Momus: The Podcast

Season 9 of Momus: The Podcast launches with Luther Konadu, an artist and publisher based in Winnipeg, Manitoba. Reading from an influential book in his practice—The Narrow Door (Graywolf Press, 2016), subtitled “A Memoir of Friendship,” by Paul Lisicky—Konadu speaks with Sky Goodden about the intricacies, influences, and productive frictions of working with your friends. “I think because we've known each other [a long time], any kind of criticism that can come our way is seen as a sign of love… holding each other ahead of time before we step into the world.”
As the publisher of Public Parking and co-founding publisher of Carnation, Konadu also reflects on the pressures and rewards of producing art publications that respond to a regional context while operating within an international discourse—reaching beyond borders and speaking to diaspora. Threading that needle, alongside an art practice that features and involves members of his community, requires clarity, care, and a commitment to honesty. “I think maybe that's part of what attracted me to Paul's work. The very notion of talking about friendship in a book-length form is a way of talking about something that isn't talked about.”
Momus: The Podcast is edited by Jacob Irish, with production assistance from Chris Andrews.
Thanks to Luther Konadu for his contribution to this season.

Tune in to a special bonus episode of Momus: The Podcast featuring a live recording from the launch of writer and critic Minh Nguyen’s new book Memorial Park: Revisiting Vietnam (Art Metropole & Wendy’s Subway, 2025). This event, co-presented by Art Metropole and Momus as part of the Momus Talks series, brought Nguyen into conversation with writer Tiana Reid to discuss writing about place, the personal as critical position, and how art criticism can open up broader cultural histories and experiences by “using art to write about something else.” More about the book from Wendy’s Subway: “Driven by a diasporic curiosity that seeks discovery over dwelling on loss, Memorial Park avoids nostalgic idealism or reflexive condemnation. Instead, Nguyen takes seriously the legacy of Vietnamese liberation by naming what it has become—and what it has not. What emerges is a complex picture of the country today and a reflection on how we inherit and reckon with radical histories that shape our world.”
Momus: The Podcast is edited by Jacob Irish, with production assistance from Rose Bouthillier and Chris Andrews.
Thanks to this episode’s sponsor Rabkin Foundation for supporting our work.
Thanks to Minh Nguyen and Tiana Reid for their contribution to this season.

Lucy Sante joins us for the finale of Season 8. The Belgian-born American critic, writer, and artist talks about her lifelong textual engagement with an extraordinary miscellany of culture and history. Sante shares the figures that have shaped her work, from a grade-school report on Nostradamus to Barbara Epstein, her editor at the New York Review of Books, to her various writing students across twenty years of teaching at Columbia and Bard. For her “meaningful text,” Sante focuses on Manny Farber, an early inspiration whose writing "infected me from the word go." She reads from his essay “White Elephant Art vs. Termite Art” (Film Culture, No. 27, Winter 1962/63), an electric ode to "termite tapeworm-fungus-moss art ... that goes always forward eating its own boundaries."
Momus: The Podcast is edited by Jacob Irish, with production assistance from Chris Andrews.
Thanks to this episode’s sponsors, Rabkin Foundation, PHI, and Esker Foundation, for supporting our work.
Thanks to Lucy Sante for her contribution to this season.

In the season’s penultimate episode, we feature Andrii Ushytskyi, a Kyiv-based writer, dancer, and co-editor of Solomiya, an independent magazine founded in response to Russia’s full-scale invasion of Ukraine. Ushytskyi begins by reading a short essay by Natalia Ginzburg, “The Son of Man” (Unita, 1946), and then speaks with Sky Goodden about his editorial arc and the responsiveness and faith that stewarding a publication—and writing—through a war has required. He also speaks to how the invasion has changed the nature of his writing, and how, for Ushytskyi, dance has emerged as a form of kinesthetic expression and release.
Thanks to this episode’s sponsors, Rabkin Foundation and Art Toronto, for supporting our work.
Thanks to Andrii Ushytskyi for his contribution to this season.
And our many thanks to Jacob Irish, our editor, and Chris Andrews, for production assistance.

This special summer episode includes a live recording of the Spring issue of Post/doc, co-published by Momus and the Vera List Center for Art and Politics. The collaborative issue of the VLC’s biannual publishing series for discursive, speculative, experimental writing, and artistic practices features a new sound work by artist JJJJJerome Ellis and a new text by writer Diana SeoHyung, both reflecting on the theme of intervals—on languaging, language breaks, aphasia, riffing, and repeating. This recording of the launch, which took place in early May at Storm Books & Candy, in Brooklyn, includes SeoHyung's reading of her text 가는 길: Decision to Leave / On Leaving / Leaving, and Ellis's performance of Havensong. The episode is introduced by Lauren Wetmore in conversation with Re'al Christian, Assistant Director of Editorial Initiatives at the VLC, about originating Post/doc, and her own writing and editorial practice.
Thanks to this episode’s sponsors, Marian Goodman Gallery and The Blue Building, for supporting our work.
Thanks to JJJJJerome Ellis, Diana SeoHyung, and Re'al Christian for their contributions to this season.
And as always, many thanks to Jacob Irish, our editor, and Chris Andrews, for production assistance.