Data Transmission Podcast

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Massi Rocket brings the heat for our latest Spotlight Mix

Milan’s Massi Rocket steps into the Data Transmission Spotlight with a groove-heavy mix built around rolling percussion, warm basslines and the kind of house music that works best once the room has properly filled up.

Rocket has been part of Milan’s club fabric for years, both behind the decks and behind the scenes. He owns Rocket Club, programming international guests alongside local talent, while his Motel Calypso parties have grown into their own label operation. His productions have also landed on Spinnin’ Records and MIAW, moving between deep, tech and minimal house without losing that club-first mentality.

That same approach runs straight through this mix. There’s plenty of swing in here, with cuts from Mendo & Angel Heredia, Calussa, Pinedo, Chico Rose, Arzenic and Mr. Belt & Wezol & RUZE keeping things locked into a warm, percussive pocket. Latin touches, chunky drums and rolling low-end do most of the work, with the energy building naturally rather than reaching for cheap peaks.

Sitting right in the middle is Massi Rocket and Alfrenk’s ‘Tribal Vibes’, released on Motel Calypso Records on 24th July. The pair built the record around tribal drums, toms, airy hats and a looping bassline, with guitar touches and spoken vocals giving it just enough character without getting in the groove’s way.

It fits this mix perfectly. House music with its sleeves rolled up, made for terraces, basements and those sweaty few hours when percussion starts doing most of the talking.

Get stuck into Massi Rocket’s Spotlight Mix below.

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Killed Kassette launches new label with reimagined version of house classic ‘Flashdance’

The UK producer’s new single featuring Maisie Ma’e lands on 10th July as the debut release on Killed Kassette Records.

Killed Kassette is opening a new chapter with the launch of his own imprint, Killed Kassette Records, unveiling a contemporary rework of the house classic Flashdance as the label’s inaugural release.

Out on 10th July, the single features vocalist Maisie Ma’e and sees the UK producer revisit one of dance music’s most iconic records through a modern club lens, with entirely new vocal and guitar recordings alongside an updated production aimed squarely at today’s dance floors.

Rather than recreating the original, Killed Kassette has approached the project as a full reinterpretation, retaining the energy and emotion that made the track a house staple while delivering a sound designed for 2026 systems, festivals and peak-time sets.

Having built a reputation with releases on labels including Armada, KMS, Kittball and Perfecto. Killed Kassette has continued to establish his credentials within the international house scene though his official remix work for artists such as Kevin Saunderson, Cassimm, Harry Romero, Chez Damier, Carl Craig and Roland Clark.

The new release also marks the beginning of Killed Kassette Records, a platform that the producer says will focus on forward-thinking house music while remaining rooted in the spirit and culture of the underground.

“Flashdance has always been one of those records that I wanted to use to connect to a new generation of clubbers,” says Killed Kassette. “I wanted to create something that respected the original but felt completely at home on modern dance floors. We re-recorded everything from scratch, brought in live guitars and Maisie’s incredible vocal performance, and gave it a fresh identity while keeping the emotion that made the record so special.”

Maisie Ma’e’s soulful delivery provides the centrepiece of the new version, bringing a contemporary edge to a timeless dance anthem and helping to bridge classic house influences with modern production aesthetics.

With its blend of live instrumentation, updated sonics and a clear nod to house music heritage, Flashdance offers a fitting statement of intent for the launch of Killed Kassette Records and the next phase of the producer’s career.

Killed Kassette ft. Maisie Ma’e – ‘Flashdance’ is released on Killed Kassette Records on 10th July.

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Sowel takes control of this week’s Spotlight Mix following the release of ‘Tus Pasos’ on dt weapons.

The Spanish DJ and producer has spent more than a decade sharpening his sound across clubs throughout Europe, with over 650 appearances and several sets at Amsterdam Dance Event 2025. Releases on Protocol Recordings, Glasgow Underground and HoTL have helped establish his groove-led blend of house and tech, earning support from Nicky Romero, Mark Knight, Deep Dish and Fedde Le Grand.

His dt weapons debut keeps that club focus locked in. ‘Tus Pasos’ rolls forward on crisp drums, hypnotic Latin vocals and a warm bassline built for busy floors and late-night rooms.

That same energy runs through his Spotlight Mix. Sowel moves between his own productions and cuts from Crusy, Karretero, Tini Gessler, James Hype, Alaia & Gallo and more. The pace stays high, the percussion stays loose and the groove never gets pushed aside.

Listen to Sowel’s Spotlight Mix below and grab ‘Tus Pasos’ now on dt weapons.

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## TABLE MANNERS steps into the Spotlight with a 97-minute club workout

Wallis, better known behind the decks as TABLE MANNERS and the founder of AUXINN DJ products, takes control of our latest Spotlight Mix with a session built for proper dancefloors.

Recorded across two CDJs, the 97-minute mix moves through house, tech and deeper territory, holding a steady groove while the pace climbs from 126 to 130 BPM. It is bumpy, direct and packed with the kind of records that keep a room moving without forcing the issue.

TABLE MANNERS opens with his own collaboration alongside Ryan Taft, ‘Tune On’, before working through cuts from Juli De Alonso, Wuez, Leandro Da Silva, Late London, Joe Vanditti, RILEY, Ninetree and East End Dubs & Wheats. There is also room for Fish Go Deep’s enduring ‘The Cure & The Cause’, before Solarstone’s ‘Seven Cities’ gets the Hernán Cattáneo and Martín García treatment to close things out.

Across 26 tracks, the mix balances rolling basslines, clipped percussion and plenty of low-end swing. The middle section tightens the pressure with music from Gino Da Koda, VIOT, Galo, Seeing Double and Blank Sense, while Late Replies’ ‘I’ll Give You Things’ sets up the final stretch.

No rush, no unnecessary tricks, just a long-form club mix from someone who knows how to let records do their job.

Turn it up and get stuck into TABLE MANNERS’ exclusive Data Transmission Spotlight Mix.

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Kyle Kinch steps into the Data Transmission Podcast for the first time this week, bringing a mix packed with rolling house pressure, sharp club selections and a serious amount of unreleased music.

Kinch has spent years carving out a sound that sits somewhere between house, disco and techno, always tied together by groove. Jazz and disco remain at the root of what he does, but his records are built for proper rooms. That approach has taken him onto Gorgon City’s Realm Records, Sonny Fodera’s Solotoko, Nervous and EMI, with support from CamelPhat, FISHER and David Guetta along the way.

He was the first artist outside Gorgon City themselves to release on Realm, with his ‘Manchester’ EP helping establish the sound that has since carried him through Ultra Music Festival, Printworks, Brooklyn Mirage, Tobacco Dock and EDC. Add a Duke Dumont remix and sets alongside Claude VonStroke, Kaskade, Chris Lake and Gorgon City, and the picture is fairly clear. Kinch knows how to work a dancefloor.

The mix reflects that. Pietro Pellizzari opens proceedings before Kinch quickly starts dipping into his own vault. There are five solo Kyle Kinch IDs in here, alongside unreleased cuts from KC Gilmore and Drew Pree, My Friend, Alex Mills and more. Wh0, OFFAIAH, Ammo Avenue, Kepler, Boss Priester, Flashmob and Jack Marlow keep the energy moving between chunky house, swung drums and late-night low end.

There is also ‘Pressure’, Kinch’s collaboration with OFFAIAH, plus ‘TR8’ with KC Gilmore and Drew Pree. Released on Walker & Royce’s Rules Don’t Apply, ‘TR8’ is built around deep sub pressure, loose drums and the kind of swing that keeps a room moving without trying too hard. The three friends started the record while jamming on TR-8s, and that shared studio chemistry runs right through it.

For a debut podcast, Kinch has not played it safe. This is a proper selector’s mix, full of private weapons, new collaborations and enough unknown material to keep the tracklist watchers busy.

Turn it up and get stuck in.