SFUltra

"People write in magazines that I make different kinds of records just to draw attention to myself. If I ever saw the little wimps that were saying that, then I'm sure that I'd have to fucking kill them … There's many better ways to draw attention to myself. I could kill music critics if I wanted to … I could burn down Geffen Records … I could burn myself down in public if I wanted to—that would get a lot of attention, right?" - Neil Young

On this series, I am joined by Cameron Kunzelman so we can listen to the work of Neil Young in roughly chronological order and then talk about it.

On this episode:
Long May You Run
Decade
American Stars 'n Bars
Comes a Time
Rust Never Sleeps
Live Rust
Hawks & Doves
Re·ac·tor
Trans
Everybody's Rockin'
Old Ways
Landing on Water
Life
This Note's for You
American Dream
and, somehow, more.
Here's the YouTube music playlist I used to prepare for the episode:
https://music.youtube.com/playlist?list=PLnq_kwIKDYN_V46nVwrshGdi8zoP8IdKT&si=RK14fXUf_JiAfdQ7

Logo by Charles Forsman
Theme by John from Vsevolod Plotkin

"Volume's not really that important. It's the size of the room and the relationship of the sound to the enclosure it's in that makes a difference." - Neil Young
On this series, I am joined by Cameron Kunzelman so we can listen to the work of Neil Young in roughly chronological order and then talk about it.

On this episode:
Neil Young
Everybody Knows This Is Nowhere
After the Gold Rush
Harvest
Time Fades Away
Tonight's the Night
On the Beach
Homegrown
Zuma
and, somehow, more.

Logo by Charles Forsman
Theme by John from Vsevolod Plotkin

"Never stopped to wonder why
then I saw black
and my face splashed in the sky"
- Neil Young, Powerfinger

"Many are transforming in that glorious condition normally described as decay. Transforming through splinter and chemical imbalance. By fading and forgetfulness." - Brian Catling, Lantern Slides, Several Clouds Colliding

"So I think when I'm looking at you, I see you there. But I can't just explain what you are. I see you there and you could be photographed, but then after you'd been photographed, one still wouldn't know what your realism was. You'd have to find a technique by which you can give over all the pulsations of a realism of a person… 
I'm talking bollocks…" - Francis Bacon, The Brutality Of Fact