The final episode of the series features new poetry in response to photographs of 19th Century Aotearoa from the exhibition A Different Light: First Photographs of Aotearoa.In this recording of the evening event called ‘Long exposure’, we hear the 13th Poet Laureate Chris Tse and fellow poets Mary Macpherson, Arihia Latham, Margo Montes de Oca, Ada Duffy, Simon Sweetman, and Jackson McCarthy move around the gallery reading new work alongside photographs of their choosing.This event was developed in collaboration with the Alexander Turnbull Library and The National Library of New Zealand Te Puna Mātauranga o Aotearoa and recorded on 07 May 2025.
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In Response Ep 03 | Maija Stephens
In this episode, we hear artist Maija Stephens responding to three images of wahine Māori: In Mrs Karetai’s House by John H Scott; Wahine Māori wearing a tiara by John McGarrigle; and an image of an unidentified wahine attributed to the American Photographic Company. When looking at these photographs Stephens asks herself, is the person behind the camera a photographer or a kaiwhakaahua? This is a question of positionality for Stephens. In this talk, she considers what it might mean to decolonize the lens, how the language of photography might need to shift, and the impact this has on her own practice.On the occasion of the exhibition A Different Light: First Photographs of Aotearoa, at Te Pātaka Toi Adam Art Gallery (1 February to 15 June 2025), this lunchtime talk was part of the series ‘Through a Contemporary Lens: Artists in Response’ developed in collaboration with artist and educator Caroline McQuarrie, and was recorded on 05 June 2025.
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In Response Ep 02 | Matt Tini
The relationship of Māori with photography is a complex one. On one hand, it has been used as a colonising tool to ‘other’, feeding into harmful and reductive colonial stereotypes to appease a colonising gaze. In contrast, it has also been adopted as a symbol of mana and re/claimed to maintain whakapapa connections in a visual form other than the customary whakairo.In the second episode of ‘In Response’, artist Matt Tini discusses the complex histories of tangata whenua in relation to photography, and recontextualises the ways we view such images – historic, present and future – through a te ao Māori perspective.Tini asks such questions as, who were these images intended for? Who keeps the mauri alive of the tipuna represented in the early photographs? How are their stories being presented?This episode is part of a series of recorded talks in response to the exhibition A Different Light: First Photographs of Aotearoa, at Te Pātaka Toi Adam Art Gallery, from 1 February to 15 June 2025. The series ‘Through a Contemporary Lens: Artists in Response’ invited local artists to offer their response to particular photographs and was developed in collaboration with artist and educator Caroline McQuarrie. Recorded 17 April 2025.
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In Response Ep 01 | Caroline McQuarrie
This is the first episode in a series of talks recorded alongside the exhibition A Different Light: First Photographs of Aotearoa. The series was titled ‘Through a Contemporary Lens: Artists in Response’ and featured local artists who were invited to share their response to particular photographs in the exhibition.In this episode, artist and educator Caroline McQuarrie, who helped develop the talk series, looks at Robina Nichol’s portrait of Amy Kirk yawning and considers what it might have meant to be an amateur female photographer in the late 19th century.In the 21st century we have understanding of the gendered gaze in photography, and with this in mind McQuarrie explores what we can ask of these images, and of this photographer and how do we might locate her photographic practice now.Recorded at Te Pātaka Toi Adam Art Gallery, on 13 March 2025.
The official Te Pātaka Toi Adam Art Gallery podcast! This podcast channel is for material outside the exhibition space, be it recorded public programme, random series, occasional ponderings or curated content. If it is heard it may well end up here. Te Pātaka Toi Adam Art Gallery is the purpose-built gallery of Te Herenga Waka—Victoria University of Wellington. It initiates, produces and presents a highly-regarded programme of exhibitions, events and publications; manages and develops Ngā Puhipuhi o Te Herenga Waka—Victoria University of Wellington Art Collection, and provides a vital platform for critical thinking across media, disciplines, cultures and contexts.