New Books in Gender

Overturning Roe unleashed a wave of urgent threats to abortion and bodily autonomy, fueled by overt white supremacy, racial and anti-immigrant hatred, and support for traditional gender roles and sexual identities. But the resistance is fierce, led by a new generation of activists of color dedicated to building an inclusive movement. In Abortion and Reproductive Justice: An Essential Guide for Resistance, widely recognized movement leaders Marlene Gerber Fried and Loretta J. Ross provide a history of abortion politics through a reproductive justice framework that centers those most vulnerable.The book emphasizes that the right to have and raise children is as important for reproductive choice as the right not to. This critical approach—originating in Black feminism—provides grounding for radical abortion advocacy. Calling on us to join in, the book highlights abortion stories from individuals and organizations who are putting this analysis into action on the front lines, in the United States and beyond. By linking abortion rights to broader social justice initiatives, including Black Lives Matter, immigrant and refugee rights, disability justice, and LGBTQ+ rights, the authors expand the conversation at a critical moment.

Our guest is: Dr. Marlene Gerber Fried, who is professor emerita at Hampshire College. Her scholarship and teaching focuses on abortion rights and access, reproductive and sexual rights and health, and legal theory. Her honors include the Felicia Stewart Advocacy Award, and the Warrior Women Award from SisterSong Women of Color Reproductive Justice Collective.

Our guest is: Dr. Loretta J. Ross, who is an activist, public intellectual, and Associate Professor of the Study of Women & Gender at Smith College. Her co-authored books include Calling In, Abortion and Reproductive Justice, and Women Who Change the World. She has also published numerous articles and book chapters. Find more here: Loretta Ross Papers.

Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast, and writes the show’s newsletter at ChristinaGessler.Substack.com.

Playlist for listeners:

The Turnaway Study

You're Doing It Wrong

Womanist Bioethics

How to Organize Inclusive Events and Conferences

How We Show Up

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Gaining mass popularity in the mid-1990s with the True Love Waits rally on the Washington Mall, purity culture began as an urge from evangelical conservatives for Christian adolescents to publicly commit to practicing abstinence until marriage. Throughout this decade and the next, millions of evangelical teenagers performed their commitment to sexual purity by signing pledges and wearing purity rings.

Growing Up Pure: White Girls, Queer Teens, and the Racial Foundations of Purity Culture (NYU Press, 2025) by Dr. Lauren D. Sawyer examines the shaping of purity culture in the United States, looking specifically at the experiences of white youth. It shows that white girls and white queer youth were vulnerable to the purity movement, but that they were also complicit in its white supremacist oppressive structure. It makes the case that purity culture follows in the footsteps of other purity movements in the United States, and is very much tied to centuries of anti-Black racism and xenophobia in US social history, seeing white youth as in need of protection, usually from a racialized, sexualized other.While other works have focused on the ways in which purity culture has victimized young people, Dr. Sawyer argues that their perceived status as victims lets them too easily off the hook. White youth have been afforded the privilege of participating in purity culture’s harmful behaviors without being called to account. Closely reading adolescents’ stories of growing up in purity culture, she uncovers youth as agents, participants, and beneficiaries of its white supremacist framing, even as they were still vulnerable to its harmful teachings.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Fantastic and informative talk with Sara Petrosillo of the University of Evansville about her new book, Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture (Ohio State University Press, 2023). Listen all the way to the end for a great description of the process of hunting with birds! While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers. 
Sara Petrosillo's Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer's Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.
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The various words for “divorce” in Japanese—rien, enkiri, fūfu wakare, rikon—reflect how the socially constructed institutions of marriage and family, along with their dissolutions, have been understood in Japanese history and jurisprudence. Employing a broad definition of divorce as the end of a romantic union sanctioned by law, social custom, or mutual agreement, Bold Breaks: Japanese Women and Literary Narratives of Divorce explores the shifting attitudes toward divorce in literature by women from the Heian (794–1185) to Heisei (1989–2019) periods.

The collection features writing by renowned authors Tamura Toshiko (1884–1945), Uno Chiyo (1897–1996), and Tsushima Yūko (1947–2016), who used divorce as a literary device to enable their female protagonists to take bold steps toward new lives. A coda explores more contemporary views on marriage, divorce, and romantic love in the work of novelists Itoyama Akiko (1966–) and Kawakami Mieko (1976–) and poet Saihate Tahi (1986–). A wide-ranging introduction provides an overview of the historical, legal, and literary significance of divorce in Japan. The translated texts, appearing in English for the first time, are accompanied by essays introducing the authors and offering brief analyses.

Bold Breaks will appeal to students and scholars of Japanese literature and culture, particularly those interested in gender issues and family social practices, and will enrich the growing conversation on marriage and divorce across cultures and eras.
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Broadway has body issues.
What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body.
In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West’s Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside?
In answering these questions, Broadway Bodies tells a history of Broadway’s inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies.
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