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Wicked: For Good, Coming Back Out Ball Movie, Coming Out for Christmas and Lurker
As is our way at Out Takes, we literally had something for everyone this week! The highly anticipated second film of the most talked about movie musical in years, the return of a fantastic local documentary to a local streaming service, a queer Christmas radio play from one of our own that is on around Melbourne for a limited run, and a review of a new psychological drama that is in Aussie cinemas from November 27. First up, we discussed our return to Oz with the release of ‘Wicked: For Good’ and had our say on whether it’s a perfect part 2 to one of the biggest films of last year or left us wanting more. Needless to say, it’s a celebration of diversity and queerness that we need more than ever, and we love seeing Cynthia, Ari and Jonathan belting it out on our big screens. We then welcomed back Sue Thomson, the local filmmaker whose delightful documentary ‘The Coming Back Out Ball Movie’ is heading to DocPlay this month. Following its release in 2018 at the height of the marriage equality debate, this wonderful celebration of LGBTQIA+ elders is an incredible legacy piece that is well-worthy of a re-watch plus we hear more from Sue around her memories from that time, her thoughts on the current landscape for Australian documentaries and more. Our second interview for the show was with one of our very-own as Demetra told us all about her latest creative venture that is having three special performances around Melbourne in the lead up to Christmas. Billed as a live queer radio play, “Coming Out for Christmas” is the story of a queer young Greek-Aussie woman, who brings her Aussie girlfriend home for her family’s Christmas lunch and discovers her conservative family is hiding from everyone. This is a comedy about family, community, and living your truth. Our final review for this show was ‘Lurker’, a new film that premiered at the Sundance Film Festival and screened at MIFF this year where it garnered overwhelmingly positive reviews. The film follows Matthew as he manages to infiltrate the inner circle of a rising pop star, Oliver, and glories in his new status as an indispensable member of the entourage. But when Matthew realises how easy he is to replace – or even worse, that he is not as important as he believed – he will go to any lengths to stay relevant to Oliver and his crew. The post Wicked: For Good, Coming Back Out Ball Movie, Coming Out for Christmas and Lurker appeared first on Out Takes.
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MQFF 2025, He Had It Coming and Eclipse Cinema
For this Out Takes, we welcomed the return of Melbourne’s very own queer film festival with a selection of reviews, took a look at a new local show that promises to be a feisty feminist murder mystery plus we checked in on Eclipse Cinema, the latest independent cinema to open in Melbourne’s Northside. First up, with the 35th Melbourne Queer Film Festival under way, we let you know about a few of the films we’ve seen that you can check out in this year’s programs, including In Transit, She’s The He, Hot Milk and 300 Letters. We then moved on to ‘He Had It Coming’, a new Aussie series coming to Stan on November 20 that bills itself as a feisty feminist murder mystery that has an impressive international cast set against the backdrop of a fictional university in Adelaide. We finished up by turning the spotlight on to a new independent cinema that has opened up in the heart of Melbourne’s Northside. Eclipse Cinema is found in Collingwood’s former Sherrin factory and is now home to a single-screen cinema that’s pairing new and recent films with classic must-sees. We caught up with Mark Walker, the owner and operator of Eclipse Cinema, to find out more about his love of cinema, how he decides on what to screen each week and more. The post MQFF 2025, He Had It Coming and Eclipse Cinema appeared first on Out Takes.
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All’s Fair, MQFF 2025 and Prime Minister
For this Out Takes, we kept it eclectic by discussing the latest all-star female focused series from Ryan Murphy that the internet cannot get enough of, a documentary about one of the most respected and queer friendly world leaders, and we welcome the return of Melbourne’s very own queer film festival. We started off with ‘All’s Fair’, the new TV series that has received some of the worst reviews in recent history while generating excellent ratings and major online buzz. Is it a case of its-so-bad-it’s-great or something more predictable at work here like good old-fashioned misogyny? With a cast including Glenn Close, Niecy Nash, Sarah Paulson, Naomi Watts, and Kim Kardashian, and with Ryan Murphy’s fingerprints all over it you can guarantee it looks good and is camp AF so based on that you will either love it or loath it! We shifted gears dramatically to review ‘Prime Minister’, a new documentary that chronicles Jacinda Ardern’s tenure as New Zealand PM where she navigates crises while redefining global leadership through her empathetic yet resolute approach, including being recognised as a political ally to the LGBTQIA+ community. We finished this show with a two-part interview with one of our favourite returning guests, Melbourne Queer Film Festival’s Program Director Ro Bright. Along with taking us through the program and a few of their personal highlights and recommendations for 2025, we also discussed some of the many special events on offer and explored this year’s theme and what it means to be searching for queer utopias. The post All’s Fair, MQFF 2025 and Prime Minister appeared first on Out Takes.
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Kiss of the Spiderwoman, BFI London Film Festival 2025 and My Formative Queers
For this Out Takes the theme of the show was ‘eclectic’ with a delightful mix including our review of JLo’s latest film (and her first ever movie musical), an update from our London-based international correspondent on the latest releases coming our way soon and we catch up with two special guests to discuss the power and importance of queer music videos. First up, we took a look at ‘Kiss of the Spiderwoman’. It started life as an award-winning novel. Then, a groundbreaking drama in the 1980s that won the late William Hurt a Best Actor Oscar. In the 90’s, it was transformed again – this time into a record-setting Broadway musical that bagged seven Tony awards. Now, nearly half a century on, the web’s being woven all over again with Jennifer Lopez taking one of the lead roles in this movie musical that is in cinemas now. Next up we welcomed back Dion Blackler, our UK correspondent and one of the co-hosts of the ‘In The Mood For Film’ podcast, to discuss the recent BFI London Film Festival which highlighted some of the queer films coming down under soon including the much anticipated ‘Pillion’ and ‘The History of Sound’ plus some of the many highlights from this year’s festival. To celebrate the launch of the 115th Issue of Senses of Cinema, we spoke with not one, but two doctors – Dr Patrick Kelly and Dr Stayci Taylor, who joined us to discuss their special event ‘My Formative Queers: Stories of the Music Videos that Made Us Queer’. Both will be on the panel for this free ticketed event so they gave us a taste of what to expect and explained what makes a classic queer music video. The post Kiss of the Spiderwoman, BFI London Film Festival 2025 and My Formative Queers appeared first on Out Takes.
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Hedda, British Film Festival and Focus on Jafar Panahi
For this Out Takes, we went on a global cinematic trip looking at films and filmmakers from Britain, Iran, and the U.S.A. First up, we looked at ‘Hedda’, the latest provocative drama from writer-director Nia DaCosta which is a modern reimagining of Henrik Ibsen’s classic. This time around, the action has been transposed from 19th-century Oslo to 1950’s Britain, where former bohemian free-spirit Hedda has moved into a sprawling estate with her new husband, the pinched and humourless academic George. Hedda has a lot going on – as the daughter of a general navigating a house she does not want and a marriage she feels trapped in, and a female ex-lover who reappears in her life. Tessa Thompson is exceptional in the title role and delivers a performance that is a bold and haunting portrait of a woman on the edge. We were then joined by Palace Cinema’s National Program Manager Kim Patelas to discuss the return this November of the Russell Hobbs British Film Festival and some of the highlights in this year’s program. As the Festival’s curator and who worked for Palace for 40 years, Kim started the British Film Festival and even though he retired from Palace in 2021 he has continued to program the Festival and has an encyclopaedic knowledge of British film. We concluded the show with a look at the upcoming ‘Focus on Jafar Panahi’ retrospective that is coming to Melbourne this November. While he has not directed any explicit queer films, his work often addresses social restrictions that heavily affect marginalised individuals, including LGBTQ+ people. Despite arrests, filmmaking bans, and restrictions on travelling outside of Iran, Jafar Panahi has resolutely made films marked by profound humanism for over 30 years. ACMI has curated a program of twelve films, from his breakout feature ‘The White Balloon’ to the Out Takes favourite ‘Offside’ through to this year’s Palme d’Or winner at the Cannes Film Festival, ‘It Was Just an Accident’. The post Hedda, British Film Festival and Focus on Jafar Panahi appeared first on Out Takes.
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