Imagination Redeemed

What if the resurrection isn’t about escaping the physical world, but redeeming it? Join Brian, Sarah, and special Guests Andrew Roycroft and Lancia Smith as they consider the resurrected Christ as fully embodied -- and what that means for us, and all of creation!

Why does every culture have a Cinderella story? 
Because eucatastrophe — the sudden joyous turn from ashes to glory — is the fundamental pattern of reality itself, and every culture recognizes it.
In our last episode, we spent an episode with the dark fairy tales — the ones that don't end well, the ones parents used to read to their children on purpose. The Juniper Tree. The Girl Without Hands. Stories that looked mortality in the face and didn't blink.
We argued that you can't skip those. That the darkness isn't a problem to fix — it's preparation. That eucatastrophe only lands with force if the catastrophe was real.
Well. The catastrophe was real.
So now we get to ask the other question: why do human beings, in every corner of the world, also tell the opposite kind of story? The one where the overlooked girl goes to the ball. Where the prince searches the whole kingdom. Where the slipper fits, and everyone knows at once exactly who she is. And where a prince sweeps the princess off her feet to marry him.
And again our question is: why?
Join Brian, Matthew, Sarah, and Jeremiah as they explore that question.

Join Matthew, Brian, Sarah, and Jeremiah as we explore the dark and often unsettling fairy tales that have shaped human storytelling for centuries. We discuss their purpose, impact on children, and how they prepare us for the realities of life, and that courage, faithfulness, and hope matter precisely because darkness is real.

Sarah and Caroline share what’s ahead for the podcast over the next three months, reflect on the meaning of eucatastrophe, and explore how fairy tales help us see this pattern of reality more clearly, and what the material world has to do with it all!

Access the show notes through our Substack (head over to anselmsociety.substack)!

In this conversation, Brian Brown, Sarah Howell, Jeremiah England, and Christina Brown delve into the themes presented in 'A Gentleman in Moscow' by Amor Towles, focusing on the character Count Rostov and his experiences within the confines of a hotel.
Such a story helps us engage our confines -- After all, in winter, we’re stuck inside a lot, which reminds us of the limits that come with constricted space. Monotony, potentially bad habits and patterns, irritation from friction with or noise from people around us, etc. We’re kinda conditioned to view limits as confining; to want freedom and choice and autonomy. Even if we pay lip service to the value of limits, as soon as we experience a new one, we typically respond with frustration, rebellion, grief, and so on. 
But Christian writers, from ancient mystics to contemporary novelists, have seen limits–whether on our desires or even our physical space–as something very different.
Maybe there’s a way to learn to be the kind of person who is sharpened, grown, and even set free by limits. To not just live well within them, but be unleashed by them to build new strength, transform our desires, love more deeply, create more beautifully, and stretch into the person God is making us to be.