The Bulwark Goes to Hollywood

Remember that weird moment in the 2024 campaign cycle where Donald Trump started referring to how much he loved and identified with “the late, great Hannibal Lecter”? That was odd, right? I discussed that and more with Brian Raftery, whose new book Hannibal Lecter: A Life is both the perfect Valentine’s Day gift for the love consuming your heart and a fascinating portrait of a bizarre creation from a reclusive writer. Indeed, the most interesting part of the book is the early deep dive into the life and writing of Thomas Harris, who has given just a handful of interviews over his nearly 50-year career.

I’m very pleased to be joined this week by Matthew Robinson, who is the screenwriter of the new film, Good Luck, Have Fun, Don’t Die. It is the rarest of things: a mid-budget, high-concept, sci-fi action-comedy. Starring Sam Rockwell as a time-traveler from a ruined future (or possibly just a bum with a fake bomb strapped to his chest), Robinson and director Gore Verbinski (The Ring, Pirates of the Caribbean) have crafted a piercingly satirical take on our obsession with screens, our inability to deal with the tragedy of modern living, and the creeping fire that all-powerful AI will wind up killing half of us and enslaving the rest. 
It’s opening wide on February 13, and I really hope you check it out. I may write a hair more about it in my newsletter though I probably won’t review it properly as I try not to review movies made by people I’ve interviewed so as to avoid the appearance of a conflict of interest. (Ethics, baby!) That said, I strongly recommend going to see it in a movie theater if for no other reason then to demonstrate that there is an audience for original films with a clear point of view and something to say about our world and our moment.

On this week’s episode, I’m very pleased to be joined by Ric Roman Waugh, the director of the new film Shelter, starring Jason Statham. We talked a lot about making that movie and how he best utilized Statham’s skills as opposed to Dwayne Johnson’s in the movie Snitch or Gerard Butler’s in the Greenland films, Kandahar, and Angel Has Fallen. Shelter, which is in theaters now, is a little more meditative than some of Statham’s recent work, though no less effective for it. We discussed why Statham was attracted to the part and how his fatherhood helped inform his role as the protector of an orphaned young girl.
Then we discussed making the transition from stuntman to director: Waugh worked with Tony Scott on a number of pictures, and had some interesting insights into the methods of the great action director. And I’d be lying if I said I didn’t have to practically restrain myself from just doing 30 minutes on Waugh’s Shot Caller, a gritty prison drama.oo

The Oscar nominations dropped yesterday morning and I grabbed our favorite Oscar prognosticators, Katey Rich and Christopher Rosen of The Ankler’s Prestige Junkie, to chat about what it all means. Does Sinners’s 16 nominations mean it could upset One Battle After Another for best picture? What does it mean that Wicked: For Good took home zero nods? Perhaps most importantly: Will Delroy Lindo get his dang Oscar, as we demanded back in October? All that and more on this week’s episode, including a SHOCKING prediction by Christopher at the end of this podcast. If you enjoyed this episode, make sure to check out their podcast. And please share this one with a friend! (And Delroy Lindo’s agent, we gotta get him on this show to talk about his career, amirite?)

On this week’s episode, I’m joined by Chuck Klosterman to discuss all things football and his new book, aptly titled Football. (Please buy a copy for yourself and your friends; you’ll thank me, and then your friends will thank you.) We hit on an array of topics, including but not limited to the potential demise of the sport, the ways in which television and football are a perfect match, why streaming services are spending billions to acquire the rights to NFL and NCAA games, how gambling and fantasy football have fundamentally changed our relationship to the sport, and trying to think through how we think about football and why it matters.