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Deirdre F. Brady, "Literary Coteries and the Irish Women Writers' Club (1933-1958)" (Liverpool UP, 2021)
In this interview, Dr. Deirdre Brady discusses her recent book, Literary Coteries and the Irish Women Writers’ Club (1933-1958) (Liverpool UP, 2021). Literary Coteries, which was released in paperback in 2024 is centered around the activities of the Irish Women Writers’ Club, a twentieth-century women’s only coterie that helped to establish a network of professional women writers. As publishers in private printing presses, as writers of dissident texts and as political campaigners against censorship and for intellectual freedom, a radical group of twentieth-century Irish women formed a female-only coterie to foster women’s writing and maintain a public space for professional writers. This book documents the activities of the Women Writers’ Club (1933–1958), exploring its ethos, social and political struggles, and the body of works created and celebrated by its members. Examining the period through a history of the book approach, it covers social events, reading committees, literary prizes, publishing histories, modernist printing presses, book fairs, reading practices, and the various political philosophies shared by members of the Club. It reveals how professional women writers deployed their networks and influence to carve out a space for their writing in the cultural marketplace, collaborating with other artistic groups to fight for creative freedoms and the right to earn a living by the pen. The book paints a vivid portrait of the Women Writers’ Club, showcasing their achievements and challenging existing orthodoxy on the role of women in Irish literary life. Dr. Deirdre Brady is Assistant Professor at Mary Immaculate College, University of Limerick. She is author of Literary Coteries and the Irish Women Writers' Club (1933-1958), published by the Liverpool University Press. She has published widely on Irish writers’ groups of the mid-twentieth century, including the Women Writers Club and Irish PEN, and her work has featured in peer reviewed international journals, cultural magazines, and in The Irish Times. She writes creatively, and her poetry is published by Arlen Press. Her most research publications explore the interconnections between art and commerce and the global reach of influence of Irish women writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Averill Earls, "Love in the Lav: A Social Biography of Same-Sex Desire in Ireland, 1922-1972" (Temple UP, 2025)
Averill Earls is an associate professor in history at St. Olaf’s College and her research focuses on sexuality and modern Ireland. Her writing has appeared in the Journal of the History of Sexuality, Historical Reflections (in the top-visited issue of the journal to date), Perspectives Magazine, Nursing Clio, and Notches Blog. In 2021 she was awarded the Judith R. Walkowitz Article Prize for her 2020 article, "Solicitor Brown and His Boy." Prof. Earls is also one of the four feminist historians and award-winning podcasters who founded Dig: A History Podcast in 2017. Love in the Lav: A Social Biography of Same-Sex Desire in Ireland, 1922-1972 (Temple UP, 2025) tells the unexpected, sometimes heartbreaking, stories of Dublin’s men who desired men and the Gardaí who policed them. The book uncovers Ireland’s queer lives of the past. Averill Earls investigates how same-sex-desiring men lived and loved in a country where their sexuality was illegal and seen as unnatural. Across seven social biographical chapters, each highlighting individuals at the nexus of these histories, Earls constructs a narrative of experiences through the larger contexts in which they are embedded. She uses courtroom testimonies, police records, and family history archives as well as “educated speculation” to show how structures governing male same-sex desire in Ireland played out on the bodies of the men who desired men, the teen boys who sold sex to men, and the way the Catholic-nationalist ethos shaped the Gardaí who policed them. Love in the Lav examines the experiences of people such as cabbie James Hand, who was put on trial for gross indecency, to provide a window into the queer working-class subculture of 1930s Dublin. Earls also focuses on issues of consent, especially with teens, and the unregulated queer Irish world of public figures, including Micheál Mac Liammóir, Hilton Edwards, Ronald Brown, and John Broderick. By examining twentieth-century Ireland through the lived experiences of ordinary same-sex-desiring Irish men who were relegated to obscurity by Irish society, Earls reveals the contradictions, possibilities, and magnitude of postcolonial Irish Catholic nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoices
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José Vergara, "All Future Plunges to the Past: James Joyce in Russian Literature" (Cornell UP, 2021)
All Future Plunges to the Past: James Joyce in Russian Literature (Cornell UP, 2021) explores how Russian writers from the mid-1920s on have read and responded to Joyce's work. Through contextually rich close readings, José Vergara uncovers the many roles Joyce has occupied in Russia over the last century, demonstrating how the writers Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin draw from Joyce's texts, particularly Ulysses and Finnegans Wake, to address the volatile questions of lineages in their respective Soviet, émigré, and post-Soviet contexts. Interviews with contemporary Russian writers, critics, and readers of Joyce extend the conversation to the present day, showing how the debates regarding the Irish writer's place in the Russian pantheon are no less settled one hundred years after Ulysses. The creative reworkings, or translations, of Joycean themes, ideas, characters, plots, and styles made by the five writers Vergara examines speak to shifting cultural norms, understandings of intertextuality, and the polarity between Russia and the West. Vergara illuminates how Russian writers have used Joyce's ideas as a critical lens to shape, prod, and constantly redefine their own place in literary history. All Future Plunges to the Past offers one overarching approach to the general narrative of Joyce's reception in Russian literature. While each of the writers examined responded to Joyce in an individual manner, the sum of their methods reveals common concerns. This subject raises the issue of cultural values and, more importantly, how they changed throughout the twentieth century in the Soviet Union, Russian emigration, and the post-Soviet Russian environment. José Vergara is Assistant Professor of Russian at Bryn Mawr College. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Terri Diane Halperin, “The Alien and Sedition Acts of 1798: Testing the Constitution” (Johns Hopkins UP, 2016)
In The Alien and Sedition Acts of 1798: Testing the Constitution (Johns Hopkins University Press, 2016), Terri Diane Halperin has provided a political history of the 1790s and explained the origins of one of the most contentious free speech events in American history. The Alien and Seditions Acts, which were actually four laws enacted in 1798, dramatically tested the principles of free speech in the young republic. Halperin explains the political origins of the controversy, which began in the earliest days the George Washington’s administration. Although the Federalists, led by Alexander Hamilton, George Washington, and John Adams, and the Democratic-Republicans (or Jeffersonians), led by Jefferson and James Madison, had already established their differences on the national stage regarding the Constitution, foreign affairs would create further cleavages between these groups. Halperin investigates and analyzes how the French Revolution was celebrated and feared in America. When France descended into civil war and instigated European wars, the United States feared being drawn into the conflicts. The Federalists developed an affinity for Britain’s rejection of the Terror and resistance to France, while the Democratic-Republicans celebrated the promise of the French Revolution, even though most deplored the violence of the Terror. French and Irish immigrants were welcomed by the Jeffersonians and feared by the Federalists. Halperin demonstrates how dissent against American foreign policy, usually through the many newspapers published in America, was viewed as subversive and threatening to America’s reputation and national security. The Federalists, who dominated the national government during the 1790s, conceived of federal criminal laws to quash dissent. Halperin explains how both sides had their dearly held beliefs: the Federalists thought Jeffersonian newspaper editors would encourage rebellions against federal power or foreign powers efforts to acquire land in the New World; the Jeffersonians claimed that dissent was legitimate and pointed to the First Amendment’s free speech clause as a right that allowed criticism of government. My conversation with Halperin covers all of these events and reveals the importance of the debate over free speech in the early Republic. Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Camilla Fitzsimons, "Rethinking Feminism in Ireland" (Bloomsbury, 2025)
Camilla Fitzsimons teaches at Maynooth University and is the author of Community Education and Neoliberalism in 2017 as well as Repealed: Ireland's Unfinished Fight for Reproductive Rights in 2021 which won the American Conference for Irish Studies James S Donnelly Sr book award for History and Social Science – she talked to us in January 2022 about that book. In this interview, she discusses her new book Rethinking Feminism in Ireland Rethinking Feminism in Ireland offers a radical approach that sees feminism as a practical philosophy that seeks to combat all forms of oppression. Exploring a number of topics including political activism, the world of work, queer and trans-rights activism, gender-based violence, and reproductive rights, this open access book sets out a fresh approach to the future of feminism using case studies in Ireland to to illustrate global issues. Including interviews with 30 people involved in feminist activism in Ireland, this book uses Irish history and political developments to create a collaborative, collective feminist effort with a global outlook. Rethinking Feminism in Ireland articulates a vision for the future that encourages solidarity across lines of difference and that makes the case for a politically charged, praxis-oriented approach that refuses to strip feminism of its substance and potential to contribute to radical change. Rethinking Feminism in Ireland is published with Bloomsbury and is also available as a free open access e-book Aidan Beatty is a lecturer in history at Carnegie Mellon University Learn more about your ad choices. Visit megaphone.fm/adchoices
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