Horror Movie Talk

Synopsis

In this prequel to the movie Ouija, we are given a family struggling to make a quick buck in the 1960s as spiritual mediums. But they aren’t just any regular spiritual mediums….they are frauds. Which I guess actually just makes them regular old spiritual mediums. But when 9 year old Doris discovers that she can speak to the dead for real using a ouija board the family business starts booming. As Doris’s spiritual talents begin to take on a sinister tone, the question on everyone’s mind becomes “who or what is Doris really talking to?”

Review of Ouija: Origins of Evil

I’ve been giving Ouija: Origins of Evil a hard time lately, because I remembered it being very bad. But then I rewatched it. And its still pretty bad. But not quite as bad as I remembered it being. The movie is directed by Mike Flannagan, a director who has brought us incredible movies and Tv shows such as The Haunting of Hill House, Hush, Gerald’s Game, Oculus, Doctor Sleep, and my personal favorite Midnight Mass. He has thoroughly proven himself to me as a director who can create something scary as well as emotionally impactful. This movie is not that. Its extremely cookie cutter, and doesn’t really even attempt to break the mold of a stereotypical haunted house movie. If you’ve seen any of the conjuring movies, you’ve seen this. If you’ve seen any of the insidious movies, you’ve seen this. If you’ve seen any movie with the words “the haunting of…” in the title, you’ve seen this. I could go on, but you get the picture. What this movie does well is pepper in some truly creepy imagery and a couple fun jump scares, however it fails to do anything outside of the box or make a group of characters worth caring about. Don’t get me wrong, the mother played by Elisabeth Reaser, and the priest played by Henry Thomas were great. But the kids in this movie are awful actors and I truly believe that with my whole heart. 

Score 4/10

Synopsis

The film begins 17 years after the events of The Exorcist and follows the characters Father Dyer and Lieutenant Kinderman who have kindled their friendship from the shared tragedy of losing their friend Father Karras.

A series of murders in Washington DC copycat the Gemini Killer, who has been dead for 17 years. Kinderman is befuddled that they include Gemini’s trademarks that were never revealed to the public. The investigation leads to a psychiatric ward and a supernatural suspect.

Review of Exorcist III

The Exorcist 3 certainly does a better job of carrying forth the themes and story of the first film, however it never comes close to matching its quality. That being said, it’s a vast improvement over the incomprehensible mess of Exorcist II: The Heretic.

The film is written and directed by William Peter Blatty, the author of the original Exorcist novel. While the writing is good, and the characters and relationships strong, the direction is a mixed bag at best. It’s hard to put a finger on whether it is because of Blatty’s lack of experience, this being only his second film he directed, or because of the studio interference demanding a more direct sequel. The answer is probably both.

The relationship between Dyer and Kinderman is the best part and the heart of the film. The dialogue between them genuinely feels like old friends sharing a laugh and challenging each other’s philosophies.

Like the Exorcist, the dichotomy of good vs evil, and the nature of man is explored. Like the original, the forces of evil seem to be unhindered, and as such, the tone is oppressive and dark at times.

The standout performance is Brad Dourif as the Gemini Killer. Rarely has Dourif been given the free reign to appear on screen as himself and deliver a truly scene chewing performance that displays his full range. It goes from calm meticulousness to unhinged rage within seconds.

The things that hold back the film from being great are the unrefined visual style, and the obviously wedged in and tonally divergent exorcism in act 3. It goes from a tight and oppressive thriller to a bombastic supernatural bombardment in the last act.

Score

7/10

Synopsis & Review of Ready or Not 2

This film picks up right where the first one left off with our protagonist Grace dealing with the aftermath of her wedding night gone wrong, except this time she is reconnected with her sister Faith and they have to “run and hide” from even more satanists under the rule of Mr. Le Bail. The film brings us A LOT of gore and even more laughs with not so subtle societal commentary. With a star studded cast including many horror movie regulars and our returning scream queen the movie was set up for success. It’s genuinely hilarious, self aware of the absurdity at times and it just works. There are a few pitfalls that we will get into in spoilers but overall it’s a great time to watch, so I am giving it a  9/10 …. What do you guys think?

Score

9/10

Synopsis

Evy is a popular scary story podcaster recording a new episode from the home of her mother who is lying in hospice upstairs. As she takes care of her dying mother, Evy and her cohost listen to disturbing recordings sent in from an anonymous email. The more they listen to the recordings, the more Evy notices strange happenings in the house.

Review

I wanted to like this movie, but by the mid mark, I was just so bored. This is bad news for the movie, because it seems like it was tailor made for me. Having semi recently cared for a parent in hospice and being the host of a semi successful podcast with an annoying cohost, I was hooked immediately by the premise. I’ll even give credit where credit is due. The movie really does a great job of utilizing the theater of the mind of an audio format. However, it doesn’t pair the audio with anything particularly interesting to look at. I found myself thinking that truly this would have been better in an audio format as the camera Skinamarinked around aimlessly. If there was something interesting to see other than lighting changes for the first half of the movie, they were too subtle for my eyes. And by the time shadowy figures start appearing in the periphery, I was starting to doze off from the repetitive nature of the plot.

I wanted to care more about the protagonist, but we aren’t given enough information about her motivations or history to really care about her. There were so many ripe emotionally fertile situations within the plot of the movie, parent dying, unexpected news, strained relationships, etc. However, when it comes down to it she seems like a cipher for the audience. Just a blank slate.

I guess that might be what the filmmakers were going for, since the semi-stated thesis of the movie was the phenomenon of audio pareidolia, where the brain fills in random noise with recognizable patterns, such as speech. Unfortunately, I don’t think there’s enough here to maintain the interest of the audience to have them try to fill in the blank spaces of the film with meaning by themselves.

Score

4/10

Synopsis

You’ve heard the story of Frankenstein’s monster many times. Once just a few months ago in fact. But that is only half the story. Something has long been missing. What we really need is a femininominon. The Bride is about a woman named Ida who is (I think) possessed by the ghost of Mary Shelly. After causing a scene she is pushed down a flight of stairs to her death. Meanwhile our boy Frankenstein’s monster, or as the kids call him, frank, meets with a therapist to talk about his loneliness. Just kidding he goes to a mad scientist and begs for a sexy wife. You can see where this is going. Now resurrected and missing her memory, Ida must make fundamental decisions about her life. Who is she? What is she? Was she really just created to be someone’s wife? And does she even want this life? For all this and more, watch the movie yourself or stick around for the spoilers section. 

Review of The Bride!

It wasn’t too long ago that we were recording an episode about a different take on Frankenstein, and going into the movie I was feeling a little burnt out by the story. I love Mary Shelley’s Frankenstein (and by that I mean the book, not the movie that is literally titled Mary Shelley’s Frankenstein). But I am often left wanting when it comes to these movie adaptations. Luckily The Bride is a fairly unique take on the creature and the creates as they struggle in this world together. The movie has a strong emphasis on women’s rights. Based in 1938 we are shown lots of gender inequality in the workplace, as well as some pretty nasty misogyny and sexual harassment and assault of women. All problems that are still very relevant today. I enjoyed watching the Bride attempt to become her own person, while constantly being pulled in different directions from those around her, including the very wacky version of Mary Shelley that lives in her head. 

Score 6/10