The Inquiry

Broadcasters from The Netherlands, Ireland, Iceland, Spain and Slovenia are all boycotting May’s Eurovision Song Contest because Israel is participating.
Sources within Israel’s broadcaster say calls for it to be banned are unjustified, and organisers of the contest insist it must remain politically neutral, describing the event as "a platform for displaying the importance of peace and unity in a divided world".
The boycott has sparked one of the biggest crises in Eurovision’s 70-year history. In several cases, the position to withdraw also reflects wider pressure from politicians and public opinion. How will countries boycotting Eurovision affect the contest?’
Contributors:
Natalija Gorščak, president of the management board of RTV, Slovenia
Dr Bárbara Barreiro León, lecturer in film and visual Culture, University of Aberdeen, UK
Dr Heather Dichter, associate professor of sport history and sport management, De Montfort University, UK
Dr Dean Vuletic, author Postwar Europe and the Eurovision Song Contest, Luxembourg
Presenter/producer: Daniel Rosney
Sound enginee: James Bradshaw
Production co-ordinator: Phoebe Lomas and Liam Morrey
Editor: Tom Bigwood
(Photo: Eurovision flags. Credit: Georg Hochmuth/Getty Images)

For the second time in 12 years Glasgow is preparing to host the Commonwealth Games after Australia’s Victoria state pulled out because of increased costs. Victoria’s withdrawal raised questions about whether the 2026 games would go ahead before Glasgow agreed to step in.
Staging a sporting mega-event is expensive and governments face increasing scrutiny over public spending. Victoria’s decision raised wider questions about affordability for potential hosts. At the same time, critics question the Games’ political relevance, given its origins in Britain’s colonial past.
The Commonwealth Games Federation says the event can be delivered in a more sustainable way and argues that it brings cultural and economic benefits to host cities, but recent editions have run into significant costs and budget pressures.
This week on The Inquiry, Tanya Beckett asks ‘Is it time to scrap the Commonwealth Games?’
Contributors:
Dr Stuart Whigham, senior lecturer in sport, coaching and physical education at Oxford Brookes University, UK
Dr Matthew McDowell, lecturer in sport policy, management, and international development at the University of Edinburgh, UK
Dr Verity Postlethwaite, lecturer in strategic event management at Loughborough University, UK
Professor Gayle McPherson, associate dean for research at the University of the West of Scotland, and director of legacy and community engagement for Commonwealth Games Scotland, UK
Presenter: Tanya Beckett
Producer: Matt Toulson
Researcher: Evie Yabsley
Editor: Tom Bigwood
Technical Producer: Craig Boardman
Production Management: Phoebe Lomas and Liam Morrey
(Photo: 2022 Commonwealth Games gold medals. Credit: Adrian Dennis/Getty Images)

Ireland has a new permanent government scheme providing regular cash transfers to 2,000 artists.
The people who can access it range from circus performers to opera singers.
It follows a pilot of more than three years which is believed to have brought a return on investment to the economy.
Big tech backs basic income schemes like this to offset the consequences AI is having on the workforce.
Leading economists believe it could create a dystopian world.
Nevertheless, more governments are piloting or planning to introduce schemes like this.
This week on The Inquiry, we’re asking ‘Why is basic income being debated?’
Contributors:
Dr Jenny Dagg, assistant lecturer, Maynooth University, Ireland
Dr Catarina Neves, postdoctoral fellow, Utrecht University, The Netherlands
Daron Acemoglu, 2024 Nobel Peace Prize winner in economics, institute professor, Massachusetts Institute of Technology, US
Jurgen De Wispelaere, acting chair of the Basic Income Earth Network
Presenter: Charmaine Cozier
Producer: Daniel Rosney
Researcher: Evie Yabsley
Technical producer: Craig Boardman
Editor: Tom Bigwood
Production Management: Liam Morrey & Phoebe Lomas

Ireland has a new permanent government scheme providing regular cash transfers to 2,000 artists. The people who can access it range from circus performers to opera singers.
It follows a pilot of more than three years, which is believed to have brought a return on investment to the economy.
Big tech backs basic income schemes like this to offset the consequences AI is having on the workforce. Leading economists believe it could create a dystopian world. Nevertheless, more governments are piloting or planning to introduce schemes like this.
Contributors:
Dr Jenny Dagg, assistant lecturer, Maynooth University, Ireland
Dr Catarina Neves, postdoctoral fellow, Utrecht University, The Netherlands
Daron Acemoglu, 2024 Nobel Prize winner in economics, institute professor, Massachusetts Institute of Technology, US
Dr Jurgen De Wispelaere, acting chair of the Basic Income Earth Network.
Presenter: Charmaine Cozier
Producer: Daniel Rosney
Researcher: Evie Yabsley
Editor: Tom Bigwood
Technical Producer: Craig Boardman
Production Management: Phoebe Lomas and Liam Morrey
(Photo: A customer withdraws euro bills from an ATM in Sofia. Credit: Bloomberg/Getty Images)

Cuba is facing one of its most severe humanitarian crises in decades.
For years, Cuba relied heavily on oil from Venezuela. Those supplies have largely stopped, contributing to widespread fuel shortages. Electricity blackouts have become increasingly common, disrupting daily life across the country.
The United States has blocked fuel shipments to Cuba as part of wider pressure linked to its economic and political policies. Meanwhile, the Cuban government has warned it will resist any external interference in its domestic affairs.
With economic strain growing and living conditions worsening, this week on The Inquiry, we’re asking: ‘Is the revolution in Cuba over?’
Contributors:
Lillian Guerra, professor of Cuban and Caribbean history at the University of Florida, US
Ricardo Torres, research fellow at American University, US
Christopher Sabatini, senior research fellow for Latin America at Chatham House, UK
Renata Segura, programme director for Latin America and the Caribbean at the International Crisis Group, US
Presenter: Tanya Beckett
Producer: Matt Toulson
Researcher: Evie Yabsley
Editor: Tom Bigwood
Technical Producer: Cameron Ward
Production Management: Phoebe Lomas and Liam Morrey
(Photo: Havana, the capital of Cuba, during a blackout in March 2026. Credit: Yamil Lage/Getty Images)