Beginning around the 1920s, composers in American and elsewhere began imagining a new kind of musical theatre, a fusion of styles that borrowed from established operatic traditions, Broadway and popular music and culture, but whatever it was going to be, it wasn’t going to happen overnight, it would be something that evolved over time. Over the next few weeks I’ll be exploring the new musical theatre and some of the composers that brought it to life, people like Kurt Weill, Leonard Bernstein and Marc Blitzstein, but kicking it off, it’s the music of the incomparable George Gershwin.
Fred and Adele Astaire perform George and ira Gershwin - Fascinating Rhythm
Al Jolson performs George Gershwin and Irving Cesar - Swanee
The Juilliard String Quartet performs George Gershwin – Lullaby
Frances Lucey performs George Gershwin and Buddy DeSilva - Blue Monday: Has Anyone Seen My Joe?
Leonard Bernstein and the Columbia Symphony Orchestra perform George Gershwin - Rhapsody in Blue
Judy Garland performs George and Ira Gershwin - I Got Rhythm
Adele Addison performs Summertime from 1959 film Porgy and Bess, Music by George Gershwin, lyrics by DuBose Heyward and Ira Gershwin
Robert McFerrin performs I Got Plenty O’ Nutting from 1959 film Porgy and Bess, Music by George Gershwin, lyrics by DuBose Heyward and Ira Gershwin.
The Chicago Symphony Orchestra performs George Gershwin - Catfish Row