New Books in Jewish Studies

Once upon a time, or so we’ve been told, medical ethics were confined to the patient-doctor relationship. As long as doctors were true to their Hippocratic oaths, as long as they acted with compassion and wisdom, then all expectations were met.

Life is more complicated today, and so is healthcare: an undertaking, like all others, that is influenced by social, political, legal and cultural factors.

Nothing is value-free.

In Bioethics and Biopolitics in Israel: Socio-legal, Political and Empirical Analysis (Cambridge University Press, 2019), Professor Shai Lavi and his colleagues have produced a groundbreaking work that offers a novel understanding of Israeli bioethics. It is a milestone in the comparative literature of bioethics.

Bringing together a range of experts, the book's interdisciplinary structure employs a contemporary, sociopolitical-oriented approach to bioethics issues, with an emphasis on empirical analysis, that will appeal not only to scholars of bioethics, but also to students of law, medicine, humanities, and social sciences around the world. Its focus on the development of bioethics in Israel serves as a template for cross-cultural and transcultural research into the moral, ethical, political and social aspects of bioethics.

This episode originally aired on 8/12/2019 and was republished on 8/28/2026.
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Most of the Yiddish songs we know today were created in the first half of the 20th century and distributed through commercial channels such as sheet music, concerts, radio broadcasts, records and CDs, theater stages, and more recently through songbooks produced in educational settings around the world. Our discussion focuses on lesser-known songs – Eastern Yiddish musical folklore, which emerged over a period of approximately four hundred years preceding the formation of the “popular” repertoire. Although we lack transcriptions of melodies or lyrics from before the end of the 19th century, a comparative study of documentation collected from then until the middle of the 20th century reveals that older layers of this musical-poetic creativity had been preserved over long periods of time. I refer to this older repertoire as the "musical pripetshik." Similar to the traditional combined home-heat-generating cooking oven known as the pripetshik, this old song repertoire was an integral part of Jewish culture, evolving in meaning and function over time. While for many, the image of the pripetshik corresponds to the nostalgic song by Mark Varshavski of 1901, this lecture will explore the earlier history of this and other poetic and musical images to offer an appreciation of their significance.

This lecture originally took place on July 23, 2024.
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Ancient apologetics is usually treated as a literary genre or a branch of early theology. This Element offers a different account. It argues that many Jewish and Christian texts conventionally labeled 'apologetic' are better understood through a bibliographic and archival lens: They produce authority not only by defending doctrines, but by organizing books, constructing corpora, mobilizing archives, and regulating interpretation. Tracing a trajectory from the Letter of Aristeas to Jerome's De viris illustribus, this Element shows how citation, collection, cataloguing, and textual ordering made traditions appear authoritative. Examining Aristeas, Josephus, Tatian, Justin, Origen, Pamphilus, Eusebius, and Jerome, it argues that apologetics is best understood as a form of curatorial power through which ancient communities learned to think with books. This title is also available as open access on Cambridge Core.

New Books in Late Antiquity is presented by Ancient Jew Review.

Sabrina Inowlocki is a Senior Research Fellow Institute for Religion and Critical Inquiry (IRCI) at the Australian Catholic University.

Michael Motia teaches in Classics and Religious Studies at UMass Boston
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Tune in to this interview about Body Language: Voice, Embodiment, and Textuality in the Hebrew Bible (Yale UP, 2026). Jacqueline Vayntrub is Associate Professor of Hebrew Bible at Yale University in the Divinity School. She holds a Ph.D. with honors in Northwest Semitic Philology from the University of Chicago. Her research operates at the intersection of biblical philology, poetics, and the history of biblical scholarship. She is the author of Beyond Orality: Biblical Poetry on its own Terms (Routledge 2019), Body Language: Voice, Embodiment, and Textuality in the Hebrew Bible (Yale University Press, 2026), as well as the co-author of Hebrew Funerary Inscriptions from Iron Age Judah (Society of Biblical Literature Press, forthcoming). Her current major projects include a commentary on Ecclesiastes for the Old Testament Library series (Westminster John Knox Press), and serving as Project Director for an NEH-funded international collaboration investigating the institutional history and anti-Jewish scaffolding of modern biblical criticism.
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Holocaust distortion in Poland involves reshaping or minimizing facts about the Holocaust, often emphasizing Polish victimhood while obscuring instances of local collaboration, participation, or indifference. It appears in political rhetoric, memory laws, public commemorations, and attacks on critical scholarship. YIVO’s Poland vs. Holocaust History series examines these dynamics and situates the Polish case within a broader European context.

Elżbieta Janicka focuses on the case of the former German Nazi death camp Treblinka, the place of murder and (un)rest of nearly one million Jews from several European countries, the majority from Poland. While keeping in mind that “Treblinka” is as an umbrella term for the forced labor camp Treblinka I (1941-1944), the extermination camp Treblinka II (1942-1943), and a railway station at Treblinka the village, Janicka examines symbolic topography, such as the symbols and narratives that are imprinted into these sites under the auspices of the Treblinka Museum. Regarding the unrestricted Polish bottom-up and top-down fight to “conquer the space” of the Holocaust and make it symbolically profitable for Poland, Janicka raises the question: Why doesn’t the present Polish strategy of “promoting Polish martyrdom upon the Jewish one” trigger an international scandal and condemnation?

Janicka argues that while Polish cultural institutions do not deny the Holocaust itself, they practice a form of denialism by obscuring the reality of Polish involvement in the Holocaust. This lecture fits into a broader debate about Polish public institutions that promote a counter-history of the Holocaust and have at their disposal extraordinary means of propaganda both within Poland and abroad.

This lecture originally took place on February 19, 2026.
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