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Todd Reisz, "Showpiece City: How Architecture Made Dubai" (Stanford UP, 2021)
Showpiece City: How Architecture Made Dubai (Stanford UP, 2020) by Todd Reisz is a critical historical account of Dubai’s transformation into a global urban spectacle. Reisz examines how architecture, master planning, and international expertise contributed to the construction of Dubai’s modern image, focusing particularly on the period between the 1950s and 1970s. Rather than narrating Dubai’s development as a spontaneous miracle of oil wealth, Reisz reveals it as a meticulously crafted project, shaped by deliberate strategies to project modernity, power, and cosmopolitanism. Throughout the book, Reisz uses a wide range of archival materials, planning documents, interviews, and visual sources to trace how architecture and city-making became tools of governance and spectacle. He brings attention to the invisible labor—both technical and physical—that undergirded Dubai’s rise. Yet, the workers, planners, and advisors often remain shadowy figures behind the gleaming facades they helped erect. One of the key figures Reisz highlights is British architect John Harris, whose firm was commissioned in the 1960s to create Dubai’s first master plan. Harris’s work embodied the desire to modernize without entirely erasing local culture. Yet, as Reisz notes, the imported modernist language of architecture often clashed with, or simply overrode, traditional urban forms. Dubai's early building boom was thus a hybrid project: shaped by Western notions of progress and functionality, but executed in a Gulf context where colonial histories and local aspirations intertwined. Importantly, Showpiece City challenges narratives that paint Dubai as either a rootless fantasy or a neoliberal dystopia. Reisz treats Dubai’s history seriously, demonstrating that its urban form is the result of pragmatic decisions, diplomatic negotiations, and speculative gambles rather than mere vanity. He also critiques the romanticization of "traditional" Arab cities by showing that Gulf urbanism has long been dynamic, experimental, and globally connected. Showpiece City presents Dubai’s urbanization not as an inevitable product of oil wealth or as a superficial extravagance, but as a complex, calculated project of image-making and infrastructural ambition. Reisz’s work contributes to Middle Eastern urban studies by insisting that cities like Dubai deserve nuanced, historically grounded analysis rather than simplistic dismissals or celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Ken Conca, "After the Floods: The Search for Resilience in Ellicott City" (Oxford UP, 2024)
One small town, two "thousand-year floods" in the span of two years: how does a community become resilient in the face of the ever-increasing risks of climate change?Small towns across America and around the world face mounting challenges with flood risk, a result of not only climate change but also poorly adapted landscapes, sprawl, overdevelopment and poor planning. After the Floods: The Search for Resilience in Ellicott City (Oxford UP, 2024) is about Ellicott City, a small town in central Maryland that experienced two devastating flash floods just 22 months apart. Despite the town's many advantages—wealth, access to expertise, a mobilized community, and a stout identity steeped in 250 years of history—Ellicott City found itself mired in a deeply divisive argument over what to do in the aftermath. As a resident, Ken Conca bore firsthand witness to the conflict that took root when the flood waters receded.While this book is about one residential suburb, the dilemmas that it faces over how to adapt to climate change are coming soon to a small town near you. On one level a story about re-engineering a landscape, After the Floods ultimately grapples with uncertainty over local history, justice, democracy, and identity. What can we know about future risks to our communities? What is the meaning of place and history when preservation goals come into conflict with flood protection? What should we protect? Who gets to speak for the community? In Ellicott City's search for answers, we can find important lessons for other small communities that must begin preparing for future climate risks. This interview was conducted by Dr. Hannah Pool whose research focuses on human mobilities. She is a senior researcher at the Max Planck Institute for the Studies of Societies. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Patrick Condon, "Broken City: Land Speculation, Inequality, and Urban Crisis" (U British Columbia Press, 2024)
How can urban housing, and the land underneath, now account for half of all global wealth? According to Patrick Condon, the simple answer is that land has become an asset rather than a utility. If the rich only indulged themselves with gold, jewels, and art, we wouldn’t have a global housing crisis. But once global capital markets realized land was a good speculative investment, runaway housing costs ensued. In just one city, Vancouver, land prices increased by 600 percent between 2008 and 2016. How much wealth have investors extracted from urban land? In Broken City: Land Speculation, Inequality, and Urban Crisis (U British Columbia Press, 2024), Patrick Condon explains how we have let land, our most durable resource, shift away from the common good – and proposes bold strategies that cities in North America could use to shift it back. Patrick Condon is the James Taylor chair in Landscape and Livable Environments at the University of British Columbia’s School of Architecture and Landscape Architecture and the founding chair of the UBC Urban Design program. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Deana Jovanović, "Staging the Promises: Everyday Future-Making in a Serbian Industrial Town" (Cornell UP, 2025)
Built on the shifting grounds of post-Yugoslav transformation, Staging the Promises examines how the residents of Bor — a Serbian copper-mining town marked by both socialist prosperity and post-socialist decline — became spectators to the staged enactments of promised futures. Deana Jovanović traces how local authorities and the copper-processing company theatrically projected visions of economic, infrastructural, environmental, urban, and post-industrial renewal. The book asks: What impact did the staging of promises have on the residents? What temporal, material, and political effects did these performances generate? How did they shape the citizens' futures and their present? Jovanović offers many ethnographic examples of ambivalence in people's orientation to their futures, while residents balanced hope with despair, disillusionment, and dismay. Staging the Promises highlights how the performances shaped the present, and how, in a Gramscian twist, they sustained hope alongside power dynamics that residents often criticized. Staging the Promises: Everyday Future-Making in a Serbian Industrial Town (Cornell UP, 2025) assesses the performative ways through which contemporary capitalist futures are remade. For Jovanović, Bor represents a site that reflects a current global trend: staging the promises of enhanced futures today play a significant role in contemporary populist politics. Through them, she argues, distant futures become gradually withdrawn from people's horizons. Deana Jovanović is Assistant Professor of Cultural Anthropology at Utrecht University. She ethnographically studies how people in late-industrial and post-socialist environments shape futures, interact with pipes and cables, and live with risks and airborne particles. She has published widely on these topics in internationally recognized journals. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Tupur Chatterjee, "Projecting Desire: Media Architectures and Moviegoing in Urban India" (NYU Press, 2025)
Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman. Projecting Desire: Media Architectures and Moviegoing in Urban India (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex’s evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city. Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India’s media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South. Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others. Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com. She can also be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices
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