Slightly Foxed

The Mitfords continue to fascinate us, thanks to the witty novels, biographies and letters they wrote, their political involvement on both left and right, and their brush with world history. Rarely a year goes by without another Mitford documentary, film or television series, a volume of letters or a biography. In our latest podcast our emphasis moves from the girls to their mother – matriarch of one of the most outrageous, controversial, influential, glamorous and intriguing families of the twentieth century.
Sydney Redesdale (née Bowles), known by her family as ‘Muv’, was never going to have a conventional life. Her mother died when she was 7, and from the age of 14 she ran her father’s house. She fell in love with David Mitford (later Lord Redesdale) as a teenager and they married in 1904. Of their seven children, Nancy, Pamela, Tom, Diana, Jessica, Unity and Debo, two became bestselling authors, one was imprisoned and two lost their lives as a result of the Second World War, and their political views ranged from fascism to communism.
Sydney was the original Mitford girl, from whom much of her daughters’ legendary strong will, self-confidence and extremism was born. Nancy’s satires of aristocratic life between the wars, The Pursuit of Love and Love in a Cold Climate, portray Sydney as Aunt Sadie, vague and rather disconnected, but in fact Sydney was a divisive character and her daughters squabbled about the nature of the ‘real Muv’ for even longer than they argued about their own political differences.
Our guests on this podcast are two modern Mitfordians, Rachel Trethewey, biographer,  historian and author of Muv: The Story of the Mitford Girls’ Mother, and Frances Donnelly, broadcaster, writer and contributor to Slightly Foxed. Alongside discussion of Sydney and the difficulties of writing about someone with whom you disagree and find hard to like at times, the guests and our editors choose their favourite Mitford titles.
Summer reading recommendations include R. C. Sheriff’s The Fortnight in September and Anne Tyler’s Three Days in June.

Norman Lewis, who died in 2003 at the age of 95, was one of the twentieth century’s most adventurous travellers and one of its most brilliant and compelling writers. He was also prolific, producing fifteen novels, twenty highly praised travel books and hundreds of influential newspaper articles.
So why isn’t he better-known today? The Slightly Foxed team put this question to Julian Evans, a distinguished writer and traveller himself, author most recently of Undefeatable: Odessa in Love and War, and of Semi Invisible Man, the definitive biography of Norman Lewis.
Julian took his title directly from his subject, who described himself as a ‘semi-invisible man’, a watcher from the sidelines who hated personal publicity. It was a lesson Norman learned from a hard childhood in which, as a clever boy growing up in the North London suburbs, he was severely bullied at school. His spiritualist parents, shattered by the deaths of his two older brothers, sent him to stay for some time with his Welsh grandfather and three disturbingly eccentric aunts, an interlude he described in his autobiography Jackdaw Cake.

A sharp dresser with a taste for fast cars, motor bikes and guns (though he hated violence) and a man of great charm, Norman survived during the 1930s Depression by running his own successful camera business. But travelling and writing were his passions, and after wartime service as an army Intelligence officer which produced his masterpiece Naples ’44, he wove the experiences of his worldwide travels into many other magical books such as A Dragon Apparent, Golden Earth and Voices of the Old Sea. He had an unerring instinct for a story and took risks to give a voice to overlooked communities. His Sunday Times article on the genocide of indigenous tribes in Brazil prompted the founding of Survival International, and The Honoured Society exposed the inner workings of the Mafia in Sicily.
Courage, humour, humanity, a distinctive voice and a genius for storytelling – Lewis has them all. ‘One goes on reading page after page as if eating cherries,’ wrote one New York Times reviewer. An essential author, we all agreed, for anyone who relishes good writing.
The Slightly Foxed Editors’ book recommendations were two novels by Joseph O’Connor, My Father’s House and The Ghosts of Rome, and Justin Webb’s childhood memoir The Gift of a Radio. And for an introduction to Norman Lewis, A Quiet Evening, a selection of his best articles introduced by John Hatt.

Wartime bomber pilot, champion jockey, racing journalist, bestselling novelist, Dick Francis truly was a legend. The Slightly Foxed team join Dick’s son Felix and renowned racing commentator Derek Thompson (‘Tommo’ to his fans) to talk about the modest man who left school at 15 but went on to write thrillers set in the world of racing that have sold more than 60 million copies in 35 languages.
Dick grew up with horses and riding was in his blood, though he didn’t become a professional jockey until he was 26, an age when many jockeys are retiring. But he quickly became one of the most successful National Hunt jockeys (and Champion Jockey in 1953–4), riding winners for top owners including the Queen and Queen Elizabeth the Queen Mother. And it was the spectacular collapse of the Queen Mother’s horse Devon Loch beneath him on the point of winning the Grand National in 1956 that finally persuaded Dick to retire from racing and begin a new career, first as a journalist and then as a writer of endlessly inventive crime fiction.
So how did he do it? The novels, with their evocative titles – Dead Cert, Decider, Bolt, Hot Money – take you straight into the world of old-fashioned racing with its toffs and touts and inevitable shady characters. According to Felix, the writing of them was always a partnership, with Dick, a born storyteller, producing the plots and the atmosphere and his wife Mary as brilliant researcher and editor. Felix, too, helped with writing and research, and after Dick’s death in 2010 he was persuaded by Dick’s literary agent to keep the Francis ‘brand’ alive. He is now the author of 19 bestselling ‘Dick Francis’ novels, bringing the racing scene up to date with a female jockey as the heroine of his latest, Dark Horse.
Along with Dick Francis’s story of talent, courage and sheer determination – one he told himself in his autobiography The Sport of Queens – the team enjoyed added anecdotes and insights into the world of racing from ‘Tommo’, and an ending that had us on the edge of our seats.

There has never been a literary family quite like the Brontës. In our autumn podcast Ann Dinsdale, Principal Curator of the Brontë Parsonage Museum at Haworth in Yorkshire, joined the Slightly Foxed team to discuss the story of the family’s life there.

The Brontës moved to Haworth in 1820 when Patrick Brontë became curate, and the parsonage was established as a museum in 1928 when it was acquired by the Brontë Society. Mrs Brontë and the oldest two daughters, Maria and Elizabeth, died there from tuberculosis, leaving Charlotte, Emily, Anne and their brother Branwell to be educated at home by their widowed father. 

Ann talks about her work at the Parsonage Museum, a treasure trove of Brontë memorabilia, containing 9,000 items including clothes, letters, first editions and the sisters’ own writing boxes. The Brontës were a close-knit family, sharing their games and creating a rich imaginary world which formed the basis of their later writing. Patrick Brontë was a loving and in many ways an unconventional father, who encouraged the girls’ education and allowed them to read freely. He was a lover of the natural world, and on their daily walks in the wild moorland country around Haworth the sisters absorbed the atmosphere that would permeate their novels. 

Recognition came in 1847 when each published a novel, though initially they hid behind the pseudonyms of Currer, Ellis and Acton Bell. Charlotte’s Jane Eyre was the first, an overnight sensation which was the talk of literary London, causing endless speculation about the identity of its author. Three months later came Emily’s Wuthering Heights, which shocked readers with its story of passion, violence and revenge, and finally Anne’s Agnes Grey. The scene could have been set for brilliant literary careers, but within two years both Emily and Anne were dead from tuberculosis, Emily at 30 and Anne at 29. Charlotte married her father’s curate, lived on to write Shirley and Villette, based on her time as a teacher in a school in Brussels, and died at 38. Branwell, who never fulfilled his family’s high expectations, died addicted to alcohol and opium when he was 31.

Even before Charlotte’s death Haworth had become a place of pilgrimage for Brontë fans, and Mrs Gaskell’s 1857 biography of her helped to establish the family’s lasting fame. Today the Parsonage Museum is hugely popular with visitors. It is also a centre for research and runs an annual festival of women’s writing. Ann’s deep knowledge of the Brontës and her experience of running the museum made for a fascinating discussion, leaving us to wonder, had the sisters lived longer, what their eventual literary legacy might have been.

Autumn book recommendations were Blythe Spirit, Ian Collins’s biography of Ronald Blythe, The Brothers York by Thomas Penn, Plainsong, an American novel by Kent Haruf, Traitor’s Legacy by S. J. Parris, and The Land in Winter by Andrew Miller.

For episode show notes, please see the Slightly Foxed website.
Opening music: Preludio from Violin Partita No. 3 in E Major by Bach
Hosted by Rosie Goldsmith
Produced by Philippa Goodrich

It’s been said that Muriel Spark’s career was not so much a life as a plot, and she did indeed repeatedly reinvent herself, closing one chapter of her life and opening another, regardless of how many friends and business associates she abandoned along the way.

This month the Slightly Foxed team were joined by Muriel Spark’s biographer Martin Stannard, and Spark enthusiast Emily Rhodes of Emily’s Walking Book Club, to discuss the work of this highly original and somewhat forgotten writer and learn how Muriel first invited Martin to write her biography and then did her best to prevent it seeing the light of day.

Born in 1918, Muriel grew up in a working class family in Edinburgh – the setting for her most famous novel The Prime of Miss Jean Brodie, which was based on a charismatic teacher at her own school. At the age of 19 she closed that chapter of her life by marrying an older maths teacher, Sydney Oswald Spark, known (appropriately) thereafter as SOS, and going with him to Southern Rhodesia (now Zimbabwe) where their son Robin was born. Unfortunately it soon became obvious that Sydney had severe psychiatric problems and in 1943 Muriel left husband and son and returned to London where she began her career as a novelist.

Several times shortlisted for the Booker Prize, and much admired by Evelyn Waugh and Graham Greene, Muriel produced 22 novels, most of them drawing on events in her own life. Everyone at the Slightly Foxed table had their favourites, including The Girls of Slender Means, A Far Cry from Kensington, Loitering with Intent, and Memento Mori, a clear eyed and also very funny look at old age. Everyone agreed on the brilliance of her writing with its dark humour, preoccupation with the supernatural and with the presence of evil in unlikely places.

Her life was equally fascinating, moving from poverty to great wealth and success, and from the shabbier parts of London to intellectual life in New York centred on The New Yorker magazine, to which she became a contributor. In 1954 she was received into the Roman Catholic church and for some time she lived in Rome, relishing the glitter of Italian high society, finally settling in Tuscany with her friend Penelope Jardine, where she died in 2005.

Summer reading recommendations included Caledonian Road by Andrew O’Hagan, Death at the Sign of the Rook by Kate Atkinson, Homework by Geoff Dyer and Of Thorn and Briar by Paul Lamb. Martin also praised Electric Spark, the new – and very different – biography of Muriel Spark by Frances Wilson.

For episode show notes, please see the Slightly Foxed website.
Opening music: Preludio from Violin Partita No. 3 in E Major by Bach
Hosted by Rosie Goldsmith
Produced by Philippa Goodrich