Wrango Bites, Ken Writes: Ken Pomeroy on Vulnerability, Faith, and Folk
What do Paul McCartney, up-and-coming singer songwriter Ken Pomeroy, and a guy I passed on the street tugging along a French bulldog have in common? They all support my theory that pets inevitably resemble their owners–sometimes in looks, sometimes in spirit, but always in energy. When Ken Pomeroy introduced her song “Wrango” opening for I’m with Her and Iron & Wine at Asheville Yards on July 12, 2025, she described how the song was inspired by the liability her new dog had become from its quick temper. After WNCW’s Joe Kendrick and I spent some time with her, we slowly got to see where the pup’s feistiness came from. We talked about what it means to carry songs from childhood into adulthood, the tension between writing for yourself and performing for others, and the unexpected ways public commentary can rattle even the most grounded artists. As Ken says, “I never thought I’d care about online comments. But wow. I didn’t know how sensitive I’d be.”And then there’s “Flannel Cowboy”, Ken Pomeroy’s closing track at her show, that isn’t a love song, despite what you might assume. It's a quietly devastating reflection on friendship, ego, and the confusing wreckage of emotional fallout. It’s a song about looking in the mirror and realizing that, sometimes, the thing biting at you isn’t your dog, or your critics—it’s you.Her vulnerability isn’t just evident in the lyrics of her 2025 album, Cruel Joke, but in the way she speaks about songwriting as a spiritual act—one that gives form to feelings too big to hold alone. As a writer, I can relate to the need to shed some weight onto the page. Sometimes things get a little too loud and the only way to bring back the quiet is to release. Ken also told us about her connection to Cherokee heritage, her experience contributing to the language revitalization album ᎠᏅᏛᏁᎵᏍᎩ (Anvdvnelisgi), and what it meant to contribute to a project to empower young people to connect with their heritage. Whether she's reflecting on faith, feeling everything too deeply, or setting boundaries on what parts of her soul she's willing to hand over to strangers, Ken Pomeroy is an artist in full bloom. She's a songwriter first, a performer reluctantly, and a truth-teller always. — Elena Dickson
Ken Pomeroy (photo: Kali Spitzer)
Songs heard in this episode:John Denver “Leaving On A Jet Plane”“Wrango” by Ken Pomeroy, from Cruel Joke, excerpt“Grey Skies” by Ken Pomeroy, from Cruel Joke, excerpt“Flannel Cowboy” by Ken Pomeroy, from Cruel Joke, excerpt“Galvladi” by Ken Pomeroy, from Anvdvnelisgi Thank you for being here! We hope you enjoy this episode, and can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify here and YouTube here — hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. You can follow us on social media: @southstories on Instagram, at Southern Songs and Stories on Facebook, and now on Substack here, where you can read the scripts of these podcasts, and get updates on what we are doing and planning in our quest to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed. The radio adaptation of this episode is part of the programming lineup during Morning Edition on public radio WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This episode was written and hosted by WNCW intern Elena Dickson, with myself as editor and Ken Pomeroy’s co-interviewer. - Joe Kendrick
New Zealand