Late in director Alexandria Stapleton’s 4-part Netflix series “Sean Combs: The Reckoning”, one of her subjects lays out what may be the documentary’s thesis: While it may seem like Combs “went bad” well into middle-age, the signs were there well before–”it was a slow build.”
Stapleton deftly tracks Comb’s rise: The son of a murdered father, brought up with music, clothes, and fantasy. Starting out in the music business as a runner, dancer, and promoter. Then becoming “Puff Daddy” in the fallout of a tragically over-promoted show, he would go on to make a fortune as a promoter and producer, understanding the growing importance of both music as a visual medium, as well as the opportunities provided by corporate sponsorship.
But Stapleton is as interested in the other side of Combs, the one that ended up with a Federal indictment for racketeering and more; charges that he may have ultimately eluded, but which still resulted in 40 months in Federal Prison. Stapleton presents those who say that were hurt by Combs–psychically, physically, financially, and sexually–with sensitivity, but allows them to tell their own stories with a specificity that at times can be harrowing.
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