New Books in Poetry

In this NBN episode, host Hollay Ghadery speaks with Jennifer LoveGrove about her poetry collection, The Tinder Sonnets (Book*hug Press, 2026).
From acclaimed writer Jennifer LoveGrove comes an electric poetry collection exploring female sexual desire, contemporary dating, misogyny, and middle age that reflects and embodies our social media-saturated times.
Unabashedly confessional and radically vulnerable, The Tinder Sonnets rallies against the long-standing demand that “women of a certain age” politely accept being rendered non-sexual. Each poem is based on a date, relationship, or contemporary dating insight, and highlights how misogyny impacts the way we connect in the modern world–or don’t.
Juxtaposing folklore and the natural world against the digital sphere of texting and dating apps, this is poetry that defies invisibility and instead confronts and subverts it through a discerning feminist lens. While experimenting with the traditional form of the sonnet, these sonically textured poems are playful and wry, erotic and joyful, all while refusing to shy away from palpable anger, frustration, and disappointment.
Centring strength and resilience in the face of a resurgence of misogynistic chauvinism, The Tinder Sonnets is a staunch refusal to recede from view, to cede sexual space, or to be quiet and polite.
Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and is a 2026 Giller Prize finalist. Her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay here.

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What is the place of poetry in the modern world? In Poetry in General: How a Literary Form Became Public (Columbia UP, 2025), Keegan Cook Finberg, an Associate Professor of English at University of Maryland, Baltimore County narrates the contemporary history of poetry as the emergence of a public literary form. The book shows poets' engagement with social and economic changes, such as the rise of bureaucracy and office jobs, suburbanisation, feminism, and neoliberalism, alongside changes in literary forms and literary practices In doing so, the analysis demonstrates both the importance of poetry to reflect social and economic change, as well as its potential as a critical force in our moment of social and economic crisis. Ranging widely across individual poets, artistic collectives, and performance activities, the book will be of interest across the humanities, as well as anyone interested in why poetry matters today.

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In this NBN episode, host Hollay Ghadery speaks with Anna Veprinksa about her book of poetry, Wound Archive (Gordon Hill Press/The Porcupine's Quill, 2026).
Wound Archive is a collection of minimalist poems that archives the wound left by the concurrent ending of a relationship and the beginning of a chronic invisible illness. These poems comprise a fragmented archive in which woundedness turns language—figuratively and at times formally—upside down. The symbol of the wound recurs throughout, punctuating the ways both heartbreak and illness are experienced in the body. Find the book on the publisher's website here.
Anna Veprinska is the author of the poetry collections Bonememory (University of Calgary Press, 2025) and Sew with Butterflies (Steel Bananas Press, 2014), the chapbooks Stone Blossom (Anstruther Press, 2022) and Spirit-clenched (Gap Riot Press, 2020), and the monograph Empathy in Contemporary Poetry after Crisis (Palgrave Macmillan, 2020), which received Honourable Mention in the Memory Studies Association First Book Award. She won the 2025 Chinook Poetry Contest, was a finalist for the 2024 Ralph Gustafson Prize, and was shortlisted for the 2023 and 2021 Austin Clarke Prize in Literary Excellence. She is an Assistant Professor in the Department of English at the University of Calgary. Her collection of poetry Wound Archive was released spring 2026.
Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay here.

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Feeling worn out by the work of resistance? How do you persevere?
Today’s book is: Living Resistance: An Indigenous Vision for Seeking Wholeness Every Day, by Kaitlin B. Curtice. In an era in which "resistance" has become tokenized, Kaitlin Curtice reclaims it as a basic human calling. Kaitlin Curtice shows that we can learn to practice embodied ways of belonging and connection to ourselves and one another through everyday practices, such as getting more in touch with our bodies, resting, and remembering our ancestors. She explores four "realms of resistance"—the personal, the communal, the ancestral, and the integral—and shows how these realms overlap and why all are needed for our liberation. Readers will be empowered to seek wholeness in whatever spheres of influence they inhabit.
Guest: Kaitlin B. Curtice is an award-winning author, poet-storyteller, and public speaker. As an enrolled citizen of the Potawatomi nation, she writes on the intersections of spirituality and identity and how that shifts throughout our lives. She writes online for On Being, SELF Magazine, and more. Her work has been featured on CBS and in USA Today. Her books include Native, Living Resistance, and Everything Is A Story. She writes The Liminality Journal.
Host: Dr. Christina Gessler is an academic writing coach and editor. She is the producer of the Academic Life podcast and newsletter.
Listeners to this episode may also be interested in:
How We Show Up
Indigenous D.C.
We Refuse: A Forceful History of Black Resistance
What Might Be
The Diné Reader
Night of the Living Rez
A Calm and Normal Heart
Becoming the Writer You Already Are
The Lost Journal of Sacajewea
How can mindfulness help?
Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
This episode was originally published on May 11, 2023

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Classical Indian poetics prized the skillful use of alaṅkāras, or “ornaments”—literary figures of speech. Across more than a millennium, Sanskrit writers developed and elaborated an account of literary embellishment that is perhaps the world’s most complex and long-standing theory of figuration. Yet it remains the least studied of India’s major classical systems of thought.

An Alaṅkāra Reader (Columbia University Press, 2026) is a groundbreaking panoramic overview of this tradition, presenting extensive and accessible translations of key works that span its history, from the sixth to eighteenth century CE. These texts vividly show how Indian theorists analyzed simile, metaphor, allegory, and dozens of other figures that are distinctive to their world. Yigal Bronner’s commentary makes Sanskrit concepts of ornamentation approachable while placing them in historical context. He provides a new account of the history of Sanskrit poetics, showing how it underwent successive waves of theoretical revolutions and emerged as a prestigious field that attracted a variety of scholars in the early modern era.

Featuring many previously untranslated texts, An Alaṅkāra Reader is an essential resource for the study of classical Indian thought, the intellectual history of South Asia, and comparative literature. It reveals the depth and nuance of Sanskrit’s “science of ornaments” for anyone interested in poetic theory, figuration, and aesthetics across world traditions.
Yigal Bronner is a Sanskritist whose areas of interest include literature, literary theory, and South Asian intellectual history more generally. He worked on this volume while teaching in the Department of Asian Studies at the Hebrew University of Jerusalem and now teaches in the Department of History, Classics, and Religion at the University of Alberta. His books include Extreme Poetry: The South Asian Movement of Simultaneous Narration (2010) and A Lasting Vision: Dandin's Mirror in the World of Asian Letters (2023).
Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.

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