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The Eurasian Knot

Podcast The Eurasian Knot
The Eurasian Knot
To many, Russia, and the wider Eurasia, is a riddle, wrapped in a mystery, inside an enigma. But it doesn’t have to be. The Eurasian Knot dispels the stereotype...

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  • Recording Georgians in WWI POW Camps
    In 1916, the German anthropologist Rudolf Pöch and musicologist Robert Lach set out to the Eger prisoner of war camp with a unique research agenda: to record the language and folk songs of Georgian prisoners from the Russian Empire. The recording equipment was clunky and its recordings scratchy and faint. Nevertheless, Pöch and Lach were doing some innovative recordings, not just in terms of their ethnographic research, but using multi-channel recording to capture Georgian polyphonic singing. What were these recordings for? How did they fit into theories of race science of the time? And just who was Lavrosi Mamaldze, the Georgian singer these recordings documented? The Eurasian Knot wanted to learn more and sat down with Brian Fairley to talk about his deep dive into early twentieth century audio recording in WWI POW camps.Guest:Brian Fairley is the UCIS Postdoctoral Fellow at the University of Pittsburgh. He studies song, sound, and media across historical and ethnographic settings. His manuscript, “Separating Sounds: A Media History of Georgian Polyphony,” excavates a series of experimental recordings of Georgian music from 1916 to today, showing how prominent scholars and scientists repeatedly tried to capture this elusive musical tradition on record.Send us your sounds! PatreonKnotty News Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
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  • Intellectual Roots of Neoliberalism
    Neoliberalism has so many meanings that some say it has no meaning. Nailing down a consensus is also hampered by the fact that no one calls themselves a “neoliberal.” There’s even calls to abandon the term altogether since it’s become more a slur than doctrine needing analysis. Enter Max Trecker. He took the debate over neoliberalism as an opportunity to investigate its intellectual origins in the 1920s and 1930s. What did it mean then? What was neoliberal thought a reaction to? And what would those neoliberals think today? Also, in this interview, Max talks about an additional project: How Ukraine has been imagined as an economic space. It’s an issue not only of historical import, but enormous relevance today as Ukraine plans its postwar future.Guest:Max Trecker is a Visiting Assistant Professor in the History Department at the University of Pittsburgh and an economic historian and postdoctoral researcher at the Leibniz Institute for History and Culture of Eastern Europe in Leipzig, Germany. He’s the author of Red Money for the Global South: East-South Economic Relations in the Cold War published by Routledge.Send us your sounds! PatreonKnotty News Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
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  • Saving Seeds During the Siege of Leningrad
    In 1941, as Nazi forces laid siege to Leningrad, a group of Soviet botanists faced an unthinkable choice: eat their life’s work, a rare seed bank, or starve to death. This is the dilemma at the heart of Simon Parkin’s story about the world's first seed bank and its dedicated botanists. At the heart of this tale is Nikolai Vavilov, a brilliant botanist who traveled five continents collecting specimens before falling victim to Stalin's purges. Through meticulous research and newly accessed archives, Parkin reveals a vivid tale of the sacrifice of 19 scientists during the siege’s 900 days. The Eurasian Knot spoke to Parkin to learn more about Vavilov’s seed bank, the moral dimensions of choosing science over death, and how their legacy lives on in modern agriculture.Guest:Simon Parkin is a British author and journalist. He is contributing writer for the New Yorker, a Fellow of the Royal Historical Society, and the author of three narrative non-fiction books, including The Island of Extraordinary Captives, winner of The Wingate Literary Prize. His new book is The Forbidden Garden: The Botanists of Besieged Leningrad and Their Impossible Choice published by Simon and Shuster.Send us your sounds! PatreonKnotty News Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
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  • Russian Antifa vs Neo-Nazis
    Vladimir Kozlov’s new book Shramy (Scars) explores street battles between anti-fascists and neo-Nazi skinheads in Moscow during the late 2000s. Kozlov is no stranger to these subcultures. He’s long been involved in Russian punk. And though he never participated in these street battles himself, his failed attempt to make a documentary about Antifa for Russian television gave him an inside look at the scene. Now, almost two decades later, Kozlov uses Shramy to reflect on the roots of Russian fascism in light of Russia's invasion of Ukraine. How did elements of neo-Nazi subculture seep into the Russian mainstream? And how does the Putin regime manipulate “Nazism” and “anti-fascism” for its own domestic and geopolitical ends? The Eurasian Knot spoke to Kozlov about his punk past, how they shaped the writing of Shramy, and how violence, ideology, and the complexities of Russian society have led to public support for the war in Ukraine.Guest:Vladimir Kozlov is a writer and filmmaker born in Mogilev in the Belarussian Soviet Socialist Republic. He spent his youth in the suburbs of that city, witnessing the collapse of the Soviet empire and a bizarre mix of unbridled freedom, wild capitalism and rampant crime in the early 1990s. He lived in Moscow until he went into exile in 2022 following his condemnation of the Russian invasion of Ukraine. Kozlov is the author of more than a dozen books that have been published in translation in the United States, France, Serbia and Slovakia. His most recent book is Shramy. You can read an English excerpt of Shramy here.Send us your sounds! PatreonKnotty News Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
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  • Romani Music and NGOs
    Who speaks for whom within the Romani rights movement today? This is the question that drives Adriana Helbig’s investigation into the relationship between development aid and Romani musicians in her book, Resounding Poverty. Her findings are crucial as are provocative: NGOs unintentionally perpetuate narratives of Romani life that continue to marginalize the poorest among them. And while aid is crucial, it also fails to address issues of poverty, community, and health particularly in rural areas. The Eurasian Knot spoke to Helbig about the fraught and complicated presence of NGOs in postsocialist space, the tensions between aid and agency, the pressure Romani musicians face to perform "gypsiness" for non-Romani audiences, and her personal insights about conducting research in Ukraine and how her own family history intersects with her academic work. We even listen to some music by the Carpathian Ensemble, a University of Pittsburgh student group that Helbig directed. highlighting the challenges and rewards of representing Romani music in an academic context.Guest:Adriana N. Helbig is Associate Professor of Music and former Assistant Dean of Undergraduates at the University of Pittsburgh. She is the author of Hip Hop Ukraine: Music, Race, and African Migration. Her most recent book is ReSounding Poverty: Romani Music and Development Aid published by Oxford University Press.Send us your sounds! PatreonKnotty News Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
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About The Eurasian Knot

To many, Russia, and the wider Eurasia, is a riddle, wrapped in a mystery, inside an enigma. But it doesn’t have to be. The Eurasian Knot dispels the stereotypes and myths about the region with lively and informative interviews on Eurasia’s complex past, present, and future. New episodes drop weekly with an eclectic mix of topics from punk rock to Putin, and everything in-between. Subscribe on your favorite podcasts app, grab your headphones, hit play, and tune in. Eurasia will never appear the same. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
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