New Books in Poetry

In this episode, NBN host Hollay Ghadery speaks with Kirby about their joyful and powerful new book, Fairy (Palimpsest Press, 2026).

In Fairy, Kirby continues to mine their riches and fan the flames lit in their instant classic, Poetry is Queer. Their essays are an act of liberation they call “tending to each other’s freedom,” and are written with signature Kirby directness and panache, from early AIDS-activist monologues, to launching a counter city-wide “safe-sex” campaign that includes the public depiction of an affectionate gay couple, to leaving the States in a love that made them “the most beautiful boy in the world,” to becoming a Canadian queer poetry icon. Like countless fairies before them, Kirby scouts desire paths beyond mere survival for new queer voices to continue to amaze, flourish, and thrive. Or as Fairy says, “This way >>>”

Kirby is the author of She (KFB, 2025), Poetry is Queer (Palimpsest Press, 2021), This Is Where I Get Off (Permanent Sleep Press, 2019), featured columnist at Send My Love to Anyone and publisher at Knife | Fork | Book. kirbyfairy.ca

Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Learn more about Hollay here.
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A year ago, Ink & Ribbon Press did not exist. Today it’s a nonprofit publisher with its first books in the world, a readership built largely through Substack, early editions that have sold out, and an inaugural prize — the LemonLight Prize — that drew more than 3,500 poems from 706 poets across eight countries. Among the press’s forthcoming titles is Jan Noble’s My Name Is Swan, a poem Jan has spent more than a decade performing in pubs across Britain. A film of the poem recently took Best Narrative at the International Poetry Film Festival in Los Angeles. In this conversation, we discuss what it takes to build a nonprofit publisher and the world of poetry today.

G.K. Allum is Founding Editor & President of Ink & Ribbon Press.

Jan Noble is the author of My Name is Swan. He is a British poet and performer whose work spans page, stage, film, radio, and recording. My Name Is Swan brings together three of his major narrative works as one unified manuscript for the first time. He has performed the poem in many pubs named Swan.

Caleb Zakarin is CEO and Publisher of the New Books Network.
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A groundbreaking reassessment of the relationship between Federico García Lorca and American poet Philip Cummings and its impact on the poems in Lorca's landmark collection, Poet in New York.In August 1929, Spanish poet Federico García Lorca left New York City to spend ten days with his friend and lover Philip Cummings at a lakeside cottage in northern Vermont. Lorca in Vermont: The Spanish Poet and His American Lover (High Road Books, 2026) tells the story of two young men with mismatched goals and expectations: Lorca, already well established in his career, who sought a sustained romantic relationship with another man, and Cummings, a new college graduate eight years his junior, who had no interest in long-term commitment or in challenging social conventions. Based on over a decade of research, Lorca in Vermont explores the full course of Lorca’s relationship with Cummings, an affair that spanned three years and two continents. Combining unique access to primary sources, extensive original research, and a fresh analysis of published sources, the book describes not only the pair’s history as a couple but also the suppression of their relationship by Lorca scholars after the poet’s tragic death in 1936. Perhaps most importantly, it reveals previously unrecognized links between the disappointment and loss Lorca experienced in his relationship with Cummings and at least eight of the poems in his landmark collection Poet in New York, a work that has long intrigued and inspired other writers. The book brilliantly blends compelling new findings and an engaging narrative style in a page-turning tale that is a must read for anyone interested in Lorca and his legacy.
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Moving between word and image, the call-and-response collaboration between writer Christopher R. Rogers and photographer karim brown improvises a contemporary portrait of present-day Black Philadelphia, replete with the unfinished activism present since the transnational upsurge of the George Floyd Uprising.Arriving five years after the crucible of that period, this experimental essay-as-LP challenges us to prioritize the urgency of reckoning with our own hang-ups and half-steps and to reground ourselves within the daily, prefigurative life-work of rehearsing Black liberation. This is a hyperlocal, future-forward recommitment to ongoing principled struggle and a hopeful model of contemporary self-criticism.Taking its title from a song by the late, beloved Uptown Philadelphia rapper PnB Rock, My City Need Something (Common Notions, 2026) challenges readers to strive for clarity in a time of Black suffering, in a city resplendent with Black joy.

Christopher R. Rogers, PhD is a Philadelphia-based cultural organizer and educator hailing from Chester, PA with more than a decade of experience in supporting radical arts, culture, and community-building. He is a Facilitator with the W.E.B. Du Bois Movement School for Abolition & Reconstruction and co-coordinates the Friends of The Tanner House, incubating a revitalized National Historic Landmark rowhome that Dr. Carter G. Woodson once dubbed the “center of Black intellectual life in Philadelphia.” He previously published with Common Notions as Lead Editor for How We Stay Free: Notes on a Black Uprising (2022) alongside novelist Fajr Muhammad. You can find Chris on Instagram @justmaybechris.

After listening to this episode, head over to the Additions to the Archive Substack, where Chris and Sullivan talk further about community education and activism.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.
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Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections–alternately humorous, provocative, affectionate, and philosophical–with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter.

The Letters of Emily Dickinson (Belknap Press, 2024) is the first collected edition of the poet’s correspondence since 1958. It presents all 1,304 of her extant letters, along with the small number available from her correspondents. Almost 300 are previously uncollected, including letters published after 1958, letters more recently discovered in manuscript, and more than 200 “letter-poems” that Dickinson sent to correspondents without accompanying prose. This edition also redates much of her correspondence, relying on records of Amherst weather patterns, historical events, and details about flora and fauna to locate the letters more precisely in time. Finally, updated annotations place Dickinson’s writing more firmly in relation to national and international events, as well as the rhythms of daily life in her hometown. What emerges is not the reclusive Dickinson of legend but a poet firmly embedded in the political and literary currents of her time.

Dickinson’s letters shed light on the soaring and capacious mind of a great American poet and her vast world of relationships. This edition presents her correspondence anew, in all its complexity and brilliance.

Guest: Dr. Cristanne Miller is SUNY Distinguished Professor and Edward H. Butler Professor of Literature, and serves on the advisory board of the Emily Dickinson Archive. Her scholarship on Dickinson includes Emily Dickinson: A Poet's Grammar; Emily Dickinson’s Poems: As She Preserved Them; and The Letters of Emily Dickinson, which she co-edited with Domhnall Mitchell.

Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator, producer and host of the Academic Life podcast.

Playlist for listeners:

The World She Edited: Katharine S White at the New Yorker

Once Upon A Tome

Your Art Will Save Your Life

Wild Everything

The Banned Book

Becoming The Writer You Already Are

Archival Etiquette What To Know Before You Go

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
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