GG Hawkins sits down with Carmen Emmi (director, writer) and Erik Vogt-Nilsen (editor) of Plainclothes, a striking debut feature that blends the aching vulnerability of first love with the sharp tension of queer identity under surveillance. Set in 1997 and laced with nostalgic Hi8 footage, the film isn’t just a period piece — it’s a raw, intimate time capsule of self-discovery, repression, and resilience. This episode dives deep into the emotional and creative process behind the film, from Sundance dreams to strawberry farm editing sessions and how true collaboration can unlock something extraordinary.
In this episode, No Film School’s GG Hawkins and guests discuss…
The genesis and central themes of Plainclothes, including first love/obsession, policing emotions, identity, nostalgia, and honesty in queer storytelling
Why the 1990s setting — especially 1997 — was chosen, both for personal reasons and as a tool for emotional resonance
How Carmen and Erik came together creatively, even though Erik joined after principal photography, and how they structured their collaboration (the “Editing Intentions” document, visits, tone setting, etc.)
The editorial process: charting out passes, refining scenes, balancing structure vs. emotional truth, and maintaining rawness from the editor’s cut through to the final version
Test screenings: what kinds of feedback matter, figuring out clarity vs. ambiguity in the narrative, audience confusion around timelines, and how those screenings shaped the final cut
On‑set dynamics: director’s approaches, setting tone (no yelling unless dire), using music on set, capturing wordless moments, incubating trust and structure among cast and crew
Filmmaking tools & creative choices: use of Hi8 footage to express internal states like anxiety; letting instinct and experimentation guide sequences; integrating personal memory and sensory detail into the cinematic style
Advice for emerging filmmakers: avoid perfectionism, work with collaborators or friends you trust, give ideas a chance in editing, accept that not everything needs to be precious, learn from every project
Memorable Quotes:
“It was really, every creative decision I made was like, it was all stemmed from like, what does it feel like to police your feelings?”
“One rule. And that was no yelling on set unless like someone’s life was in danger…”
“We had a lot of love for the story … there was so much levity and play in the edit room … even though we were dealing with very serious kind of themes…”
“Give every idea a try … you don’t have to spend too much time on it, if it’s not working. But … that yes and‑kind of mentality … unlocks stuff you would never think of.”
Guests:
Carmen Emmi
Erik Vogt-Nilsen
Resources:
Plainclothes Official Trailer
I Really Love My Husband Screenings
Find No Film School everywhere:
On the Web: No Film School
Facebook: No Film School on Facebook
Twitter: No Film School on Twitter
YouTube: No Film School on YouTube
Instagram: No Film School on Instagram
📩 Send us an email with questions or feedback:
[email protected]
Learn more about your ad choices. Visit megaphone.fm/adchoices
New Zealand