Print Run is a podcast created and hosted by Laura Zats and Erik Hane. Its aim is simple: to have the conversations surrounding the book and writing industries ...
In response to an excellent listener question, today we’re talking about how writers can approach asking potential agents about how they might handle specific aspects of their lives–whether that’s gender or sexual identity, disability, pregnancy or possible pregnancy, and much more–that could affect their publishing journey. We are in an age where all of us are growing increasingly vulnerable in different ways to what feels like a genuine fascist cultural backslide–this means that we all owe each other more solidarity, that our publishing relationships must account for the different ways in which we could become exposed to risk or harm. This is a big episode on “what we owe each other”: what agents owe writers, what publishers owe writers, what anyone who works in publishing owes anyone else in terms of helping all of us stay safe and protected from an increasingly dangerous world.
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1:07:25
Episode 174—The Subgenre is YOU
This week we use one of publishing’s favorite new portmanteaus–romantasy–to talk about the fluid nature of genre and subgenre, and discuss the ways in which these endless classifications can help bring new readers into a given category of book, as well as what drawbacks occur when we get more and more specific with our book taxonomy. We arrive at a key conclusion: the thing being categorized is not the book, but rather its readers. Join us!
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52:45
Episode 173—The Manuscript Wish List at the End of the World
We don’t need to tell you that the world feels pretty dark right now. The question then becomes: as creatives, as publishing people, as writers, readers, agents, whatever–what are we looking for to get us through? This episode we talk about what we’re hoping to see from and get out of art and publishing this next stretch, when all feels lost but we’re forging ahead anyway. Join us while we look for the light in the dark!
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49:27
Episode 172—The End of the Social Media Marketing Era
This week we talk about the functional death of social media as a promotional tool in the publishing industry. Now that we all agree that these platforms are actively corrosive to not only our body politic but literary culture specifically, where do we go next? What forms of cultural production might actually get people excited about books again, once we detach ourselves from the Slop Machines? We explore that vision and more. Join us!
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48:44
Episode 171—Summer, Again
It’s time for the annual Print Run Summer Check-In, where we list out all the ways we’re both keeping it together and losing our marbles. Summer is strange time in publishing, and it leads us to a conversation on deep work versus shallow, frenetic work, how we manage our interior creative selves in relation to the job, and the chaos that is sure to come this fall. Join us!
Print Run is a podcast created and hosted by Laura Zats and Erik Hane. Its aim is simple: to have the conversations surrounding the book and writing industries that too often are glossed over by conventional wisdom, institutional optimism, and false seriousness.
We’re book people, and we want to examine the questions that lie at the heart of that life: why do books, specifically, matter? In a digital world, what cultural ground does book publishing still occupy?
Whether it’s trends in the queries from writers that hit our inboxes or the social ramifications of an industry that pays so little being based in Manhattan, we’re here for it. Probably to laugh at it and call it names, but here for it nonetheless.
Print Run is the happy-hour conversation after a long day at a catalog launch; it’s the bottle of wine you drink most of on a Tuesday when the manuscripts are no good. We’re for writers, for publishers, for anyone who’s opened a book and wanted to know—really know—what goes into getting the damn thing made.
Join us. We’ll talk about the worst sex scene we’ve ever read and wonder aloud about how millennials will affect the books of the future. We’ll figure out why Jonathan Franzen wants to replace your child with a penguin and whether or not that penguin will be buying hardcovers when he grows up.
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New Zealand