Paul Franklin reflects on the VFX of ‘Interstellar’
Ian Failes from befores & afters chats to visual effects supervisor Paul Franklin, who reflects on what he was doing 10 years ago, which was just after his VFX Oscar win for Interstellar. We dive into the scientific research, the CG and the miniatures side of that film. There’s a whole lot of fun anecdotes I had never heard about before. This is a special ep of the podcast that was originally recorded for Hugo Guerra’s 10th anniversary Hugo’s Desk stream.
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37:32
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37:32
Behind that crazy creature work in the finale of 'The Umbrella Academy'
Ian Failes from befores & afters chats to 'The Umbrella Academy' production VFX supervisor Everett Burrell about the final episode ‘End of The Beginning’ and the impressive creatures.
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25:04
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25:04
What exactly does the role of a visual effects producer involve?
Ian Failes from befores & afters chats to VFX producer Lynzi Grant to help demystify the role of a visual effects producer. Lynzi has worked on such films as Bad Boys: Ride or Die, Hocus Pocus 2, Spiderhead and Extraction.
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1:18:33
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1:18:33
How they made the new 'Lilo & Stitch'
Ian Failes from befores & afters chats to 'Lilo & Stitch' visual effects supervisor Craig Hammack, from ILM, about stuffies, stand-ins, CG animation and all the challenges of making the live-action film.
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42:58
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42:58
The surprising use of visual effects in season 6 of 'The Handmaid’s Tale'
Ian Failes from befores & afters chats to visual effects supervisor Brendan Taylor from Mavericks VFX and the VFX of season 6 of 'The Handmaid’s Tale', including the opening train scenes filmed with an LED wall, the wedding scene, which had an interesting object removal challenge, muzzle flash work, crowds, that dramatic plane explosion and the final Boston environment shots.
New Zealand