1888 episodes
Caryl Flinn and Dana B. Polan, "The Patty Duke Show and the American Sixties: Hot Dogs and Crêpes Suzette" (Oxford UP, 2026)
09/08/2026 | 55 mins.In The Patty Duke Show and the American Sixties: Hot Dogs and Crêpes Suzette (Oxford UP, 2026), the first ever published on The Patty Duke Show (1963-66), Caryl Flinn and Dana Polan examine the significance of this classic US sitcom within popular culture and within American society at the time. Child acting sensation Patty Duke plays the all-American Patty as well as her staid British counterpart Cathy, who comes to live with Patty's family in Brooklyn. Far from being a frivolous show, the show's use of twin girls--and their comic antics--offers glimpses into different identities and possibilities to try on, in keeping not only with girls' popular culture of the time but the optimism of John F. Kennedy's Camelot years.At the same time, the series plugged into many of the contradictions of the mid-1960s. It flirted, as much of the US did, with foreign cultures, such as Julia Child's mediation of Frenchness, only to return to and reaffirm core US values. Like Kennedy, who encouraged the country's youth to engage with the world at large, the show gestures towards a cosmopolitanism that, ultimately, retreats into an American-based perspective, as evidenced in the series' preferential treatment of Patty over Cathy--despite the two characters being played by one actor.Drawing on archival research, Flinn and Polan bring to light the show's production background, which has until now been largely lost to history, as well as considering the series's conception, reception, its many tie-in products, and its ongoing afterlife in the decades since its initial broadcast. In so doing, they reveal hidden and overt issues that shaped American culture and ideology of the 1960s.Edward T. G. Anderson, "Hindu Nationalism in the Indian Diaspora: Transnational Politics and British Multiculturalism" (Oxford UP, 2024)
08/08/2026 | 1h 5 mins.Hindu nationalism is transforming India as an increasingly dominant
ideology and political force. But it is also a global phenomenon, with
sections of India’s vast and influential diaspora drawn to, or actively
supporting, right-wing Hindu nationalism. Indians overseas can be seen
as an important, even inextricable, aspect of the movement. This is not a
new dynamic—diasporic Hindutva has grown over many decades.
Hindu Nationalism in the Indian Diaspora: Transnational Politics and British Multiculturalism
(Oxford University Press, 2024) explores how and why the movement
became popular among India’s diaspora from the second half of the
twentieth century. It shows that Hindutva ideology and its plethora of
organizations have a distinctive resonance and way of operating
overseas; the movement and its ideas perform significant, particular
functions for diaspora communities.Edward T.G. Anderson argues that
transnational Hindutva cannot simply be viewed as an export: this
phenomenon has evolved and been shaped into an important aspect of
diasporic identity, a way for people to connect with their homeland. He
also sheds light on the impact of conservative Indian politics on
British multiculturalism, migrant politics and relations between various
minority communities.
Sachin Nikarge has
extensively worked in consultative capacity with prominent
foreign/diplomatic missions across both ‘hard’ as well as ‘soft’ power
domains.Deborah Barer, "Going Off Script: Improvisational Judgment in the Talmud" (Oxford UP, 2026)
08/08/2026 | 51 mins.What does it really mean to go "beyond the letter of the law"? In
this episode, Rabbi Marc Katz sits down with scholar Deborah Barer to
discuss her book Going Off Script: Improvisational Judgment in the Talmud, which offers a surprising new interpretation of one of the Talmud's most enduring ethical concepts: lifnim mi-shurat ha-din.
For generations, lifnim mi-shurat ha-din has been understood
to mean acting "beyond the letter of the law"—choosing generosity or
compassion over strict legal obligation. Barer challenges that
assumption. Through a close reading of classical rabbinic texts, she
argues that the Talmud originally used the phrase not to describe a
particular kind of moral act, but a particular way of making decisions.
Rather than rigidly following established rules, rabbis sometimes
improvised, departing from expected patterns in pursuit of the right
outcome for a unique case.
By tracing how this idea developed from in the Talmud, Barer uncovers
how one phrase evolved into a cornerstone of Jewish ethical thought.
Her work invites readers to rethink the relationship between law and
morality, showing that creativity and flexibility have always been part
of the rabbinic legal tradition.
Together, Barer and Katz explore why improvisation matters in Jewish
law, how the Talmud balances consistency with compassion, and what this
ancient model of decision-making can teach us about navigating difficult
moral questions today.
Deborah Barer is Senior Faculty with the Shalom Hartman Institute of
North America. She holds a PhD in Religious Studies from the University
of Virginia, with an emphasis on rabbinic literature and Jewish ethics.
Previously, she was Associate Professor of Religious Studies at Towson
University, and she has also taught at Oberlin College and for the
Pardes Institute of Jewish Studies (North America). She served as the
editor of the Journal of Textual Reasoning.
Rabbi Marc Katz is the senior Rabbi at Temple Ner
Tamid in Bloomfield, NJ. He is the author of Yochanan's Gamble:
Judaism's Pragmatic Approach to Life (JPS)- When World War I began, the Russian Empire was home to more than 5.7 million Jews, the most densely settled Jewish population in the world. Thirty years later, by 1945, only remnants of this civilization remained. The years of World War I, from 1914 to 1918, launched nearly all the forces that led to this epic destruction.
In A Nation of Refugees: Russia's Jews in World War I, Polly Zavadivker tells how Jewish civilians experienced that war and its epicenter of violence on the Eastern Front. World War I transformed the lives of East European Jews in ways that were second only to the Holocaust in their magnitude. State violence and forced migration determined many aspects of Jewish wartime and revolutionary experience. These policies not only destroyed much of traditional Jewish life but also inadvertently compelled a transformation of Jewish civil society. The collapse of Russian imperialism enabled the growth of an empire-wide humanitarian campaign to rescue the “nation of refugees,” whose plight embodied that of the Jewish nation itself. By exploring this history of Jewish humanitarianism during World War I, Zavadivker provides the origin stories of key leaders and public institutions that served East European Jewry in the interwar years and during the Holocaust.
Join YIVO for a discussion with Zavadivker about this book, led by historian Eliyana Adler.
Buy the book: here
This book talk originally took place on February 25, 2025. Jessica Vantine Birkenholtz and Alaka Atreya Chudal "The Swasthani Vrata Katha" (Oxford UP, 2026)
06/08/2026 | 56 mins.The Swasthani Vrata Katha is the most widely read, recited, and listened to Hindu devotional text, especially of local indigenous origin, among Hindu laity in Nepal. Dedicated to and itself the physical embodiment of a local goddess named Swasthani, Nepali Hindus recite the Swasthani every year from cover to cover over the winter month of Magh (January–February). It is a collection of widely circulating Hindu myths about gods, demons, and divine dalliances that forefront Shiva, Sati, and Parvati but it is also a local folk story about women’s real, everyday hardships and the rewards of attending to one’s dharma and devotion to the goddess Swasthani. The Swasthani Vrata Katha: A Secret Vow to the Goddess (Oxford UP, 2026) is the first full-length English translation of the Swasthanifrom the original Nepali. Just like Parvati made Swasthani and her story known beyond the realm of the gods to the human realm, so, too, this translation makes them known beyond Nepal to a broad English-speaking audience.
Open Access: here
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