The problem with photography from a creative medium point of view is that it too successfully allows us to make pictures that show what the world looks like. I'm not sure this is helpful for those of us who want to use photography as a personally expressive medium. The more our photographs are truthful to an objective point of view, the less they reflect our own interpretive response to the world. Do we create photographs that copy the world or do we push further toward a more personal expression?
This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.
HT2616 - My Serious Camera
08/05/2026 | 2 mins.
HT2616 - My Serious Camera
A troubling mindset that I have difficulty discarding is that I think of my gear as either serious or, well, not. With my serious camera, I work more intensely, with a deeper concentration. I also have a more portable, but fully capable camera that goes with me everywhere. For some reason, I can't seem to use that camera with the same intensity as my serious gear. I must let go of this prejudice.
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HT2615 - Beyond Place or Moment
07/05/2026 | 2 mins.
HT2615 - Beyond Place or Moment
You may recall my Editor's Comments in LensWork #173, Projects as Wall Art. I have another observation about this that I missed until recently. An image on the wall says something about a place or a moment. A project of a dozen images or so says something That is neither about a place nor a moment. My current project on the wall consists of 13 images of snow scenes that says something about snow and winter that I'm not sure I could accomplish with just one image all by itself.
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HT2614 - What You Should Do
06/05/2026 | 2 mins.
HT2614 - What You Should Do
Perhaps there is no deadlier advice from a workshop instructor, mentor, or master photographer, than their statement about what you should do with your photography. I've learned countless things from photographers who have told me what they do and leave it for me to pick and choose what parts of their creativity might be applicable to mine. On the other hand, I've learned essentially nothing from instructors who tell me how I ought to make my pictures.
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HT2613 - My Favorite Lightroom Tool Is...
05/05/2026 | 2 mins.
HT2613 - My Favorite Lightroom Tool Is...
I haven't counted, but I wouldn't be surprised to learn there's about a gazillion tools in Lightroom that can help us refine and finesse our images. Some of them I never use, and some of them I'm sure I don't know about. There is, however, one tool, that I use on almost every image. No, it's not Exposure, not Clarity, not Texture, not Crop and Rotate. It is (drum roll, please) ...
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About LensWork - Photography and the Creative Process
Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience.
Included in this RSS Feed are the LensWork Podcasts — posted weekly, typically 10-20 minutes exploring a topic a bit more deeply — and our almost daily Here's a thought… audios (extracted from the videos.) Here's a thought… are snippets, fragments, morsels, and tidbits from Brooks' fertile (and sometimes swiss-cheesy) brain. Usually just a minute or two. Always about photography and the art life.
Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. He is the author of 13 books on photography and the creative life -- the latest books are The Best of the LensWork Interviews (2016), Photography, Art, and Media (2016), and the four annual volumes of Seeing in SIXES (2016-2019).