Why Wasn't It Better?

The latest in our "Worst Best Picture Winners series. Chicago is credited with briefly reviving interest in Hollywood musicals. It's a slick, fun musical with memorable songs and performances, but should it have won Best Picture in 2002?
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It wasn’t supposed to be this movie and somehow, that’s what makes it work. The Emperor’s New Groove began as an epic Disney musical and ended up a chaotic buddy comedy with a llama, a talking squirrel, and more one-liners than heart. First time guest Adam Hecht joins to dig into the bizarre production history, David Spade’s deadpan dynasty, and why this misfit movie has become a cult classic, even if it barely feels like a Disney film at all.
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Alfred Hitchcock directing superstar talents Paul Newman and Julie Andrews in a spy thriller? Torn Curtain should’ve been a Cold War classic — so what went wrong? With mismatched stars and flat tension, we ask: is Torn Curtain a misunderstood experiment, or just a rare misfire from the Master of Suspense?
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Sometimes called Avengers 2.5, Captain America: Civil War had a lot riding on it. Tensions exploded as heroes took sides over government oversight, fracturing the team like never before. Friendships were tested, alliances shattered, and the fate of the Avengers—and the world—hung in the balance. Marvel superfan guests Garret Ohringer and Ivan Calixto are back on the pod to take their own sides.
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Will Smith is the last man on Earth, sort of. We revisit the post-apocalyptic blockbuster that launched a thousand memes, a few tears, and arguments about alternate endings. I Am Legend had all the right ingredients and still managed to feel like a missed opportunity. Guest Dennis Berscak joins to share his thoughts.
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