In Conversation: An OUP Podcast

The Bartered Bride, a comic opera by Bedrich Smetana, premiered in Prague on March 30, 1866. Its pastoral love story and setting in a rural Czech village eventually became an enduring symbol of Czech nationalism. In Visions of the Village: Ruralness, Identity, and Czech Opera (Oxford University Press, 2025), Christopher Campo-Bowen examines how a particular image of the rural village in a set of Czech operas written between 1866 and 1904 became a powerful signifier for Czech ethnoracial and nationalist identity. He follows this conception of Czech identity and its entanglement with opera through the political changes in the years when the Czech lands were ruled by the Austro-Hungarian Empire and the upheaval that followed when the Empire collapsed in 1918 and the First Czechoslovak Republic was founded. In addition to composers and their operas, Campo-Bowen investigates the output of critics, administrators, and other urban intellectuals to understand the impact of village operas on public discourse. By setting his analysis within a discussion of how race was understood in nineteenth-century Europe, Campo-Bowen shows that this seemingly straightforward nationalist discourse was shot through with racialized essentialism and ideas about gender that were connected with larger political realities. He ends the book with a discussion of the resonances of this nineteenth-century conception of Czech identity in the current Czech Republic.

Today’s guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater’s spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.”

Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt’s travel compendium; metonymic possession in Christopher Marlowe’s Tamburlaine; “seasoning” in Ben Jonson’s city comedies; “stagewreck” in Shakespeare’s The Tempest; and “stagework” in the Lord Mayor’s Shows.

By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater.

Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.

In The Patty Duke Show and the American Sixties: Hot Dogs and Crêpes Suzette (Oxford UP, 2026), the first ever published on The Patty Duke Show (1963-66), Caryl Flinn and Dana Polan examine the significance of this classic US sitcom within popular culture and within American society at the time. Child acting sensation Patty Duke plays the all-American Patty as well as her staid British counterpart Cathy, who comes to live with Patty's family in Brooklyn. Far from being a frivolous show, the show's use of twin girls--and their comic antics--offers glimpses into different identities and possibilities to try on, in keeping not only with girls' popular culture of the time but the optimism of John F. Kennedy's Camelot years.At the same time, the series plugged into many of the contradictions of the mid-1960s. It flirted, as much of the US did, with foreign cultures, such as Julia Child's mediation of Frenchness, only to return to and reaffirm core US values. Like Kennedy, who encouraged the country's youth to engage with the world at large, the show gestures towards a cosmopolitanism that, ultimately, retreats into an American-based perspective, as evidenced in the series' preferential treatment of Patty over Cathy--despite the two characters being played by one actor.Drawing on archival research, Flinn and Polan bring to light the show's production background, which has until now been largely lost to history, as well as considering the series's conception, reception, its many tie-in products, and its ongoing afterlife in the decades since its initial broadcast. In so doing, they reveal hidden and overt issues that shaped American culture and ideology of the 1960s.

Hindu nationalism is transforming India as an increasingly dominant
ideology and political force. But it is also a global phenomenon, with
sections of India’s vast and influential diaspora drawn to, or actively
supporting, right-wing Hindu nationalism. Indians overseas can be seen
as an important, even inextricable, aspect of the movement. This is not a
new dynamic—diasporic Hindutva has grown over many decades.

Hindu Nationalism in the Indian Diaspora: Transnational Politics and British Multiculturalism
(Oxford University Press, 2024) explores how and why the movement
became popular among India’s diaspora from the second half of the
twentieth century. It shows that Hindutva ideology and its plethora of
organizations have a distinctive resonance and way of operating
overseas; the movement and its ideas perform significant, particular
functions for diaspora communities.Edward T.G. Anderson argues that
transnational Hindutva cannot simply be viewed as an export: this
phenomenon has evolved and been shaped into an important aspect of
diasporic identity, a way for people to connect with their homeland. He
also sheds light on the impact of conservative Indian politics on
British multiculturalism, migrant politics and relations between various
minority communities.

Sachin Nikarge has
extensively worked in consultative capacity with prominent
foreign/diplomatic missions across both ‘hard’ as well as ‘soft’ power
domains.

When World War I began, the Russian Empire was home to more than 5.7 million Jews, the most densely settled Jewish population in the world. Thirty years later, by 1945, only remnants of this civilization remained. The years of World War I, from 1914 to 1918, launched nearly all the forces that led to this epic destruction.

In A Nation of Refugees: Russia's Jews in World War I, Polly Zavadivker tells how Jewish civilians experienced that war and its epicenter of violence on the Eastern Front. World War I transformed the lives of East European Jews in ways that were second only to the Holocaust in their magnitude. State violence and forced migration determined many aspects of Jewish wartime and revolutionary experience. These policies not only destroyed much of traditional Jewish life but also inadvertently compelled a transformation of Jewish civil society. The collapse of Russian imperialism enabled the growth of an empire-wide humanitarian campaign to rescue the “nation of refugees,” whose plight embodied that of the Jewish nation itself. By exploring this history of Jewish humanitarianism during World War I, Zavadivker provides the origin stories of key leaders and public institutions that served East European Jewry in the interwar years and during the Holocaust.

Join YIVO for a discussion with Zavadivker about this book, led by historian Eliyana Adler.

Buy the book: here

This book talk originally took place on February 25, 2025.