The Writing Life

• Writing grief and the body: Lisabelle Tay & Heather Parry in conversation with Yan Ge

  In this Halloween-flavoured episode of The Writing Life Podcast, we’re resharing an illuminating discussion between writers Lisabelle Tay and Heather Parry on writing grief and the monstrous body.   Heather Parry is a Glasgow-based writer and editor, originally from South Yorkshire. Her debut novel, Orpheus Builds a Girl, was shortlisted for the Saltire Society Fiction Book of the Year Award and longlisted for the Polari First Book Prize. She is also the author of a short story collection, This Is My Body, Given For You, and her first nonfiction book, Electric Dreams: On Sex Robots and the Failed Promises of Capitalism, was released in 2024 as part of 404 Ink’s Inklings series.   Lisabelle Tay is the author of Pilgrim (The Emma Press, 2021). She writes poetry, fiction, and screenplays. Her work appears in Bad Lilies, Sine Theta Magazine, and elsewhere, and she was part of the 2023 Black List Feature Lab.   They sit down with Yan Ge, author of Strange Beasts of China, to explore how the body and the bodily serve as powerful lenses for examining trauma, grief, and the experience of inhabiting perspectives and bodies beyond our own.   This event, supported by the National Arts Council of Singapore, was recorded in May 2025 for The Global Page. The Global Page is a unique series of online global conversations featuring internationally acclaimed and emerging writers and translators. You can find more conversations like this on our website at nationalcentreforwriting.org.uk

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• Writing flawed characters: Sarah Moss on Ripeness

  In this episode of The Writing Life, acclaimed British author and academic Sarah Moss (known for Ghost Wall and Summerwater) joins us to discuss her latest novel, Ripeness, ‘a breathtaking story of love and the search for belonging, from 1960s Italy to present-day Ireland.’ Sarah reflects on the novel’s dual structure, which follows Edith both as a young girl and as an older woman, and explores how dance, movement, and the body shape the story’s emotional core. She also talks about her fascination with flawed characters and considers what it means (or doesn’t mean!) to be a ‘political’ writer. Sarah Moss has written several novels including the Sunday Times top ten bestseller Summerwater (being adapted for television by Channel 4) and Ghost Wall, which was longlisted for the Women’s Prize. She has also written two works of memoir, Names for the Sea, an account of her year living in Iceland, and My Good Bright Wolf which will also be published in Spring 2025. Sarah Moss was born in Glasgow and grew up in the north of England. After moving between Oxford, Canterbury, Reykjavik, west Cornwall and the Midlands, she now lives in Dublin.

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• The poetry of motherhood: Erica Hesketh and Jenny Pagdin on language, recovery, and balance

  In this episode of The Writing Life, poets Erica Hesketh and Jenny Pagdin share insights into the poetry of motherhood, and how they each share their ‘emotional truth’ in their writing.   Erica Hesketh is a poet and editor, originally from Japan and Denmark, now based in London. Her poetry has been commissioned by the Royal Festival Hall, Spread the Word and the London Philharmonic Orchestra. From 2016 to 2024 she was Director of the Poetry Translation Centre. Her debut collection, In the Lily Room, is published by Nine Arches Press and explores early motherhood. Her poem ‘Night feed’ was highly commended in the 2025 Forward Prizes.   Jenny Pagdin wrote The Snow Globe (Nine Arches 2024) and Caldbeck (Eyewear, 2017), about postpartum psychosis. The Snow Globe won the East Anglian Book Awards poetry category in 2024, and her work has been shortlisted for the Mslexia pamphlet competition, highly commended and shortlisted for the Bridport Prize, and longlisted for the Rebecca Swift Foundation's 2018 Women's Poetry Prize.   Together, they reflect on how their experiences of motherhood have shaped their poetry and the creation of their debut collections. Touching on everything from how poetry fits into their lives as working mothers to the power of connecting with others by giving voice to experiences of illness and mental health, this is an honest and insightful conversation about recovery, language, and craft.

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• A writer’s journey: Vanessa Bell on book tours, friendship, and revisiting old projects

  In this episode of The Writing Life, poet, editor, and literary activist Vanessa Bell discusses the journeys she has taken as a writer, both literally and figuratively, and her recent book tour around the UK.   Based in Quebec City of Literature, Vanessa Bell is co-director of CONTOURS and director of the poetry collection at Éditions du Quartz. Her debut collection of poetry, De rivières, was published by La Peuplade in 2019. She co-edited Anthology of contemporary poetry by women in Quebec 2000-2020 (Anthologie de la poésie actuelle des femmes au Québec 2000-2020) and MONUMENTS and won the 2021 Félix-Antoine-Savard Prize. She was selected as a 2022 Writers’ Trust Rising Star by Nicole Brossard.   She sits down with NCW’s Chief Executive Peggy Hughes to discuss how her travels have transformed her as a writer and as a person. Together, they touch on her work in Quebec, the many ways a project can evolve and change over time, and how professional mentoring has uplifted her work.

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• Representation in children’s literature: Hayley Wells on The Spectacular Suit

  In this episode of The Writing Life, illustrator Hayley Wells delves into the importance of representation in children’s books.   Hayley Wells is an Essex-based illustrator with an MA in Children’s Book Illustration from Cambridge School of Art. Their work has been shortlisted for the World Illustration Awards, featured on television, and published worldwide.   They sit down with NCW’s Ellie Reeves to discuss The Spectacular Suit, a picture book which celebrates individuality, identity and self-expression. Together they touch on the relationship between writer and illustrator, their advice for people wanting to develop ideas for a children’s book, and the value of representing yourself and your experiences in your art.

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