On this episode, Ryan and Todd discuss Rick Boothby's terrific recent book, Embracing the Void: Rethinking the Origin of the Sacred. First they discuss how the book begins its argument by intervening in the gap between Freud's and Lacan's notion of religion (in both its social and psychical import). They then move to highlight Rick's original theorizing that links das ding to an encounter with the unknowability and indecipherability of the other. Finally, they conclude by discussing the relationship that Andrei Tarkovsky's Stalker has to an extension of Rick's argument.Also mentioned on this podcast:Misconstruity, "Let Them Rot" (referenced as Russ Sbriglia's King Crimson power hour)On Drugs, CBC Podcast (Special thanks to Hadeel and Geoff!)Ryan's essay in World Picture
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1:15:48
Seminar 16
Ryan and Todd discuss Lacan’s Seminar XVI: From an Other to the other. They focus on Lacan’s modification of Marx’s surplus value into surplus enjoyment and the implications of this discovery for the interpretation of capitalism. They frame this seminar as the end of the most fecund era of Lacan’s thought, a culmination that produces one of his greatest insights and the basis for a psychoanalytic theory of capitalism.
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1:22:06
David Lynch
Ryan and Todd pay tribute to David Lynch’s life and work by discussing each of his ten feature films in order of value as artworks (in the view of one of the cohosts). They explore the role of fantasy in Lynch’s works and how he implicates the desire of the spectator in the films.
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1:41:16
Seminar X: Anxiety
Ryan and Todd work through Jacques Lacan’s Seminar X: Anxiety. Since this is the seminar that provides a great deal of Lacan’s initial theorizing of the objet a, they devote much of their time to this concept. Additionally, they discuss how Lacan responds in this seminar to existentialism, especially through his redefinition of anxiety. They conclude with an analysis of the role that sacrifice plays relative to anxiety.
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1:18:05
Lesbian Christmas
In their annual Christmas special, Ryan and Todd explore the Lesbian Christmas film and the theoretical contribution that this specific type of film makes to the Christmas film genre. They discuss Carol, Happiest Season, and Let It Snow in terms of their depictions of desire and the importance of desire itself coming out.
New Zealand