyodor Dostoevsky, who visited Dickens in London in 1862, we also hear Dickens admitting that his villains were better reflections of himself than his more lovable and generous characters. We also answer the question: what do David Copperfield and Jane Eyre have in common? Finally, we hear about the chance encounter Dickens had with a young fan in America, who grew up to become a novelist herself.
Note: these readings from the life of Dickens were originally the first part of a longer episode, hence the brief mention of the second part, no longer included, and the abrupt ending here. Listeners will forgive these frayed edges.
The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts. Email me at [email protected].

An episode from 8/25/23: Tonight, I read ten essential poems from one of the great and most public poets of the last seventy years, Seamus Heaney (1939-2013). It isn’t hard to come by details of Heaney’s life, but ⁠Stepping Stones⁠ (where Heaney is interviewed at length in what amounts to an autobiography), is a good place to start. His poems are collected in ⁠100 Poems⁠, and in the ⁠individual collections⁠.
There are many ways to look at Heaney’s work, and the ten poems I choose only present one picture: a poet as at home on the farm as he was at Harvard; as interested in literary history as in archaeology and the deep interior of the Irish imagination; as concerned with childhood, memory, and family as with the darkest aspects of human life. In introducing these poems, I reflect on Heaney’s importance in my own life, and the huge impact his death had on me, ten years ago this month.
The poems I read are:  
Personal Helicon (Death of a Naturalist, 1966)
The Forge and Bogland (Door into the Dark, 1969)
The Tollund Man (Wintering Out, 1972)
The Strand at Lough Beg (Field Work, 1979)
Squarings #2, #8, #40 (Seeing Things, 1991)
from his translations of Beowulf (1999)
Uncoupled (Human Chain, 2010)  
The episode ends with Heaney's reading of "The Tollund Man."
The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.
Email me at [email protected].

An episode from 3/16/26: Tonight, I read about the eruption of the volcano Krakatoa in the year 535 CE, and the outbreak of plague in Constantinople (and elsewhere) only a few years later. It all comes from Susan Wise Bauer’s The History of the Medieval World: From the Conversion of Constantine to the First Crusade, and I give a handful of reasons why her histories for adults and children are definitely worth going to.
Bookending these stories are a few passages in Gershom Scholem’s (1887-1982) memoir, From Berlin to Jerusalem: Memoirs of My Youth. It turns out that the great kabbalist liked sweets, and riding around on roller-skates.
The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.
Email me at [email protected].

An episode from 3/9/26: Tonight, I read from Barbara Ehrenreich’s 2001 book Nickle and Dimed: On (Not) Getting by in America. After that, I talk about the recent TV show The Killing, as a way in to talking about our obsession and desire for criticism, objectivity, and certainty. Isn’t privacy and the subjective more fruitful? Both parts of this episode are related to essays in my book Notes from the Grid.
What is your equivalent of these passages? Email me or send an audio file to [email protected], and I may use it in an upcoming episode.
The best way to support the podcast is by leaving a review on Apple or Spotify, sharing it with others, or sending me a note on what you think. You can also order any of my books: Time and the River: From Columbine to the Invention of Fire, Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. I also have a YouTube channel where I share poems and excerpts from these books, mostly as YouTube shorts.
Email me at [email protected].