New Books in Poetry

In this NBN episode, host Hollay Ghadery speaks with Bänoo Zan and Cy Strom about their anthology, Woman Life Freedom: Poems for the Iranian Revolution (Guernica Editions, 2025).

This international anthology marks a world-historical moment: the first ever feminist revolution. The slogan chanted by the demonstrators in Iran is Woman, Life, Freedom, and it encompasses hopes and ideals for all people everywhere. This anthology echoes that cry. The poems here might be reflections on the present moment, denunciations of injustice, examinations of the poet’s own conscience, laments for the fallen, bitter curses, prayers, celebrations of life, and visions of a better future. Bänoo and Cy aim to raise awareness of the women’s revolution in Iran and show the world that this cause is alive and will not be put down.

About the editors: 

Bänoo Zan is a poet, translator, essayist, and poetry curator, with numerous published pieces and three books. Songs of Exile was shortlisted for the Gerald Lampert Memorial Award. Letters to My Father was published in 2017. She is the founder of Shab-e She’r (Poetry Night), Canada’s most diverse and brave poetry reading and open mic series (inception: 2012). Shab-e She'r bridges the gap between communities of poets from different ethnicities, nationalities, religions (or lack thereof), ages, genders, sexual orientations, abilities, poetic styles, voices, and visions. Bänoo calls herself a war correspondent in verse. Others describe her as a political, metaphysical, and spiritual poet.

Cy Strom works as an editor. He holds MA and MPhil degrees in early modern European history and has published in academic and other areas, including the visual arts. He edits in different genres and sometimes languages, and has had a role in developing professional editorial standards and educational materials.
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This is the history of England told in a new way: glimpsed through twenty-five remarkable poems written down between the eighth century and today, which connect us directly with the nation’s past, and the experiences, emotions and imaginations of those who lived it.

These poems open windows onto wildly different worlds – from the public to the intimate, from the witty to the savage, from the playful to the wistful. They take us onto battlefields, inside royal courts, down coal mines and below stairs in great houses. Their creators, witnesses to events from the Great Fire of London to the Miners’ Strike, range from the famous to the forgotten, yet each invites us into an immersive encounter with their own time.

A History of England in 25 Poems (Penguin, 2025) by Professor Catherine Clarke is a portal to the past; a constant companion, filled with vivid voices and surprising stories alongside familiar landmarks, and language that speaks in new ways on each reading. Professor Clarke’s knowledge and passion take us inside the words and the moments they capture, with thoughtful insights, humour and new perspectives on how the nation has dreamed itself into existence – and who gets to tell England’s story.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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As a third generation Holocaust survivor, this was an important conversation with a second generation survivor. Marty has been conducting workshops on writing memory for quite a while and that's where we met - in his workshops with Jewish Ethiopians in Israel. Son of the Shoah: Poems from a Second-Generation Holocaust Survivor is his emotional reckoning with his parents and the world as being born into a world of pain and distance. At times I saw my own parents in the discussion and at times I would hear my friend whose family is descended from Jews tortured in the Inquisitions. 

This was an intimate and powerful discussion which will help the field of memory and Holocaust studies.
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In this NBN episode, host Hollay Ghadery speaks with Paul Vermeersch about his new collection of poetry, NMLCT (ECW Press, 2025). Fables and fairy tales collide with virtual reality, artificial intelligence, and monstrous myths in a world where no one knows what to believe. In his eighth book of poems, Paul Vermeersch responds to the increasing difficulty of knowing what is real and what isn’t, what is our genuine experience and what is constructed for us by The Algorithm. In a “post-truth” society rife with simulations, misinformation, and computer-generated hallucinations, these poems explore the relationship between the synthetic and the authentic as they raise hope for the possibility of escape from MCHNCT (Machine City) to NMLCT (Animal City), where the promise of “real life” still exists.

Paul Vermeersch is a poet, multimedia artist, and literary editor. His last book of poetry was Shared Universe: New and Selected Poems 1995–2020. A professor of creative writing and publishing at Sheridan College, he also edits his own imprint, Buckrider Books, for Wolsak & Wynn Publishers. He lives in Toronto, ON.
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Waka poetry was all the rage in tenth-century, courtly Japan. Every educated person composed it, emperors and consorts sponsored it, and societal interest in it was at an all-time high. Poets, Patrons, and the Public: Poetry as Cultural Phenomenon in Courtly Japan (Brill, 2025) offers an unprecedentedly broad and vivid portrayal of this season of literary flourishing, revealing the multitude of factors that contributed to it, as well as the social, political, and cultural reasons behind waka’s rise.Deftly combining sociological theory and social and intellectual history with insightful readings of a wealth of primary texts—some never before discussed in English—the book is both a history of waka in the Heian period and a study of Heian court society through the lens of waka.

Gian Piero Persiani is Assistant Professor at University of Illinois Urbana-Champaign.

Dr. Jingyi Li is an assistant professor of Japanese Studies at Occidental College, Los Angeles. She is a cultural historian of nineteenth-century Japan. She researches about early modern Japan, literati, and commercial publishing.
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