Life Sentences Podcast

After the success of her debut novel My Brilliant Career, Australian writer Miles Franklin faced a familiar problem: how to write her next book and what should it be about? Her UK publisher was not keen on her ideas and so she turned to journalism and went undercover to write an exposé of the life of a domestic servant.

It was a revelation to her and to her readers: the behaviour of her employers, the exhaustion, the injuries in the course of a working day, the lack of time off, all of this written about by a spy in various well-heeled homes.

Then Miles‘ radical spirit went further and she took off for America, where she joined a network of feminist reformers.

In Miles Franklin Undercover, scholar and journalist Kerrie Davies draws on a wealth of primary sources to get inside the mind of one of the most significant and unconventional writers in Australian literary history.
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Between 1974 and 1991 Frank Arkell was the flamboyant mayor of Wollongong. But his name is forever associated with the infamy of being accused of being part of a paedophile ring. In a sensational twist, he was murdered in his home.

As the mayor of a major industrial hub, Arkell had ambitious visions of how the city could transform itself into a tourism destination with a more refined profile, and applied himself to promoting his plans with relentless conviction. But his darker side became increasingly public knowledge.

Historian Erik Eklund, who grew up in Wollongong, has written a biography of Arkell that explains his background, his impact and his legacy.
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Authorised biographies, especially of those in high office, tend to suffer from being overly respectful if not downright deferential. But in the case of Juliet Rieden’s authorised biography of Quentin Bryce, the first female Governor General of Australia, authorisation means co-operation without editorial control.

In this episode, Rieden explains her close relationship with her subject and how she used the trust she had developed with Bryce to get beyond the immaculate façade she presented in public life. The result is a portrait that is revealing of a woman of grit and determination whose country roots gave her the ability to connect with everyone she met.
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In this very revealing memoir/biography hybrid, bestselling author Bryce Courtenay’s son Adam explores the motives and personality traits that shaped his father as a public figure and parent.

As a pathological fantasist, Bryce could not resist making up stories about his ancestry and life experience growing up in South Africa. Later, he was able to harness his success in advertising to making the leap into writing fiction. But he seemed unable to distinguish between the stories he invented on the page and the stories he told about himself, causing hurt and confusion at home.

Based on his own memories and conversations with many of Bryce’s friends and associates, Adam paints a complex portrait of a generous man who did everything - from running to drinking to writing at full tilt. His books The Power of One and April Fool’s Day earned him the adoration of millions, but he could never earn the respect of the literati. In Adam Courtenay’s account, his father was better at life in public than in private, finding fame easier than family.
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Elizabeth Harrower is not a household name in Australian writing, so how has she ended up with not one but two biographies, both published within a month of each other?
By sheer coincidence, journalist Helen Trinca and literary editor Susan Wyndham both found themselves on the Harrower trail, working through the same archives, talking to the same sources, each well aware of the other. This double shot of attention is ironic, given that Harrower was best known in the fifties for her novels The Long Prospect and The Watchtower, but withdrew a subsequent novel from publication and vanished from the literary landscape until she was rediscovered in 2012 by a publisher keen to revive her work for a new audience.
Both Trinca and Wyndham met Harrower on several occasions. What conclusions did they come to and where do they differ in how they see Harrower’s life and work? How do they interpret her decision to sabotage her career? In their first joint conversation, Trinca and Wyndham compare notes.
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