Stereo Embers: The Podcast

"Automated Paradise"

The Bristol-born Jon Klein got his start with the late-seventies post-punk outfit Europeans. After their break-up he formed the porto-goth band Specimen, who put out a handful of winning singles, but splintered before an album could be released. In 1987 Klein joined Siouxsie and the Banshees and went on to record three records with them: Peepshow, Superstition and The Rapture. Although Klein left the band in 1994, from there he moved from strength to strength, playing and recording with Shriekbak, Thomas Dolby, Talvin Singh and Space Tribe. He toured with Sinead O'Connor as her lead guitarist in 1995 and he played everywhere from Pinkpop to Glastonbury to Lollapalooza. Klein is one of those guys who has always stayed busy: he played in the band SNAIL, toured Southeast Asia as the musical director for Dr. Penguin's Magic Circus, went to art school and knocked out a degree in Fine Art and Critical Theory, has his own production company called Ground Control, co- produced an album for Fangoria, which hit Number One in Spain, composed soundtracks for film and theatre companies and played in the supergroup, Spammed with Horace Panter, Rat Scabies and Terry Edwards. He's also a filmmaker, an international fine artist and he is a member of the Tuned In Community Music Project with Jah Wobble. Klein and Jah Wobble have put out several fabulous albums, including A Brief History of Now and their latest effort, Automated Paradise. A jittery blast of searing post-punk and cultural dread, Automated Paradise finds Klein in fine form, slashing brilliantly away through each composition with fiery resolve.

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"All The Beauty"

With close to 15 albums under his musical belt, the New Jersey-born Pete Yorn is one of the most arresting and compelling singer/songwriters on the planet. Ever since his auspicious Gold-selling 2001 debut musicforthemorningafter, Yorn has moved from strength to strength, with albums like Day I Forgot, Nightcrawler, Hawaii and his marvelous new one, All The Beauty. More on that last one in a second. Over the course of his career, Yorn has amassed quite a highlight reel--here's a partial list. He's collaborated with everyone from Guided By Voices to Matthew Good, shared bills with R.E.M., Crowded House and Weezer, played Carnegie Hall, given the commencement address at his alma mater, Syracuse University, composed the score for Me, Myself and Irene, appeared in Killers Of The Flower Moon, put out a handful of excellent live albums and teamed up with Scarlet Johansson for The Break-Up album and the Apart EP. Let's get back to All The Beauty. From introspective numbers like Never Said No and Out Of My Head to the jangling beauty of Estate to the crushing closer "Everything," All The Beauty is a riveting and spellbinding listen. As for Mr. Yorn, he couldn't be a nicer guy and this was a really cool chat.

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"Boxing The Compass"

Haircut 100 have always been one of my all-time favorite bands. The only tricky thing with having them as a favorite for all these years is there's only one album, 1982's Pelican West, which is a flawless platter of beachside new wave that effortlessly veers into pop, jazz, and funk. There is a second album Paint by Paint and there's nothing wrong with what's on it, the problem with that album is what's not on it. And that's Nick Heyward. Heyward left the band after the debut and embarked on a rather brilliant solo career, releasing classic albums like North Of A Miracle, Postcards From Home, and From Monday To Sunday. Getting back to the platinum selling Pelican West, for a debut album it was a scorcher. It anded three songs in the top ten on the UK singles chart and both the single Love Plus One and the album itself went top 40 here in the states. "Patience is bitter, but its fruit is sweet," Rousseau once quipped, and one listen to Haircut 100's new album Boxing The Compass proves him very correct, indeed. Filled with harmonic smarts, endless hooks, slinky sax grooves, jazzy lines and pure percussive wonder, Boxing The Compass is the ultimate pop rush of the year. Haircut 100 sound rejuvenated, revived and undeniably battle-ready. This is a shimmering platter of melodic majesty that's timeless and essential.

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"Battle For The Yellow"

The Six-Foot-Six John Tesh cuts an imposing figure, but consider the numbers of his CV. He's got six Emmys, four Gold Albums, one Associated Press Award, two Grammy nominations, close to fifty albums to his name, including Live At Red Rocks, Music In The Key Of Love, Monterey Nights and Sports, close to ten million albums sold and his live shows have raised 7 million for PBS. Those are some numbers. The New York-raised Tesh showed up on the pop culture radar alongside Mary Hart when they hosted Entertainment Tonight, but Tesh knew he was destined to do other things. Like a lot of other things. In fact, Tesh has done so many things, in fact, if I listed them all we'd be here for a while, so let me give you a quick primer: He's worked as a sportscaster, covering everything from the Olympics to Wimbledon to the Tour de France, he's a radio host, a composer, a musician, an actor, a news anchor and an author. Tesh's new album The Cycling Remixes is an exhilarating blend of inspirational rhythms and motivating instrumentation that's tailor made for athletes who are looking for music to inspire them to get up that hill or across that pool. A dexterous keyboardist, Tesh plays with muscle and heart, his compositions soaring into the stratosphere with authenticity and belief.

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"Remembering The Trashcan Sinatras' John Douglas"

We've devastated to hear the news of the passing of the Trashcan Sinatras' John Douglas. We're so grateful that we had a chance to sit down with him last year for a chat. The Scottish-born singer/songwriter/guitarist was a lovely guy and this conversation is a generous glimpse into his creative process. Our thoughts are with his friends, his family and his bandmates.