Episode 119b - From Wardrobe to World: Lewis, Myth, and the Gospel Made Visible
Send us a textA lamppost in snow. A wooden door that shouldn’t be a doorway. A world frozen under the words “always winter, never Christmas.” We step through the wardrobe to explore why The Lion, the Witch and the Wardrobe still feels like a living parable—one that sneaks past our watchful dragons and ignites a deeper hunger for grace.We start with the mythic power Lewis wields so well: ordinary objects as sacraments, a lamplight as a promise, and a season turned into theology. From wartime England to a house full of secrets, we trace Lucy’s wonder and Edmund’s weakness—how a sweet temptation exposes the moral fabric Lewis calls the deep magic. That fabric requires justice, not as punishment-for-punishment’s sake, but as reality snapping back into place. Then comes the turning point: Aslan’s quiet choice to take Edmund’s place. We sit with the stone table, the shaming, the silence, and the weight of substitution that even a child can feel without a footnote.But the table cracks at dawn. Love proves older than law as the deeper magic wakes, and death begins to work backwards. We talk about resurrection not as a legal line item but as laughter, movement, and breath—Aslan running, Lucy and Susan rejoicing, the Witch’s power unravelling. And the thaw doesn’t stop at one forgiven boy; it spills across the land. Rivers loosen, statues breathe, and creation joins the chorus—echoes of Isaiah’s singing hills and Romans 8’s groaning world finally set free. Along the way, we surface often-missed facets of the gospel that Lewis braids together: victory over the devil, the healing of shame, the renewal of all things, and the invitation to meet grace through ordinary doors.If Narnia first taught you to hope, or if you’re ready to see why this story still melts cynicism like frost in sunlight, press play. Subscribe, share this with a friend who loves Lewis, and leave a review to tell us the moment the deeper magic found you. The theme music is "Wager with Angels" by Nathan Moore