New Books in Technology

Hot Type: The Magnificent Machine that Gave Birth to Mass Media and Drove Mark Twain Mad (Bloomsbury, 2026) is the epic story of the magnificent 19th-century machine that rendered Gutenberg's movable type obsolete and opened the portal to the long century of mass media. The Linotype mechanized the 400-year-old process of setting type one laborious letter at a time, and thus ignited an explosion of newspaper, book, and magazine empires.This is a tale populated with wondrous characters: tragic inventors, malign media moguls, hand-typesetters called the Swifts who turned their craft into a spectator sport, and authors and journalists who chronicled the turmoil of their time, their every word molded into metal type by what some viewed as a thinking machine. This revolution in media technology helped to propel Mark Twain into literary celebrity, but it also cost him his fortune – as well as his sense of humor and optimism.The era of the Linotype was a bridge between Twain's Gilded Age with its tycoons of steam, steel, and wire and today's Gilded Age with its barons of bits and AI. Its history provides an opportunity to reflect on how technology changes culture just as new technologies – the internet and artificial intelligence –manufacture their endless streams of words today.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Peoples & Things host, Lee Vinsel, talks with writer and researcher, Jehnie I. Burns about her book, Mixtape Nostalgia: Culture, Memory, and Representation (Lexington, 2023). This conversation builds on earlier ones on music and technology, especially our earlier episode with Anthony Kwame Harrison about the ethnography of hiphop. Vinsel and Burns chat about the rise of mixtape culture, how it played out in different subcultures, and how it was wrapped up in and transformed by technological change. We also announce some big news at the beginning of the episode.
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We the Platform: How the Internet Changed Twenty-First-Century Literature (Columbia University Press 2026) by Aarthi Vadde is a groundbreaking account of mass writing in the twenty-first century, identifying rarely recognized forms of literary possibility amid the profound upheavals in traditional publishing. Aarthi Vadde examines the explosion of textuality across digital platforms: countless writers, diverse publishing formats, and vast communities of readers responding to stories publicly and instantly. Countering ubiquitous decline narratives, she offers powerful examples of literary innovation, adaptation, and survival. Among them are Jonathan Lethem and Lauren Oyler’s challenges to individualist ideas of authorship, the Twitter fiction of Jennifer Egan and Teju Cole, Margaret Atwood and Naomi Alderman’s collaborative writing on Wattpad, conceptual projects like Book from the Ground, and the experimental use of chatbots by authors including Sheila Heti. Through nuanced and illuminating readings, We the Platform shows how platform-based writing has altered cornerstone concepts of authorship, aesthetic form, and craft, delivering a bold new understanding of literature now.
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Are we driving our technology, or is it starting to drive us? In this thought-provoking conversation, Eli Karetny sits down with researcher and author Eduardo Albrecht to explore the invisible, rapidly encroaching frontier of AI governance and data surveillance.Moving far beyond traditional debates about data privacy, Albrecht warns of a near future where the state and corporate partners bypass human speech entirely, relying instead on "sentiment detection" to ascribe thoughts and make decisions that impact our physical lives. Together, they trace the historical trajectory of control—from early fingerprinting and eugenics to modern biometrics and neural implants—and challenge the modern illusion of state efficiency at the expense of human agency.Tune in for a deep dive into the two fundamental rights required to safeguard the future of democracy: absolute transparency over our data, and an evolving, radical defense of our collective freedom of thought.
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The definitive feminist analysis of reproductive and ‘caring’ labor to emerge from Italian feminism of the 1970s.

Emerging from the great social upheavals that contested the sexual and racial divisions of labor globally in the 1970s, Leopoldina Fortunati’s classic work expands and transforms how we analyze the sphere of reproduction, redefining the value of the individual’s life and the labor performed in the home.

Released here for the first time in its unabridged form with historical notation and contemporary commentary, The Arcana of Reproduction: Housewives, Prostitutes, Workers and Capital (Verso, 2025) is a foundational text and essential contribution to today’s discussions of social reproduction and the history of Italian feminism. Fortunati’s work provides some of the earliest theorizations of ‘immaterial,’ ‘affective,’ and ‘caring’ labor, and of the role of technology in reproduction, articulated decades before their popular reception in English academic literature. Reading this work some 50 years after its original publication gives us the tools to analyze the contemporary state of capitalist development and of women’s lives today. The text remains prefigurative and essential in our era of digital labor.

Leopoldina Fortunati was a core member of Lotta Femminsta and the Wages for Housework Movement internationally. Along with Mariarosa Dalla Costa, Selma James and Silvia Federici, she composed many of the group’s core theoretical and political texts. Her early work continues to inform movements concerned with struggles over reproduction globally and in subsequent work as a theorist of media and technology, Fortunati has been at the vanguard of contemporary theory addressing the relation between gendered labor and technology.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.
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