Post Reports

Early Wednesday, FBI agents raided the home of a Washington Post reporter as part of an investigation of a government contractor accused of illegally retaining classified government materials. The reporter – Hannah Natanson – was at her home in Virginia at the time of the search. She covers the federal government for The Post and spent the past year connecting with sources while reporting on the Trump administration’s efforts to fire federal workers. Investigators said neither Natanson nor The Post are the focus of the probe, but many saw the search as a jarring new step aimed at limiting news organizations’ ability to gather information. Today on “Post Reports,” democracy reporter Sarah Ellison joins host Elahe Izadi to discuss the unusual move by federal law enforcement and the lengths journalists go to to keep sources safe. And, in the second half of the show, we bring you an excerpt from an April 2025 conversation with Natanson – about how she became The Post’s “federal government whisperer.”Today’s show was produced by Rennie Svirnovskiy. It was edited by Dennis Funk and mixed by Sam Bair.The April 23 episode was produced and mixed by Ted Muldoon and edited by Peter Bresnan.Subscribe to The Washington Post here.

For years, President Donald Trump has complained about Federal Reserve Board Chair Jerome H. Powell. He’s called him names, said he should be fired and has tried to pressure the Fed leader into lowering interest rates.Trump’s feud against Powell escalated over the weekend, when Powell revealed that the Justice Department launched a criminal inquiry against him, alleging that Powell lied about the cost of renovations to the Federal Reserve buildings.Host Elahe Izadi speaks to banking reporter Andrew Ackerman about what this probe could mean for Powell, the Fed and whether Trump’s consistent pressure on Powell could undermine America’s central bank forever.Today’s show was produced by Emma Talkoff. It was edited by Ariel Plotnick and mixed by Sean Carter. Subscribe to The Washington Post here.

Conflicting narratives of Renée Good’s killing in Minneapolis have quickly emerged – federal officials claim the ICE officer who shot her was acting in self-defense, while others believe her death was easily avoidable and that ICE’s tactics are overly aggressive. Host Martine Powers speaks with immigration reporter Maria Sacchetti about how law enforcement officials are scrutinizing the shooting and what accountability in this case could look like.

The turmoil started in late December, when some Tehran merchants closed up shop to protest the free fall of Iran’s currency. That initial outcry sparked a wave of protests across the country. Demonstrators demanded not just economic reform, but a total overhaul of Iran’s government and an end to repression. Some called for the ouster of the country’s supreme leader, Ayatollah Ali Khamenei.Now the government has cracked down, and there are reports that hundreds of protesters have been killed. The country has been under a communications blackout since Thursday, making it nearly impossible to assess the extent of the bloodshed.Elahe Izadi speaks with Iran correspondent Yeganeh Torbati about how things boiled over - and what might be happening inside the country.Today’s show was produced by Emma Talkoff with help from Sabby Robinson. It was edited by Ariel Plotnick and mixed by Sean Carter. You can learn more about Torbati's forthcoming book on Iran here. Subscribe to The Washington Post here.

Decades after a brazen art theft drove Merry White’s father to despair, federal agents closed in on the missing work. For White, the search is personal.Read more:Merry White is the daughter of a Harvard professor who was close friends with painter Jackson Pollock. White’s parents came to own several of the painter’s artworks, and one hung over White’s bed when she was a child. It was stolen in 1973, along with two other paintings by Pollock. The theft destroyed White’s father's peace of mind, and left White with complicated feelings.On this weekend episode of “Post Reports,” art critic Sebastian Smee reconstructs the provenance and theft of these precious works of art. Audio production and original music by Bishop Sand, with help from Sean Carter.Subscribe to The Washington Post here.