HT2470 - Enough Camera for the Purpose
In my life, I've owned and used an 8x10 camera, a 5x7 camera, a medium format monorail camera, 35 mm cameras, twin lens reflex cameras, and over a dozen different digital cameras. To that list I should add a half a dozen phones that have been pretty good cameras. Isn't it interesting that when I look in my finished artwork I rarely remember anything about which cameras used? More to the point, when I go out photographing today, does it make a difference which camera I bring with me? As long as I have enough camera for the purpose, do I need to put any more thought into which camera I use?
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HT2469 - The Doors Lit My Fire
HT2469 - The Doors Lit My Fire
My generation, like most generations, had their own music. As a child of the '60s and '70s, I had no idea that rock and roll was following the well-established patterns that had been established for decades. I was thoroughly unaware that popular music had a 3½ minute barrier based on the recording medium of the day, 45 RPM records. When The Doors created their extended version of Light My Fire, it exploded a limitation whose ripples still affect my thinking today.
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HT2468 - Until Spoken Through
HT2468 - Until Spoken Through
One of my favorite quotes about the art life comes from Anaïs Nin who advised "Do not speak unless spoken through." This captures my philosophy of photography in its entirety. I think of myself as a conduit rather than a source; I find it useful to imagine that inanimate subjects have a way they would like to be portrayed; the task of the artist is to feel, not to preach; that photography is about listening to the whispers rather than "chasing the light." I'd rather the light seduce me than be some sort of prey that I hunt.
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HT2467 - Depreciation Happens
HT2467 - Depreciation Happens
We all know the bumper sticker wisdom that can be politely translated with the phrase "poo poo occurs." That's the sense with which I titled this commentary, Depreciation Happens. The other day I opened a box in the attic and found a Minolta Hi-Matic 9, a 35 mm camera that was originally manufactured in 1966. On eBay, if I were lucky, I might get $20 for this used piece of gear. That got me thinking about all the things I've purchased in my photographic life, not a single one of which has appreciated in value, not even my artwork. The art life is a privilege we must be willing to pay for.
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HT2466 - Postpone or Intensify
HT2466 - Postpone or Intensify
Photography has the ability to lead us to two completely different relationships with existence. We can use photography to postpone our relationship with the world, or we can use photography to intensify our relationship with what is right before us.
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About LensWork - Photography and the Creative Process
Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience.
Included in this RSS Feed are the LensWork Podcasts — posted weekly, typically 10-20 minutes exploring a topic a bit more deeply — and our almost daily Here's a thought… audios (extracted from the videos.) Here's a thought… are snippets, fragments, morsels, and tidbits from Brooks' fertile (and sometimes swiss-cheesy) brain. Usually just a minute or two. Always about photography and the art life.
Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. He is the author of 13 books on photography and the creative life -- the latest books are The Best of the LensWork Interviews (2016), Photography, Art, and Media (2016), and the four annual volumes of Seeing in SIXES (2016-2019).