New Books in Photography

Over the 19th century, the women of Istanbul gradually transformed their appearance, adopting European dress and new modes of self-fashioning, including photographs. Fashion in Late Ottoman Istanbul: Photography and Identity in a Global City (Bloomsbury, 2026) by Dr. Nancy Micklewright reconstructs a complex fashion history, and the dramatic changes that took place in women's lives in this period, and given the diverse population of Istanbul in terms of ethnicity, class, race and religion, attends to the differing clothing habits of the women of the city. The book focuses particularly on elite women as fashion tastemakers and on the dress of enslaved and working women.Appealing to scholars across a range of fields, including fashion history, Ottoman studies, women's and gender history, visual culture and photography history, Fashion in Late Ottoman Istanbul provides a fascinating insight into women's histories, writing and dress practices in a rapidly changing Istanbul.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Publishing one hundred years after her birth, Andrew Wilson’s biography of Marilyn Monroe, I Wanna Be Loved By You: Marilyn Monroe: A Life in 100 Takes (Grand Central Publishing, 2026), is a kaleidoscopic tour of her life told through 100 captivating snapshots.Dreamer. Bombshell. Icon. Featuring a wealth of unpublished material, I Wanna Be Loved By You presents Marilyn in a startling new light. It draws upon unpublished letters from Marilyn, Arthur Miller, and Joe DiMaggio; case notes and private letters from Monroe’s psychoanalyst, Dr. Ralph Greenson; and unpublished audio recordings from the likes of Jane Russell, Billy Wilder, John Huston, Amy and Milton Greene, housekeeper Eunice Murray (the last person to see Marilyn alive), and many more.We go behind the scenes of her marriages to teenage sweetheart Jim Dougherty, Joe DiMaggio, and Arthur Miller. We see Marilyn train with Lee Strasberg at the Actors Studio, working to dismantle the common perception that she was merely a dumb blonde. And in the concluding chapters, Wilson dissects what happened on the night Marilyn died after a suspected drug overdose. Were the Kennedys involved, or was she just let down by those closest to her? With a dazzling and unique blend of reportage, archival investigation, interviews, and oral history, I Wanna Be Loved By You is a revealing and nuanced portrait of the life, death and afterlife of an icon who still fascinates us today.
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Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island’s emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography’s pivotal role in documenting ‘local’ culture and shaping cultural identity, while challenging ideas of ‘amateur’ and ‘realist’ practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time.

Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney’s Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum’s China Gallery, and a Senior lecturer in the Master’s degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design.

Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master’s degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design.

Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping’s NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University.

Relevant Links:


Open Access for Wayfaring: Photography in Taiwan 1950s−1980s


Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage


Wayfaring Exhibition Pamphlet


Wayfaring Exhibition Video Tour | Part 1 — Overview


“Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影”

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Black Freedom: A Visual History of Juneteenth and Emancipation Days (Black Dog & Leventhal, 2026) is
the first fully illustrated history of Juneteenth and other
Emancipation Day celebrations, told through photographs, art, and an
engrossing narrative.

For more than 150 years, Black communities
have gathered to honor freedom, resilience, and the ongoing struggle for
true liberation. While Juneteenth has recently gained wider
recognition, it was one of many Emancipation Day traditions celebrated
across the United States.

These observances were spaces of joy,
remembrance, and resistance—even as the fight for full freedom was
unfinished. This volume brings together stirring essays and striking
images from Juneteenth and beyond, offering a sweeping portrait of how
Black people have created and sustained rituals of remembrance, a
testament to the generations who, through celebration and storytelling,
demanded that their contributions to the making of America be fully
recognized.

Blair LM Kelley is an award-winning author,
historian, and scholar of  the African American experience. She is also
the president and director of the National Humanities Center, the only
independent center for advanced study in the world dedicated exclusively
to the humanities.

Kishauna Soljour is an Assistant Professor of
Public Humanities at San Diego State University. Her most recent writing
appears in the edited collection From Rights to Lives: The Evolution of the Black Freedom Struggle.
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Félix Nadar took the first aerial photograph in 1858, so the story goes. The evidence, Emily Doucet notes, is mixed. In Inventing Nadar: A History of Photographic Firsts (Duke UP, 2026), Doucet analyzes the historical and material production of the nineteenth-century Parisian photographer’s famous and numerous photographic firsts. Focusing on these oft-labeled groundbreaking elements of his career, she deconstructs Nadar’s legacy as a prime protagonist in the history of photography by interrogating the media techniques used to construct his invention narratives. Doucet highlights this highly mediated process as one that canonized novel applications of photography as discrete techniques with single authors and inventors. Looking to this process of mediation through the institutions and individuals that shaped Nadar’s archives, Doucet unpacks assumptions of Nadar as a master of early photography and shows how the medium is enmeshed in larger histories of media, science, and technology. The result is both a new account of Nadar’s place in photographic history and a critical study of how stories of innovation take shape.
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