Working Class Literature

As part of our work to mark the centenary of the UK's 1926 general strike, we sat down with with Charles Ferrall and Dougal McNeill, authors of the excellent Writing the 1926 General Strike: Literature, Culture, Politics to talk about some of the literature texts produced in response to the strike, both from established authors and emerging working-class writers.

Our podcast is brought to you by patreon supporters of both Working Class Literature and Working Class History. Our supporters fund our work, and in return get exclusive early access to podcast episodes, bonus episodes, free and discounted merchandise and other content. Join us or find out more at patreon.com/workingclasshistory

In our discussion, Charles Ferrall and Dougal McNeill explain why they wrote their book and what they mean when they say the strike was “a literary event.” We also discuss the works of a number of different working-class authors responding to the strike, not to mention those of more famous authors that were also affected by the strike, in particular Lady Chatterley’s Lover (1928) by DH Lawrence and To the Lighthouse (1927) by Virginia Woolf. Further reading and a transcript available on the webpage for this episode: https://workingclasshistory.com/podcast/wcl15-literature-of-the-1926-general-strike/

Acknowledgements
Thanks to our Patreon supporters for making this podcast possible. Special thanks to Jazz Hands and Fellow Worker.
Our theme tune for this episode is Montaigne’s version of ‘When the Coal Comes from the Rhonda’, a folk song originating from Welsh miners in the early twentieth century and sung during the general strike. Download the song here. More from Montaigne: website, Instagram, YouTube.
Edited by Jesse French

Following our double-episode on the Florence Working-Class Literature Festival back in February, our co-host Matt was invited to this year’s festival, recording this episode on-site at the ex-GKN factory in Florence. Featuring the various writers, researchers, organisers, and activists in attendance, this episode captures the atmosphere of the festival at this critical time for the GKN struggle.
Our podcast is brought to you by patreon supporters of both Working Class Literature and Working Class History. Our supporters fund our work, and in return get exclusive early access to podcast episodes, bonus episodes, free and discounted merchandise and other content. Join us or find out more at patreon.com/workingclasshistory
Taking place on 4-6 April 2025, the opending day of the festival marked the 1367th day since the 400+ workforce at the GKN car parts factory in Florence was first made redundant. They subsequently seized the factory and remain in control of it to this day, despite receiving their third – and now final – redundancy notice in the days leading up to this year’s festival.Recorded on-site at the occupied GKN factory on the outskirts of Florence, this episode features the voices of various writers, researchers, organisers, and activists that we spoke to while at the festival. These conversations took place against a frenzy of activity, both for the festival but also the GKN struggle itself.

Acknowledgements
Thanks to all our patreon supporters for making this podcast possible. Special thanks to Jazz Hands, Fernando Lopez Ojeda, Nick Williams and Old Norm
Our theme tune for these episodes is ‘Occupiamola’ (or ‘Let’s Occupy It’) as sung on a GKN workers’ demonstration in 2024. Many thanks to Reel News London for letting us use their recording. Watch the documentary it’s taken from here
This episode was edited by Jesse French

Part 2 of our double episode on working-class author Jack Hilton, with Jack Chadwick whose literary detective work rescued Hilton from almost total obscurity. This part covers his novel Caliban Shrieks in more detail and how it compares to other working-class novels from the same period; his later writing and life, and how his writing career would come to an end (despite George Orwell’s efforts); and, finally, the amazing series of events that led to the rediscovery and republication of Caliban Shrieks.
Our podcast is brought to you by patreon supporters of both Working Class Literature and Working Class History. Our supporters fund our work, and in return get exclusive early access to podcast episodes, bonus episodes, free and discounted merchandise and other content. Join us or find out more at patreon.com/workingclasshistory

More information
Buy Caliban Shrieks from an independent bookshop
Listen to the bonus episode to this double episode, exclusively for our supporters on Patreon: https://www.patreon.com/posts/wcl-13-1-jack-129501458
Full show notes including sources, photos, and eventually a full transcript are available on our website: https://workingclasshistory.com/podcast/wcl12-13-jack-hilton-rochdale-caliban/
Acknowledgements
Image: Jack Hilton. Credit: Jack Chadwick.
Thanks to all our patreon supporters for making this podcast possible. Special thanks to Jazz Hands, Fernando Lopez Ojeda, Nick Williams and Old Norm.
Our theme tune is Bella Ciao, thanks for permission to use it from Dischi del Sole. You can purchase it here or stream it here.
This episode was edited by Jesse French.

Part 1 of our double episode about Jack Hilton, a working-class author, World War I veteran, unemployed movement organiser, and trade union activist from Rochdale, north-west England.

For this episode, we spoke to Jack Chadwick whose literary detective work rescued Hilton from almost total obscurity. We discussed Hilton's life growing up in Rochdale's slums, starting work at nine years old, and his activism in the National Unemployed Workers' Movement. We also talked about how he began writing, how Caliban Shrieks was celebrated within the London literary scene, and his long-term (and complex) relationship to George Orwell.

More information
Buy Caliban Shrieks from an independent bookshop
Full show notes including sources, photos, and eventually a full transcript are available on our website: https://workingclasshistory.com/podcast/wcl12-13-jack-hilton-rochdale-caliban/
Acknowledgements
Image: Jack Hilton. Credit: Jack Chadwick.
Thanks to all our patreon supporters for making this podcast possible. Special thanks to Jazz Hands, Fernando Lopez Ojeda, Nick Williams and Old Norm.
Our theme tune is Bella Ciao, thanks for permission to use it from Dischi del Sole. You can purchase it here or stream it here.
This episode was edited by Jesse French.

Part 2 of our double-episode about the Working-Class Literature Festival held every year in Florence, at the former GKN car parts factory, which was taken over by the workers after they were made redundant in 2021.

We're joined again by working-class author and one of the main organisers of the festival, Alberto Prunetti, and former GKN worker, Dario Salvetti. We also talk to another two working-class writers who have participated in the festival: Claudia Durastanti, who helps organise the festivals, and Anthony Cartwright, who has attended the last two.

In this episode, we discuss what went on at the last two festivals and what made them different from conventional literary events: from the attendees and various events and presentations to the participation of GKN workers not just in logistics but in readings and performances. We also discuss the possibilities for the future of the festival - and for the GKN struggle itself.

Full show notes including further reading, photos, a documentary about the GKN struggle, and a full transcript are available on our website: https://workingclasshistory.com/podcast/wcl10-11-florence-working-class-literature-festival/

Acknowledgements
Many thanks also to Alberto Prunetti and Edizioni Alegre for giving us permission to reproduce photos from previous years' festivals
Thanks to all our patreon supporters for making this podcast possible. Special thanks to Jamison D. Saltsman, Jazz Hands, Fernando Lopez Ojeda and Jeremy Cusimano
Our theme tune for these episodes is ‘Occupiamola’ (or ‘Let’s Occupy It’) as sung on a GKN workers’ demonstration in 2024. Many thanks to Reel News London for letting us use their recording. Watch the documentary it's taken from here
This episode was edited by Tyler Hill