LW1481 - Every Picture Is a Compromise
I think I'm remembering this correctly that it was Pablo Picasso who said the trick and painting is knowing when to stop. Obviously, the same sentiment applies equally well to photography. The question I'm still trying to answer is not about knowing when to stop with a given image, but knowing when to stop with a given project.
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Every Picture Is a Compromise, a series at www.brooksjensenarts.com.
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HT2451 - Knowing When to Stop
HT2451 - Knowing When to Stop
I think I'm remembering this correctly that it was Pablo Picasso who said the trick and painting is knowing when to stop. Obviously, the same sentiment applies equally well to photography. The question I'm still trying to answer is not about knowing when to stop with a given image, but knowing when to stop with a given project.
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HT2450 - Pepper Number Twenty-Nine
HT2450 - Pepper Number Twenty-Nine
Edward Weston's famous photograph, Pepper #30, has always intrigued me. It's a beautiful image, but to be honest I'm less fascinated with the image itself than I am with the idea that there were 29 antecedents that he, for one reason or another, rejected. And is there a pepper number 31?
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HT2449 - Bonus Images
HT2449 - Bonus Images
I'll bet that most of you, from time to time, watch the bonus features after you've finished watching the movie. Or perhaps you watch the director's cut with commentary from behind the scenes. Is there any reason why we still photographers couldn't use this idea with our projects? After the last image in a PDF, for example, why not have bonus images for people who want more?
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HT2448 - Each Project Has Its Own Aesthetic
HT2448 - Each Project Has Its Own Aesthetic
How many different genres of music are there? Beyond that, each song has its own mood. Beyond that, the same song can be performed in different ways. Aren't we just as creative as the musicians? Why, then, do so many photos look the same, that is have the same aesthetic? Perhaps we need to let go of what an image should look like and think more about what it could look like.
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About LensWork - Photography and the Creative Process
Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience.
Included in this RSS Feed are the LensWork Podcasts — posted weekly, typically 10-20 minutes exploring a topic a bit more deeply — and our almost daily Here's a thought… audios (extracted from the videos.) Here's a thought… are snippets, fragments, morsels, and tidbits from Brooks' fertile (and sometimes swiss-cheesy) brain. Usually just a minute or two. Always about photography and the art life.
Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. He is the author of 13 books on photography and the creative life -- the latest books are The Best of the LensWork Interviews (2016), Photography, Art, and Media (2016), and the four annual volumes of Seeing in SIXES (2016-2019).
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