On this week’s episode, I’m joined by Tony Gilroy to discuss his work on Andor, the hit Disney+ series that’s a prequel to Rogue One but has ambitions beyond telling the backstory of the Death Star. It is, in a very real way, a TV show about our moment and the mounting tension felt throughout the political order: from Imperial troops on the streets of civilian cities attempting to provoke conflict to Luthen Rael’s (Stellan Skarsgård) campaign of violent resistance, one can’t help but draw parallels to this increasingly fraught point in American history.
--------
46:59
--------
46:59
Does America Need a Film Tax Credit?
On this week’s episode, I’m joined by Rep. Laura Friedman, the congresswoman from the area we colloquially refer to as “Hollywood,” to discuss her push for a national film tax credit of the sort used by the United Kingdom and other countries to lure production of movies back to the United States.
We discuss her career in the TV and film industry before her move into politics, how DC is not unlike Los Angeles, and why the U.S. needs a national film tax credit more than a cost-increasing tariff on movies. If you enjoyed this episode, please share it with a friend!
--------
40:41
--------
40:41
How an Alamo Founder Is Reinventing Theaters—Again
On this week’s episode, I’m joined by Tim League, one of the founders of the Alamo Drafthouse and the man behind Metro Private Cinemas in New York’s Chelsea neighborhood. It’s a pretty cool concept—half fine dining, half private cinema auditorium—and I was excited to discuss the evolution of movie theaters as both viewing and gastronomic experiences. League is planning to open the theater in a few weeks, and they’re accepting reservations now; you can check out the offerings here. If you go, let me know: I’ll be very jealous, as it will likely be a while before I am able to make it up to New York again. But when I do, it’s the first stop on my tour of the city.
--------
39:41
--------
39:41
The Wild Career of 'Weapons' Star Toby Huss
On this week’s episode, I’m thrilled to be joined by Toby Huss, star of the summer’s most surprising smash hit, Weapons, as well as the rebooted King of the Hill on Hulu and Americana, in theaters and VOD now. We talked about all those, plus his weird and lovely photography book, American Sugargristle, which you can (and should!) order here. Toward the end of the episode, I went full Chris Farley and did a “Hey, remember The Adventures of Pete and Pete and Carnivale? You were awesome in those” segment. Luckily, Mr. Huss was insightful and, frequently, quite poignant while discussing his work as an artist across multiple disciplines, from acting to music to photography. If you enjoyed the episode—and I hope you did—please share it with a friend!
--------
1:02:41
--------
1:02:41
Ron Howard: The Most Underrated Major Director?
On this week’s episode, I’m joined by New York Magazine’s Bilge Ebiri, who has an enormous, career-spanning interview with Ron Howard in the latest issue. We discussed what makes a Ron Howard movie a “Ron Howard Movie,” the incredibly under-appreciated Thirteen Lives, and that movie about J.D. Vance. And then we talked a bit about his fascinating history of a key element of film technology in the latest issues of Mubi’s quarterly film journal, Notebook. Why is 24 frames per second the accepted frame rate? And why does our eye revolt when the image, paradoxically, gets closer to “reality”? If you enjoyed this episode, please share it with a friend!
Sonny Bunch hosts The Bulwark Goes to Hollywood, a new podcast featuring interviews with folks who have their finger on the pulse of the entertainment industry during this dynamic—and difficult—time.
New Zealand