New Books in Poetry

In this NBN episode, host Hollay Ghadery speaks with internationally acclaimed poet and biographer of women’s creativity, Molly Peacock about her collection, The Widow’s Crayon Box (WW Norton & Co, 2025)--a book-length sequence of poems that dares to affirm the vast variety of emotional colors in loss and rejuvenation.

After her husband’s death, Molly Peacock realized she was not living the received idea of a widow’s mauve existence but instead was experiencing life in all colors. These gorgeous poems—joyful, furious, mournful, bewildered, sexy, devastated, whimsical and above all, moving—composed in sonnet sequences and in open forms, designed in four movements (After, Before, When, and Afterglow)—illuminate both the role of the caregiver and the crystalline emotions one can experience after the death of a cherished partner. With her characteristic virtuosity, her fearless willingness to confront even the most difficult emotions, and always with buoyancy and zest, Peacock charts widowhood in the twenty-first century.

About Molly Peacock:

Molly is the author of eight volumes of poetry, including The Widow’s Crayon Box, The Analyst: Poems and Cornucopia: New & Selected Poems, all from W.W. Norton, she recently wrote a book about a half-century friendship, A Friend Sails in on a Poem. As a poetry activist, Peacock was the co-founder of Poetry in Motion on New York’s subways and buses, the founder of The Best Canadian Poetry series, and the creator of The Secret Poetry Room at Binghamton University.
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Captivating for both its grandeur and intimacy, Lift Every Voice
(Penguin Books, 2026) explores the past’s capacity to be both a source
of dread and empowerment, an unshakable reminder of violence and an
indelible testament to the endurance of love. In virtuosic poems that
are wise, musical, richly layered, and saturated with vivid imagery,
Williams honors a mother “who knew seven ways to say bitch under her
breath,” a grandma whose smile “reflects the world,” and wonders at “the
impossible lift” of forgiveness. Lift Every Voice is a
staggering tribute to personal and collective evolutions, a vital chorus
that answers only to God, community, and the empowered self.

Phillip B. Williams is from Chicago, Illinois, and is the author of two collections of poetry: Thief in the Interior, which was the winner of the Kate Tufts Discovery Award and a Lambda Literary Award, and Mutiny,
which was a finalist for the PEN/Voelcker Award for Poetry Collection
and the winner of a 2022 American Book Award. Williams is also the
recipient of a Whiting Award and fellowships from the Radcliffe
Institute for Advanced Study at Harvard University and the National
Endowment for the Arts. His 2025 novel, Ours, was named a Best Book of the Year by The New Yorker, People, Los Angeles Times, NPR, and more. You can find Phillip on Instagram.

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In 2006 poet Amanda Johnston went in search of community and, when she didn’t find what she was looking for, Amanda built her own. Today, Torch Literary Arts is a resource and a destination for Black women writers and readers across the diaspora. Fueled by wisdom and writings from poets, novelists, and screenwriters, the organization’s exceptional programming and award-winning magazine amplify Black women’s voices, and has featured work from poets like Patricia Smith, Yona Harvey, and Toi Derricotte, screenwriters and playwrights like Jonterri Gadson, Charla Lauriston, and Lisa B. Thompson, and novelists like Tayari Jones, Crystal Wilkinson, and Sapphire.

And at a time when Amanda is preparing for Torch’s 20th Anniversary celebration, “A Gathering of Flames,” she is also celebrating the publication of a new book in her capacity as the 61st Texas Poet Laureate, Praisesong for the People: Poems from the Heart and Soul of Texas (Host Publications, 2025), showcasing original praise poems commissioned from poets across the state, and seeking to uplift diverse and intersecting populations across age, gender, and BIPOC, LGBTQIA+, differently-abled, and immigrant communities.

You can find Amanda at her website, on Instagram, and on Threads. And check out Torch Literary Arts, Torch Magazine, and follow the organization on Instagram, Facebook, and Threads.

Want to hear more from Amanda about the journey to Torch’s 20th Anniversary? Check out our continued conversation on Substack.

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In this NBN episode, host Hollay Ghadery speaks with Donna Vorreyer about her poetry collection, Unrivered (Sundress Publications, 2025).

Donna Vorreyer strikes gold with Unrivered, a stunning collection of poems that meditate on grief, regret, longing, self-love, and acceptance. Reeling from the loss of her parents, Vorreyer’s speaker is forced to grapple with her own mortality, and with the complicated feelings that come with aging. At times whispering softly in our ears, at times spitting venom with every word, Vorreyer charts the ways loss impacts the body and our perceptions of self, and how we are to keep on living. With a heroic sonnet crown woven through the book like the loose stitches in her grandmother's quilt, Vorreyer offers hope, courage, and gratitude in the face of our deepest fears. The result is a masterful and gripping story of loss and acceptance. Offering up rending, apocalyptic elegy, ironic detachment, or passionate, joyful celebration of life, Unrivered is bound to both take your breath away and give it a new form.

Donna Vorreyer is the author of four full-length poetry collections: To Everything There Is (2020), Every Love Story is an Apocalypse Story (2016) and A House of Many Windows (2013), and Unrivered (2025), all from Sundress Publications. Recent work has appeared in Ploughshares, Poet Lore, Colorado Review, Harpur Palate, Baltimore Review, and Booth. Her visual art has been featured in North American Review, Waxwing, About Place, Penn Review, Ilanot Review, Double Back Review, Pithead Chapel, and other journals. Donna currently lives and creates in the western suburbs of Chicago and runs the online reading series A Hundred Pitchers of Honey.
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Walt Whitman’s outrage at American politics and politicians was surpassed only by his passionate faith in democracy’s future. Both his anger and his hope fire his visionary prose writings on democracy, gathered for the first time in a new Library of America paperback edited by acclaimed political commentator and literary critic David Bromwich.

Join Bromwich, Mark Edmundson (author of Song of Ourselves: Walt Whitman and the Fight for Democracy) and Karen Karbiener (The Modern Scholar: Walt Whitman and the Birth of Modern American Poetry) for an exploration of our essential poet of democracy and his prophetic vision for the country that speaks directly to our present moment.
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