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Sweetman Podcast

Simon Sweetman
Sweetman Podcast
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  • It Was Better When Things Were Not So Bad
    You can read the text below — and/or click on the arrow above to listen to the podcast of the story (also available on Sweetman Podcast on Spotify, Amazon, Apple and wherever you get your podcasts)Michaela remembers when things were different. She is thinking this while winding the spool of tape from her cassette back into itself with a trusty pencil. Who even uses pencils these days she thinks as she slots the tape into the stereo’s open deck and though the sound crumbles into place at first, soon she is listening to Tori Amos singing her birthday-cake cabaret about chasing nuns in the yard, running naked, unmasked, while it’s raining. At least the music takes her places — lets her live thirty years ago, transports her in some sense. What good is now? Where is the magic in this exact world? Ben takes the book from the shelf, sees the inscription to himself — he really met the author, they had a beer, they had a chat. And after that, he took the book home, to live with the words some more. A while from then, a baby needed nappies, a downsizing took place as well, so he sold the book for scraps of change. He missed it more than any of the others. But then — what chance — he found it again at one of those charity sales with the cardboard boxes that heave and all the airport novels no longer going anywhere. He paid the ten bucks to fill a bag; donated back everything else he bought — all he wanted was that one. It sits with the small handfuls of other books he never sold and never will. It gives him something to hold on to still. It’s good to have something to hold. And to hold onto the story around the book as well as the one within it. Ben met the author. Did you know that? Ron reckons records are always making a comeback, because every time a new streaming platform opens, several old albums disappear down the back of the metaphorical couch — deep into the metaphysical void. It’s nice to be the keeper of the same old memories that re-enter the consciousness when the revolutions reach thirty-three and one third every minute. Ron knows he can never undo the damage he’s done, the needle strikes down into the groove, and to reverse the record would only make more of a mess. He knows that. But tears deserve a soundtrack. And so, there is still — and always — some happiness this way. Stella lifts the photo album out from the box from under the bed. She blows the dust from the cover, and studies the inside of the folder: A piece of paper with only remnants of its original sellotape but the years have pushed the paper to the plastic, a tighter bond than many of the people in the pictures have with each other now. But you have to honour the dead. And the passing of time is just another casualty in this war we are all fighting regardless of sign-up. Stella sees her parents making nice, and their parents all standing proud. She sees herself, though can barely recognise the place or why she’s dressed that way. She has a box of letters from her brother Evan. But she could never read his writing. Nina doesn’t think that Netflix is the enemy as such, but everything’s made to look the same. It’s all designed to be viewed as if a shop window, but no one has thought much further than lining up the product. She has bought back DVDs from the garage sales and second-hand stores. She has exact copies of films she once owned; she has movies she’s never seen and may never get to either, but she has them as a finite collection, a way of making some sense in the world. A way of cutting through the infinite. Some days feel just like a knife. It’s good to be able to stab into the finite.Wirimu holds the feathers from the skirt his mother wore for school performances. Only a few remain. He put them in his hair before they made him take them out, before they made him answer to William, before he knew the rest of the skirt was rushed out in a box with anything else that suddenly felt leftover. Wiremu strokes the feathers. He says his mum meant more than feathers but now this is all he has. He says don’t ever call him William.Sounds Good! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Start writing today. Use the button below to create a Substack of your ownSounds Good! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Sounds Good! at simonsweetman.substack.com/subscribe
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  • Poetry Reading: Open Mic - Poetry in Motion, Wednesday, July 2, 2025
    Here’s three brand new poems from me at the regular Poetry in Motion open mic at the Fringe Bar in Wellington.My first time reading there in a couple of months. I debuted three new poems which you can click on below for text versions if you’d like to read them first, or after, or read along with the recording: .They are called The Centre-Right is Ick, Strange Hours, and Rip Me Apart Like A Shark in the Shallows: So make of that what you will — just trying to keep my hand in reading poems, as I’m more concentrating on stories, and even story reading this year. But good to be back at the Poetry in Motion event, always like it there. Thanks for reading Sounds Good! ! This post is public so feel free to share it.Sounds Good! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Start writing today. Use the button below to create a Substack of your own Get full access to Sounds Good! at simonsweetman.substack.com/subscribe
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  • Audio or Video Story: Click
    Just mucking around with stories — so these are two different readings of the same story. The audio and video are separate recordings, so you can listen to the audio above on its own, or with reading the story below. Or you can watch the video. Or any combo…Click:They’d met at a café. First impressions were awful. But by coffee number three, things had reset. She’d spilled a drink on his lap. He laughed it off. She blushed and grinned. It was already a story.The click was instant. Like a fridge magnet finding its place. A done deal.One month later, they were living together — one main room and one bedroom, a third flatmate named Mike. A quiet mechanic who mostly kept to himself. Cheap rent, just for the couch, but every little bit helped them.Tama didn’t have much of a job — calling himself a musician was generous. A keyboard player in a band that scored bar gigs twice a month if lucky. Miri was at polytech, studying photography. She worked harder than him, that was clear. Mike often loaned Tama money.One night, Mike brought his workmates around for drinks. Miri wandered through, taking photos, ignoring a few crude shouts. Tama came home when the drinking games were mid-chant, whisked her away for coffee and cake.It was over a slice of pecan pie that she told him.“I’m pregnant.”Tama choked. Coughed. Wiped his mouth. “Come again?”“You won’t actually need to”, she said, with a laugh. “Two months,” she said more calmly.“What the fuck are we gonna do?” His voice cracked.“Become parents.”He stared at the table. His chest fluttered with something between panic and awe. “Seriously, Miri…”“I’ll finish my course. You’ll get a job. We’ll figure it out.”And somehow, that calmed him. They hugged in the middle of the café. Someone clapped. They left grinning.Back home, Mike and the other mechanics were stoned in the lounge, listening to Genesis. Tama muted Phil mid-scream. The word “mama” left hanging in the air that night. “I’m gonna be a dad!?Mike blinked. “Huh?”“We’re pregnant!” Miri confirmed.“Fuckin’ A. Wanna toke?”“No thanks,” Tama said. “Big night. Early to bed for me.” He looked at Miri. “Coming?”“In a sec,” she said. “I wanna finish this roll.”He left.Mike turned to her. “You wanna toke?”“No thanks,” she said. “Weren’t you listening? I’m pregnant.”“So?”“I’m having a kid, Mike. I can’t smoke pot.”He shrugged.Then she walked over. Took his arm.She whispered, “it’s yours”.“What?”“The baby. Mike.”He stared at her. “It was one time.”“I know!”“I was wasted. That never even… I didn’t even…” He trailed off. “Fuck.”“I couldn’t tell him.”“You should’ve. It was just once!”“I can’t lose him. He’s the one. He’ll be an amazing dad. You know it.”He slumped into the couch. Ready now for bed also. “What are you asking me?”“Nothing. Just your silence.”He nodded. “Okay.”“And you’ll move out. Before the baby’s born.”Another nod.“I’ll never ask for money. This is my life. His life. We’ll make it work. He doesn’t need to know.”“What about a paternity test?”She slapped him.He didn’t flinch. Just looked at the floor. “Alright,” he said. “I’ll move out.”Four months later, he did.Tama had paid him back. Gigs were steadier. He’d started giving piano lessons too. Miri finished her course, took a job at a front desk. They turned half of their bedroom into a nursery. It was working. But the baby monitor wasn’t. Tama could not work out how to set that up.Trina arrived, no troubles. Seven pounds, four ounces. The couple wept. Mike visited once. Brought flowers. Held the baby longer than Miri expected.“She’s got her father’s eyes,” Miri said. And her father smiled.Tama had to get ready for rehearsal. But first, one more check on the baby.Mike whispered, “You think he’ll ever know?”“No”, Miri hissed.Mike nodded. “He’s a good dad.”Miri smiled. “He is her father.”Tama was holding Trina close, just listening. Mostly awe, not much panic. The heartbeat a tiny miracle.The baby monitor buzzed softly. Voices. Words fading in and out, but one part he heard clearly.He is her father.Sounds Good! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Thanks for reading Sounds Good! ! This post is public so feel free to share it.Start writing today. Use the button below to create a Substack of your own Get full access to Sounds Good! at simonsweetman.substack.com/subscribe
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  • New Music: New Coat
    I haven’t made a bit of music for a while. Some would say I never have — including after hearing any of the pieces. Fair enough.With that in mind, here’s my most recent. A wee piece I call New Coat. I guess I tried to address the question no one was asking — what would happen if Moby and Robert Miles collaborated after they’d both been hit in the head a bit?My (“musical”) answer is above. Sounds Good! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Sounds Good! at simonsweetman.substack.com/subscribe
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  • A video short story: Boil The Combs
    I always knew when my grandfather had come home too boozed, or sometimes it was even on a night when he’d just drift in his chair. The whiskey had done a number on him again. There’d be some noise and then my grandmother would shout out, “Boil the combs!”Grandad was a good sort otherwise. He made me a go-kart out of old boxes, but when the other kids could go much faster, he took the engine from his leaf-blower and hid it under the hood. He said, “put your foot on this button and just ease off if you’re going around a corner because there are no breaks”. He also said, “the other kids are stupid anyway”. And we laughed together for a long time after he said things like that. Grandma and Granddad liked to say that they ‘took me in’ and I never knew what that meant, at least not for ages. My dad wasn’t really into being a dad, they said. My mum could not cope alone. She moved up north to ‘better herself’, and that hurt the first few times I heard it, because I always wondered what was better than having a son. But it turned out she was going to go back to school to get some qualifications. She started writing letters, and as I got a bit older, I reckon the letters improved a bit too, so school was obviously working pretty good for her the second time around. Granny and Grandpa were good sorts, but I know she didn’t like it much when he went out drinking, or just had too much in his chair at home. But he seemed to have his reasons, reckoned sometimes she went out late alone without him when I was asleep, but also that I really didn’t need to know much more about that. We were quite a funny wee gang. I got teased a bit in school sometimes by people saying who is that old man or that old lady, or just who are those stupid old people that pick you up. But I just ignored that. Like a lot of what I am saying here, and a lot more I’m choosing not to say, it hurt a bit at the time. And then it didn’t. But I had good times with them both, and it felt like I was just living in a different world. Helping to pickle beetroot and lemons in the kitchen with Grandma. Helping to grow vegetables in the hydroponic greenhouse out back in the yard with Granddad. All of it completely normal to me, at least until we talked about what we did in the weekends first period Monday. I certainly never mentioned the combs. I knew that would take some explaining. One time, Granddad stumbled into my room and I thought he was lost, but he said to just shove over, and he pushed me close to the wall and he just fell asleep in the bed behind me. But pressed right up against me. It was fine, I guess. I felt safe. I just thought it was weird. And his breath smelled a bit like if someone had been sick in a cup of tea. So I hugged the wall instead of him. And another time, Grandma came in, but she was not going to let me sleep in the bed with her and told me to get on the floor. I tried to say that I was comfortable, but I was also pretty sleepy, so must have just crawled into place on the floor. I woke up and I was curled into a ball like a cat, under a huge rug, and also on top of a fluffy rug too. So it was actually really comfortable, and a little bit funny. I didn’t remember being there, like how I got there at all, until Granny said. And it was actually really weird because she was already up and making breakfast, so I thought at first I’d done some silly sleepwalking or something. But Granny believed in telling the truth. Most of the time anyway. And definitely whenever I asked. Which is why I had to find out why she would yell, “boil the combs”, and what did that even mean? She said it was a throwback to when she’d be woken up by her mum yelling the same thing whenever her dad came home drunk. Her mum would shout “boil the combs”, and the kids in the house would get up, put a pot of water on, and with the cast iron pot cooling off the fire, they’d then place two hair combs in, so as to be sure no lice were trapped, and the combs were nice and clean. They would then help their mum tie their dad into bed, so he didn’t fall out. He’d come home drunk and want to do one of two things that started with ‘F’ apparently. I didn’t really understand that part. But that’s what Granny said. She reckoned the plan her mum had worked out was that if they tied him into bed he couldn’t move, nor be a danger to anyone, and also he wouldn’t fall out and end up on his face on the cold wooden floor too. But the genius part of the plan was that once tied into bed, they would all have a go at doing his hair, combing it back and tidying it while he snored. The two combs were so that it was a game, Granny reckoned. And her and her two sisters and brother would take turns. They thought it was so much fun. And got a real giggle she said. The idea was that when her father woke, he had no idea what had happened but could tell by his hair that it must have been a trouble-free night. That all made so much sense, and sounded funny, and a little bit sweet, but also a little bit weird, and even quite scary, but Granny said that they all knew what they were doing and had fun, and it wasn’t until quite long after her father had died that her mother explained a bit more about how serious it was sometimes, and how the “boil the combs” scream wasn’t quite a code, or a password, but then again it also almost was. Her mum couldn’t always get out of bed straight away, and sometimes the kids had to do all of the boiling and even get some rope to bring in to their mum in the bedroom. Sometimes she was standing up in her nightgown, and was in the corner of the room and their father was yelling a bit about how he was angry at the world for so many things. “Kids can be clever”, I said to my Granny after all that. And she agreed that they can, and reckoned that’s why I didn’t need to know too much more about anything else related to why she still yelled out “boil the combs”. She just said it was some sort of throwback to her childhood, and definitely nothing to with Granddad at all. She also said it was smart of me to not come in when I heard it. To just do my best to get back to sleep. Things were different these days, she said. And she hadn’t married her father. She definitely hadn’t, no matter what Mrs. Waters across the road said. Things were fine most of the time she also said. And I wondered why she had said those last two things.Sounds Good! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Start writing today. Use the button below to create a Substack of your ownThanks for reading Sounds Good! ! This post is public so feel free to share it. Get full access to Sounds Good! at simonsweetman.substack.com/subscribe
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