Sonnet 129: Th'Expense of Spirit in a Waste of Shame
Sonnet 129 is the most explicitly sexual, and therefore sexually explicit, poem in the collection so far, and it is the first to betray a deep unease on William Shakespeare's part with his own desire for his mistress. The language he employs to characterise the sexual act with her oscillates from ecstasy of expectation to post-coital depression, even disgust, with a vocabulary in-between that is reminiscent more of a war zone than of a romantic roll in the hay.
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28:16
Sonnet 128: How Oft When Thou, My Music, Music Playst
With Sonnet 128, William Shakespeare employs the well-worn poetic trope of a lover who envies the musical instrument being played by his mistress its proximity to her and the delight of her touch. He either imagines or recalls watching her play a harpsichord or similar keyboard and wishes he could trade places with the keys that seem to be kissing her fingertips. But this not being possible, or – as he actually puts it – the keys enjoying themselves as much as they do, he suggests that she continue to allow the keys to kiss her fingers, while he should be allowed to kiss her lips.
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26:52
Sonnet 127: In the Old Age Black Was Not Counted Fair
Sonnet 127 is the first of 26 poems in the 1609 collection which together are generally known as the Dark Lady Sonnets. While William Shakespeare himself never uses the expression 'Dark Lady' any more than he uses the term 'Fair Youth' in these sonnets, it is entirely clear from this sonnet onwards that this much shorter section concerns itself with a woman who has dark hair, dark eyes, and a complexion that is most likely tan or olive, as opposed to pale.The sonnet sets a tone that is ambiguous, somewhat distanced, perhaps slightly ironic, perhaps also quite sincere, but neither of these in an obvious, let alone straightforward way, and it establishes from the outset that the person our poet is now talking about is his 'mistress', and that she does not fit the hitherto or until recently accepted ideal of beauty. In fact, she represents, so the sonnet tells us, the exact opposite of what used to be considered beautiful, but although Shakespeare does not exactly sound overjoyed at her kind of beauty being recognised, he still values this genuine, natural beauty above the cosmetic artifice that apparently has now become the fashion.
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26:31
The Fair Youth
In this special episode, Sebastian Michael looks at the first 126 Sonnets in the 1609 collection and examines the principal questions they present: - Is there a Fair Youth at all?- If so, is this the same young man throughout, or could it be that the first 17 poems, the Procreation Sonnets, are addressed to someone else?- And if there is a Fair Youth, who is it?While there will most likely never be answers that can be offered with cast-iron certainty, a detailed analysis of the textual and external evidence we have does yield significant pointers and offers an idea as to where, on a scale of plausibility, we may locate them.
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1:02:43
Sonnet 126: O Thou, My Lovely Boy, Who in Thy Power
Sonnet 126 is the last poem in which William Shakespeare addresses his younger lover and so marks the end of the Fair Youth series in the collection first published in 1609. The sonnet stands out for its tenderness and the gentle tone with which it reminds the young man that even he – beautiful as he is and ever youthful as he may seem – must ultimately be surrendered by nature to all-consuming time, and for the quiet resignation with which it accepts this as the universal and inescapable truth that is all our fate.Beyond that, the poem is also formally exceptional: consisting as it does of six rhyming couplets, it isn't strictly speaking a sonnet at all, though either Shakespeare himself or somebody else has furnished it with two sets of empty brackets where a sonnet's closing couplet would normally be. And so Sonnet 126 is genuinely unique: there is none other in Shakespeare's canon like it.
About SONNETCAST – William Shakespeare's Sonnets Recited, Revealed, Relived
Sebastian Michael, author of The Sonneteer and several other plays and books, looks at each of William Shakespeare's 154 Sonnets in the originally published sequence, giving detailed explanations and looking out for what the words themselves tell us about the great poet and playwright, about the Fair Youth and the Dark Lady, and about their complex and fascinating relationships.
Podcast transcripts, the sonnets, contact details and full info at https://www.sonnetcast.com
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